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Here is the first statewide collection of true Florida murders, and, as the saying goes, truth is stranger than fiction. The Sunshine State has played host to a memorable and varied array of crimes of passion, greed, and revenge. In stories spanning from the 1860s to the 1990s, you will meet such varied characters as Lena Clarke, a killer with both her feet planted in a dozen bewildering worlds; Terry Jo, the Sea Waif; Chief Tigertail; the outlaw Ed Watson; Blue, the Enforcer; President Franklin Roosevelt; the Duke of Windsor; novelist Zora Neale Hurston; Lobster Boy; the Gulf Stream Pirate; Brother Gillette, a gentle Shaker who killed out of compassion; and Pensacola's Black Widow, a Spider Woman who killed without mercy. Next in series > > See all of the books in this series
Who were the 35 actors that performed with stars Bud Abbott and Lou Costello in radio's The Abbott and Costello Show? Do scripts survive for the old Burns and Allen shows or the children's crime fighter series The Green Hornet? Serious researchers and curious browsers interested in Golden Age radio will find a wealth of information in this reference collection. Most are from the 1930s, 1940s and 1950s, though subsequent decades are included for long-running shows. Crime series, whodunits, romances, situation comedies, variety shows, soap operas, quiz show series and others are included. Casual browsers will find tidbits on the radio careers of notables from other media (Humphrey Bogart, Ginger Rogers), mention of adaptations by famous authors (Jack London, Ray Bradbury), curious episode titles ("The Gorilla That Always Said Yeh-ah") and series titles (Whispering Streets), and interesting sponsors (Insect-O-Blitz). The first section is an alphabetical list of T.O. Library's significant radio script collections, with notes on their content and format. The second section is the guide to series scripts by program title. Entries include title and basic information, including collection(s) in which they are found; producers, directors, writers, musicians and regular cast; sponsors; and holdings by date, episode number and title. Increasing the book's usefulness for researchers are indexes by name, program and sponsor.
Soon after Satchel Paige arrived at spring training in 1937 to pitch for the Pittsburgh Crawfords, he and five of his teammates, including Josh Gibson and Cool Papa Bell, were lured to the Dominican Republic with the promise of easy money to play a short baseball tournament in support of the country’s dictator, Rafael Trujillo. As it turned out, the money wasn’t so easy. After Paige and his friends arrived on the island, they found themselves under the thumb of Trujillo, known by Dominicans for murdering those who disappointed him. In the initial games, the Ciudad Trujillo all-star team floundered. Living outside the shadow of segregation, Satchel and his recruits spent their nights carousing and their days dropping close games to their rivals, who were also stocked with great players. Desperate to restore discipline, Trujillo tapped the leader of his death squads to become part of the team management. The American players believed they might be lined up and shot if they lost the tournament. When Paige’s team ultimately rallied to win, it barely registered with Trujillo, who a few months later ordered the killings of fifteen thousand Haitians at the border between Haiti and the Dominican Republic. Paige and his teammates returned to the states to face banishment from the Negro Leagues, but ironically they barnstormed across America wearing their Trujillo All-Stars uniforms. The Pitcher and the Dictator is an extraordinary story of race, politics, and some of the greatest baseball players ever assembled, playing high-stakes baseball in support of one of the Caribbean’s cruelest dictators. For more information about The Pitcher and the Dictator, visit thepitcherandthedictator.com.
Includes John Ashley and his gang of bank robbers and bootleggers and more.
A literary history of the Haitian Revolution that explores how scientific ideas about ‘race’ affected 19th-century understandings of the Haitian Revolution and, conversely, how understandings of the Haitian Revolution affected 19th-century scientific ideas about race.
Hannah Swensen’s getting married—but first she has to solve the murder of a notorious celebrity chef—in this entry in the New York Times-bestselling series. Folks in Lake Eden, Minnesota, may have had their doubts, but at long last, Hannah Swensen is getting married! And her excitement only grows when she learns the man of her dreams will be able to join her on her trip to New York City for the Food Channel’s dessert chef contest. They get a taste of the Big Apple before Hannah wins the Hometown Challenge—and the producers bring all the contestants to Lake Eden to tape the remainder of the show. It’s nerve-wracking enough being judged by Alain Duquesne, a celebrity chef with a nasty reputation. But it’s even more chilling to find him stabbed to death in the Lake Eden Inn’s walk-in cooler—before he’s even had a chance to taste Hannah’s Butterscotch Sugar Cookies! Now Hannah has not only lost her advantage, she’ll have to solve a mystery with more layers than a five-tiered wedding cake… “Fluke’s cast is lively and winsome.”—Publishers Weekly
Why were the Victorians more fascinated with secrecy than people of other periods? What is the function of secrets in Victorian fiction and in the society depicted, how does it differ from that of other periods, and how did readers of Victorian fiction respond to the secrecy they encountered? These are some of the questions Leila May poses in her study of the dynamics of secrecy and disclosure in fiction from Queen Victoria's coronation to the century's end. May argues that the works of writers such as Charlotte Brontë, William Makepeace Thackeray, Mary Elizabeth Braddon, Edward Bulwer-Lytton, and Arthur Conan Doyle reflect a distinctly Victorian obsession with the veiling and unveiling of information. She argues that there are two opposing vectors in Victorian culture concerning secrecy and subjectivity, one presupposing a form of radical Cartesian selfhood always remaining a secret to other selves and another showing that nothing can be hidden from the trained eye. (May calls the relation between these clashing tendencies the "dialectics" of secrecy and disclosure.) May's theories of secrecy and disclosure are informed by the work of twentieth-century social scientists. She emphasizes Georg Simmel's thesis that sociality and subjectivity are impossible without secrecy and Erving Goffman's claim that sociality can be understood in terms of performativity, "the presentation of the self in everyday life," and his revelation that performance always involves disguise, hence secrecy. May's study offers convincing evidence that secrecy and duplicity, in contrast to the Victorian period's emphasis on honesty and earnestness, emerged in response to the social pressures of class, gender, monarchy, and empire, and were key factors in producing both the subjectivity and the sociality that we now recognize as Victorian.
Includes Transactions of the 16th-46th annual meeting of the American Society of Tropical Medicine.
An engaging historical narrative covering many significant events in the history of south Florida, Tropical Surge includes the major developments and setbacks in the early years of Miami and Key West, as well as an in-depth look at Henry Flagler's amazing Overseas Railway. This well-written history tells the story of the dramatic battle between human ambition and the reality of the West Indian hurricane. By 1935, at least, the hurricane had won. Includes gripping narratives of the 1919, 1926, and 1935 hurricanes in south Florida and the Keys.