Download Free Murder My Sweet 1944 Shooting Script Book in PDF and EPUB Free Download. You can read online Murder My Sweet 1944 Shooting Script and write the review.

Explores the development of film noir as a cultural and artistic phenomenon. This book traces the development of what we know as film noir from the proto-noir elements of Feuillade's silent French crime series and German Expressionism to the genre's mid-twentieth century popularization and influence on contemporary global media. By employing experimental lighting effects, oblique camera angles, distorted compositions, and shifting points-of-view, film noir's style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic, and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality. Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre's complex relationship with Afro-American culture, observable through noir's musical and sonic experiments. Key featuresTraces the history of film noir from its aesthetic antecedents through its mid-century popularization to its influence on contemporary global mediaDiscusses the influence of literary and artistic sources on the development of film noirIncludes extensive bibliographies, filmographies and recommended noir film viewingConcludes with a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism
“[An] exhaustively researched survey of Raymond Chandler’s thorny relationship with Hollywood during the classic period of film noir.” —Alain Silver, film producer and author Raymond Chandler’s seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angeles, which was still something of a frontier town, rife with corruption and lawlessness. In addition to novels, Chandler wrote short stories and penned the screenplays for several films, including Double Indemnity (1944) and Strangers on a Train (1951). His work with Billy Wilder and Alfred Hitchcock on these projects was fraught with the difficulties of collaboration between established directors and an author who disliked having to edit his writing on demand. Creatures of Darkness is the first major biocritical study of Chandler in twenty years. Gene Phillips explores Chandler’s unpublished script for Lady in the Lake, examines the process of adaptation of the novel Strangers on a Train, discusses the merits of the unproduced screenplay for Playback, and compares Howard Hawks’s director’s cut of The Big Sleep with the version shown in theaters. Through interviews he conducted with Wilder, Hitchcock, Hawks, and Edward Dmytryk over the past several decades, Phillips provides deeper insight into Chandler’s sometimes difficult personality. Chandler’s wisecracking private eye, Philip Marlowe, has spawned a thousand imitations. Creatures of Darkness lucidly explains the author’s dramatic impact on both the literary and cinematic worlds, demonstrating the immeasurable debt that both detective fiction and the neo-noir films of today owe to Chandler’s stark vision.
Edward Dmytryk was one of the so-called "Hollywood Ten" jailed for contempt of Congress for refusing to testify before the House Un-American Activities Committee in 1947. Finding himself blacklisted after his prison sentence and unable to operate under a pseudonym, he took the step of testifying and naming names to the Committee. His career resumed to considerable commercial success, but also to prolonged and bitter criticism from the left and persistent mistrust from the right. Acknowledged as one of the key figures in the development of the film noir genre, having directed one of its first films, Murder, My Sweet, Dmytryk has otherwise frequently been sidelined in critical studies because of the controversy. This book is the first to critically evaluate each of the dozens of films he made between the 1930s and the 1970s including The Young Lions, Crossfire and The Caine Mutiny, among many others.
America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, The Jazz Singer, All Quiet on the Western Front, The Birth of a Nation, and Boyz n the Hood. Others are more obscure, such as Blacksmith Scene, The Blue Bird, The Docks of New York, Star Theatre, and A Bronx Morning. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley and Chester Himes' African-American detectives in Cotton Comes to Harlem. Diversity develops further in Sara Paretsky's tough woman detective V.I. Warshawski in Indemnity Only, Umberto Eco's medievalist and postmodern The Name of the Rose and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best modern crime fiction has been primarily international--Manuel Vasquez Montalban's Catalan Summer Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, Sweden's Stieg Larsson's The Girl with a Dragon Tattoo and Vikram Chanda's Mumbai-based Sacred Games. Instructors considering this book for use in a course may request an examination copy here.
With On Screen Writing, director Edward Dmytryk offers a clear, methodical overview of the needs, practices, and problems of screenwriting, including extensive coverage of adaptation. Written In an informal, anecdotal style and using script examples from Hollywood classics, Dmytryk presents a practical set of principles for writing engaging, filmable screenplays. Originally published in 1985, this reissue of Dmytryk’s classic screenwriting book includes a new critical introduction by Mick Hurbis-Cherrier, as well as chapter lessons, discussion questions, exercises, and a glossary.
The book contains a selection of papers focusing on the idea of crossing boundaries in literary and cultural texts composed in English. The authors come from different methodological schools and analyse texts coming from different periods and cultures, trying to find common ground (the theme of the volume) between the apparently generically and temporarily varied works and phenomena. In this way, a plethora of perspectives is offered, perspectives which represent a high standard both in terms of theoretical reflection and in-depth analysis of selected texts. Consequently, the volume is addressed to a wide scope of both scholars and students working in the field of English and American literary and cultural studies; furthermore, it will be of interest also to students interested in theoretical issues linked with investigations into literature and culture.