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Discover the true story of Victorian Scotland's trial of the century. It was a case that rocked Victorian society. Emile L'Angelier was a working-class immigrant from the Channel Islands who began a clandestine affair with prominent Glasgow socialite Madeleine Smith. Six weeks after Emile threatened to show Madeleine's father their passionate letters, on 23 March 1857, he was found dead from arsenic poisoning. The evidence against Madeleine seemed overwhelming as she went to trial for murdering her lover. Douglas MacGowan's vivid account reads by turns like a thriller, a love story and a courtroom drama. He quotes extensively from contemporary sources, notably the pathology reports, the trial testimony and the infamous correspondence between Madeleine and Emile, whose explicit content so shocked Victorian sensibilities. Ultimately it is up to the reader to judge Madeleine's guilt or innocence.
Examinining the life and 1857 trial of Madeleine Smith accused of poisoning an undesired suitor, this book uses analyses of her correspondence with the victim. Her trial testimony reveals much about Victorian society, Scottish law and the woman.
This book explores the life of Madeleine Smith, who in 1857 was tried for poisoning her secret lover. As well as charting the course of this illicit relationship and Madeleine’s subsequent trial, the authors draw on a wide range of sources to pursue themes such as the nature of gender relations and the extent of women’s social and commercial activities, and to bring vividly to life the world of the mid-Victorian middle class.The book contains new discoveries about Madeleine’s long and colorful life after the trial which confirm the view that it is only in fiction that the bad end unhappily. The book will be of interest to academic social historians, but the fascination of its subject matter and the way in which much rich material is used to evoke a vivid sense of time and place, will also promote a wider interest among a more general readership.
When members of a prominent coal-mining family go missing, Scotland Yard's Murder Squad teammates Inspector Walter Day and Sergeant Nevil Hammersmith investigate dark secrets and realize that the family's village is slowly sinking into underground mines.
Madeleine Smith's murder trial was made famous by the shocking nature of her letters to the lover she was supposed to have poisoned. She has always been thought guilty of the crime, dispite the lack of enough evidence to convict her, but now, 150 years later, Campbells foresic discoveries turns the case on it's head.
"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.
Edinburgh: 1828 In the starkly-lit operating theaters of the city, grisly experiments are being carried out on corpses in the name of medical science. But elsewhere, there are those experimenting with more sinister forces. Amongst the crowded, sprawling tenements of the labyrinthine Old Town, a body is found, its neck torn to pieces. Charged with investigating the murder is Adam Quire, Officer of the newly- formed Edinburgh Police. The trail will lead him into the deepest reaches of the city's criminal underclass, and to the highest echelons of the filthy rich. Soon Quire will discover that a darkness is crawling through this city of enlightenment -- and no one is safe from its corruption. The Edinburgh Dead is a powerful fusion of gothic horror, history, and the fantastical.
Provides a collection of comic strip versions of murders in Great Britain during the Victorian era.
This book tells the remarkable stories of ten women whose inspirational lives and struggles exemplify the concerns and problems that other women have faced throughout the last two centuries. Each is the subject of a chapter devoted to her particular story and the times in which she lived. The nineteenth and twentieth centuries witnessed great changes in women's position in Scotland, and yet little is known about the achievements of the Scottish women who were the main agents of these changes. In presenting the life stories of ten women, William Knox provides evidence of the huge contribution made by women to the shaping of modern Scotland. At the same time he shows how the life histories of individuals can reveal previously dark corners of historical understanding and allow a more nuanced picture of Scottish society as a whole. Subjects include Jane Welsh Carlyle, brilliantly gifted, but married to the wayward and demanding Thomas, Sophia Jex-Blake, Scotland's first female doctor, and Mary Slessor,