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Murder Most Medieval is a collection of short stories set in medieval times in which murders are solved by the cleverest of methods. Included are stories by Peter Tremayne, Clayton Emery, and Ellis Peters.
Summer, 1379. Sir John Cranston, coroner of the city of London, is trapped into a wager with Signor Gian Galeazzo, Lord of Cremona, when challenged to resolve a certain murder mystery within two weeks. Men have been found dead in the scarlet chamber of one of Cremona’s manors. They have no mark upon them; they have neither drunk nor eaten poison; there are no secret passageways or entrances to the room. And they all have an awful expression of terror upon their faces. Realising his reputation and future wealth rest upon the solving of this mystery, Cranston seeks the help of his faithful secretarius, Brother Athelstan.
It is the 830s; a time of warring Anglo-Saxon kingdoms, declining monastic standards and outbursts of fear of divine retribution. Elmstow Minster – a community of nuns in the Kingdom of the East Angles – has been recently established to atone for the execution of a young prince. The minster is torn between two camps – pious nuns and those who have no intention of giving up their worldly ways. These ungodly women are supported by powerful, degenerate donors, who treat Elmstow as an aristocratic whoring nest. The abbess of Elmstow has been humiliated by the influence wielded over her minster by these rich patrons and plots revenge. Two naked bodies are discovered, hanged together. A young, introspective priest, Father Eadred, is sent to Elmstow to spy on the declining standards and against his wishes becomes entangled in the task of uncovering the guilty. He challenges the traditional approach of using an ordeal of hot iron to identify the culprits. Instead, he has the novel idea of exploring the evidence. He faces significant opposition, including an attempt on his life. Eadred is befriended by a hermit monk who becomes the only person with whom he can talk about his detection. Further murders will take place. As Eadred moves closer to the truth the situation is thrown into further disarray when the minster is attacked by the neighbouring kingdom. Can they be saved and the final culprit revealed?
1321. Simon and Baldwin are rewarded for their services in a previous investigation by a summons to Exeter over the Christmas period to receive prestigious gloves of honour from the Boy-Bishop. However, they learn that Ralph, the glovemaker, has been robbed and murdered. Soon after, a Secondary named Peter is poisoned at the cathedral. Suspicion falls on him, with many assuming that he killed Ralph and then committed suicide, but Simon and Baldwin are unconvinced. Their investigation unearths deception by the highest ranks of Exeter's leading citizens, and a ruthless murderer, poised to strike again...
THE PLAY'S THE THING, TO CATCH THE CONSCIENCE OF A KILLER... The Christmas season brings strange guests to the medieval nunnery of St. Frideswide's when a troupe of penniless players comes knocking at the gate. They bear with them the badly mangled body of a villager, swearing they found the drunken fool lying in a ditch. But Meg, the victim's wife and a scullery maid of the cloister, thinks there are far fouler deeds afoot. As the players rehearse for the nativity, ancient scandals lick at their heels and dark desperation haunts Meg's steps as she finds cruel feudal laws threatening to strip away the lands that would support both her and her sons in the wake of her husband's death. Dame Frevisse must thrust herself between these violent feuds, awakening dreams of her youth that she had believed long buried. Her very faith may be threatened, but Frevisse knows she must unravel a path to true salvation... before false raptures of lust bring ruination upon them all. NOMINATED FOR THE 1994 EDGAR AWARD PRAISE FOR THE SERVANT'S TALE "Period detail, adroit characterizations, and lively dialogue add to the pleasure of this labyrinthine tale." - Publishers Weekly "This mystery is so rich with place and time that they become characters in the story. Dame Frevisse is a stalwart, appealing sleuth and the cold, dark priory and the squalor of Medieval England are fascinating backdrops." - New Orleans Times-Picayune "The writing is seamless... The atmosphere of the book is cold and blustery, danger afield. A well-steeped sense of history prevails... They make this novel more than a mystery, but a wonderful historical dark tapestry. We are transported back to the 14th century. One of the 10 best mystery novels of 1993." - Minneapolis Star Tribune "I look forward to more murders at St. Frideswide." - The Mystery Review "Frazer never falters in this magnificent historical... This is a perfect mystery: It's flawless." - Drood Review of Mystery PRAISE FOR THE SISTER FREVISSEE MEDIEVAL MYSTERY SERIES "Exciting writing, colorful characters, and historical accuracy." - St. Paul Pioneer Press "Tale[s] of mystery, intrigue, jealousy and ambition, well drawn, well paced, and a pleasure to read." - Historical Novels Review "The series gets better and better as it goes along." - Grounds for Mystery "Margaret Frazer has quietly claimed her place as one of the preeminent writers of historical crime fiction, delivering the whole package - a good mystery, wonderful characters, and a fascinating period of history. [...] Her novels are a dream to read." - Aunt Agatha's Newsletter "Frazer's quiet yet intense medieval mysteries are so vividly and gracefully written you just float back in time..." - The Poisoned Pen "A smooth and absorbing saga of conspiracy and treachery in 15th-century England..." - Publishers Weekly A Romantic Times Top Pick. Twice nominated for the Minnesota Book Award. Twice nominated for the Edgar Award.
Gil Cunningham had hoped that the first time he set foot in the brothel on the Drygate it would also be his last, but by the time all was settled he felt quite at home within its artfully painted chambers. The bawdy house, along with the neighboring property, is offered to Gil and his wife Alys by the forceful Dame Isabella. But matters are confused by an outbreak of counterfeit coins in Glasgow, which Gil has been ordered to investigate. Then Dame Isabella is found dead in strange circumstances, and the more Gil pursues the cause of her death, the more false coins he finds. Rumors circulate that the Devil is abroad in Strathblane. By the time Gil and Alys have untangled matters, some very surprising—and sinister—things have come to light.
One powerful king. Two tragic queens. In the court of Henry VIII, it was dangerous for a woman to catch the king’s eye. Anne Boleyn and Catherine Howard were cousins. Both were beautiful women, though very different in temperament. They each learned that Henry’s passion was all-consuming–and fickle. Sophisticated Anne Boleyn, raised in the decadent court of France, was in love with another man when King Henry claimed her as his own. Being his mistress gave her a position of power; being his queen put her life in jeopardy. Her younger cousin, Catherine Howard, was only fifteen when she was swept into the circle of King Henry. Her innocence attracted him, but a past mistake was destined to haunt her. Painted in the rich colors of Tudor England, Murder Most Royal is a page-turning journey into the lives of two of the wives of the tempestuous Henry VIII. Look for the Reading Group Guide at the back of this book. Also available as an ebook.
A Shakespearean twist on the long-running Meg Langslow mystery series in this next installment from Donna Andrews, the award-winning, New York Times bestselling author of The Falcon Always Wings Twice. In Murder Most Fowl, Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production. When Goodwin hosts a showing of some of the footage he’s taken, he manages to embarrass or offend just about everyone. The next morning Meg isn’t exactly surprised to find that someone has murdered him. But who? Some people’s motives were obvious from the footage: the couple whose affair was revealed . . . the bombastic leader of the reenactors, who could be facing years in prison if the evidence from the video helps convict him of sheep stealing . . . the actress who’s desperately trying to downplay a health issue that could cost her the role of her life. Other motives are only hinted at—did the filmmaker have other footage that would reveal why one of the actors is behaving so furtively? Unfortunately, whoever murdered Goodwin also destroyed all the electronic devices on which his video was stored. So Caerphilly’s chief of police—and Meg—must rediscover the same secrets the filmmaker did if they want to catch a killer.
1154, Oseney Priory, Oxford. When the first performance of The Play of Adamends in tragedy, the author is compelled to pen a grim warning for the generations that follow: 'BEWARE THE SINS OF ENVY AND VAINGLORY, ELSE FOUL MURDER ENDS YOUR STORY' But his words are not heeded, and as the play is performed in many guises throughout the ages, bad luck seems to follow after those involved in its production. When a snow storm diverts two disparate parties of travellers to the busy market town of Carmarthen in the winter of 1199, an enigmatic stranger appears and requests to stage the play to alleviate tensions, but on the eve of the performance the actor chosen to play Cain is found dead. When the play is performed in the city of Ely in 1361, the townspeople fear the play has unleashed a demon upon the town after a gruesome discovery is made in the Cathedral. And from Shakespeare's London to war-time Surrey, no matter the time or the place, each production always seems to end in disaster. Perhaps it is simply the curse of thespian rivalry that is to blame. Or does the story of man's first murder somehow infect all who re-enact it?
Spies, secrets and suspicious circumstances: Friar-sleuth Brother Athelstan races against time to solve impossible crimes and uncover a traitor in this gripping historical mystery set in medieval London. London. March, 1382. Deep in the shadows, a clandestine organization known as the Secret Chancery operates under the sinister leadership of John of Gaunt's Master of Secrets. When two clerks from this covert group meet their demise in suspicious circumstances, friar-sleuth Brother Athelstan is urgently summoned to unravel the truth behind their deaths. A puzzling question lies at the heart of the investigation: how did the killer manage to navigate a labyrinth of locked doors, leaving no trace behind? As Brother Athelstan delves deeper into the mystery, a terrifying threat also emerges: the possibility of treason. King Richard's spies in France are also dying, almost as if someone's discovered exactly who they are . . . Brother Athelstan must race against the clock to uncover the truth before he and his companions get tangled up in the hunt for the traitor, with fatal consequences for them all.