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3 comedy murder mystery plays by Lee Mueller. A collection of earliest play scripts and some of his most popular works that have been produced nationally and internationally. This medley of mystery includes "Murder Me Always" - During a very bad performance of "Murder Me Always", a real murder takes place off stage. The Director is shot. The "fake" play comes to a halt and a "real" murder mystery begins. "Talk About A Murder" - A Television talk Show is taping a live broadcast. One of the guests turns up dead, while the show is "live" on the air. Can the hosts and guests solve the murder? Will it boost their ratings? Must the Show go on? And the award-winning "Death Of A Doornail" - An eccentric Millionaire, Albert Doornale has invited all of his close friends to his estate. Only problem is, Albert is missing. No one has seen him. Was Albert killed? Kidnapped? A murder investigation will begin, as soon as a body is found
Next Generation Indie Book Awards Finalist in Regional Fiction, Religious Fiction, and Best Cover Design Named by BuzzFeed as one of Winter 2021's Most Anticipated Historical Fiction Books and Top 10 New Books To Add To Your Reading List! It’s hot, Texas, and the year 1977. Jimmy Carter is in office. The Walters are a good, churchgoing family who stand for holiness, purity, grace, and Christian love. Except when they don't. Family patriarch and fanatic preacher, Victor Black, knows many things for sure, including the fact that abortion is murder and should be punishable by death--a position he defends live in a televised debate. Black’s youngest granddaughter, Stephanie Walters, sits in the front row wearing her frilly Sunday dress, listening carefully to every word. But it doesn't take long for cracks to appear in the Walters upstanding family facade. Stephanie's mother, Lily, begins telling unsettling stories about having a baby who died, and her story keeps changing. It’s clear Lily has a secret--one that righteous Victor Black would kill her for if he knew. This family secret burns more than the lies . . . From the Moon I WatchedHer is a coming-of-age tale about the skeletons that lurk under church pews and the little girl who goes looking for and finds them. Amid the dark and quirky terrain of camp revivals, burning crosses, and public shunnings, one child from the Southern Churches of Christ cries out.
Following on from an earlier consultation paper by the Law Commission (Consultation paper 173, ISBN 0117302597) published in October 2003, this report makes recommendations on the law and practice of the partial defences to murder of diminished responsibility and provocation, as covered by the Homicide Act 1957, with particular regard to domestic violence situations. It also considers whether there should be a partial defence to murder in cases involving the use of excessive force in self-defence. Appendices include sections detailing: research into the ways in which the law of provocation and diminished responsibility are working; a brief empirical survey of public opinion relating to partial defences to murder; a synopsis of sample cases of female defendants convicted of murder; and a sociological history of provocation and diminished responsibility.
One half of the Righteous Brothers describes his life, from entering amateur singing contests, his R&B influences, to pioneering the “blue-eyed soul” group whose “You've Lost That Lovin' Feelin'” was named as the most-played song of the twentieth century. 40,000 first printing.
Homicide has a history. In early modern England, that history saw two especially notable developments: one, the emergence in the sixteenth century of a formal distinction between murder and manslaughter, made meaningful through a lighter punishment than death for the latter, and two, a significant reduction in the rates of homicides individuals perpetrated on each other. Making Murder Public explores connections between these two changes. It demonstrates the value in distinguishing between murder and manslaughter, or at least in seeing how that distinction came to matter in a period which also witnessed dramatic drops in the occurrence of homicidal violence. Focused on the 'politics of murder', Making Murder Public examines how homicide became more effectively criminalized between 1480 and 1680, with chapters devoted to coroners' inquests, appeals and private compensation, duels and private vengeance, and print and public punishment. The English had begun moving away from treating homicide as an offence subject to private settlements or vengeance long before other Europeans, at least from the twelfth century. What happened in the early modern period was, in some ways, a continuation of processes long underway, but intensified and refocused by developments from 1480 to 1680. Making Murder Public argues that homicide became fully 'public' in these years, with killings seen to violate a 'king's peace' that people increasingly conflated with or subordinated to the 'public peace' or 'public justice.'
Mrs. Murphy digs into Virginia history—and gets her paws on a killer. The most popular citizen of Virginia has been dead for nearly 170 years. That hasn't stopped the good people of tiny Crozet, Virginia, from taking pride in every aspect of Thomas Jefferson's life. But when an archaeological dig of the slave quarters at Jefferson's home, Monticello, uncovers a shocking secret, emotions in Crozet run high—dangerously high. The stunning discovery at Monticello hints a hidden passions and age-old scandals. As postmistress Mary Minor "Harry" Haristeen and some of Crozet's Very Best People try to learn the identity of a centuries-old skeleton—and the reason behind the murder—Harry's tiger cat, Mrs. Murphy, and her canine and feline friends attempt to sniff out a modern-day killer. Mrs. Murphy and corgi Tee Tucker will stick their paws into the darker mysteries of human nature to solve murders old and new—before curiosity can kill the cat—and Harry Haristeen.
Oxford's variorum edition of William Blackstone's seminal treatise on the common law of England and Wales offers the definitive account of the Commentaries' development in a modern format. For the first time it is possible to trace the evolution of English law and Blackstone's thought through the eight editions of Blackstone's lifetime, and the authorial corrections of the posthumous ninth edition. Introductions by the general editor and the volume editors set the Commentaries in their historical context, examining Blackstone's distinctive view of the common law, and editorial notes throughout the four volumes assist the modern reader in understanding this key text in the Anglo-American common law tradition. In the final volume of the Commentaries Blackstone presents a comprehensive and critical overview of English criminal law and procedure, prefaced by a discussion of the philosophical and basis of the criminal justice system. His final chapter 'On the Rise, Progress, and Gradual Improvements, of the Laws of England' provides a fitting historical conclusion to the work as a whole.