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Chanse MacLeod is hired to find out who is trying to undermine a new nightclub opening in the French Quarter—but when the nightclub's publicist is murdered, the prime suspect in his boyfriend, Paul—who has a sordid past he carefully hid from Chanse. And when Paul jumps bail, it's up to Chanse to clear his boyfriend and find him, before it's too late. The second Chanse Macleod mystery.
Six weeks after Hurricane Katrina, an emotionally battered Chanse returns to a New Orleans that is a battered shell of its former vibrant self to try to pull together the shattered pieces of his life. But on arriving, he discovers that his last client before the storm was murdered shortly after she hired him to find her long missing father—and Chanse is drawn into the Verlaine family's deadly web of lies and secrets as he tries to find his client's killer against the backdrop of unbelievable destruction. The third Chanse MacLeod mystery, and winner of the Lambda Literary Award.
When Chanse MacLeod is hired to find out who is blackmailing a high profile movie star couple living in the French Quarter, he soon realizes it isn't just on a movie-set where things are make believe. Against the backdrop of a rebuilding New Orleans, Chanse races to find out the truth about his treacherous clients and to clear his own name.
Someone is killing the Grande Dames of New Orleans! It’s Christmas time, but the last thing in the world Scotty Bradley wants under his tree is a murder case that strikes close to home. The premiere party for a new reality show sets the stage for a murder, and Scotty’s sort-of nephew is the prime suspect. As more and more cast members fall victim to a cold-blooded killer, Scotty and the boys must figure out what is real and what is scripted, and have to exhume some long-buried secrets in order to bring the killer to justice. A Scotty Bradley mystery.
Blackmail in the Big Easy turns to cold-blooded murder in this debut cozy mystery perfect for fans of Jane K. Cleland. When the mysterious letter arrives by courier, Valerie Cooper doesn’t know what to make of it. She’s become the beneficiary of her late husband’s estranged uncle’s will—a man she never knew—and inherited a majority partnership in the family’s company, New Orleans Fine Antiques. Valerie knows nothing about antiques, but she decides to learn the business and become an active partner. She’s also got her hands full fending off Collette, a woman who wants to sell the huge old house in the Irish Channel neighborhood Valerie and her husband painstakingly renovated. Valerie isn’t interested in selling—but when her best friend Lauren, drags her to a costume party for the women’s Mardi Gras club, the Krewe of Athena, she stumbles over Collette’s body, a jeweled dagger sticking out of her chest. In a rush of panic, Valerie recognizes the dagger from her shop—and before she knows it, she’s become murder suspect number one. Egged on by Lauren, she starts digging into Collette’s business dealings, and the deeper she digs, the dirtier it gets. Now all fingers are pointing at Valerie. In a desperate bid to clear her name, Valerie frantically tries to find who could have gotten hold of the dagger. But among a cadre of guests in full costume, it could be impossible to find the thief—and unmask the real killer.
It begins as a simple missing persons case—a young MMA fighter's mother has mysteriously disappeared. But as New Orleans private eye Chanse MacLeod starts digging around, he discovers that she is the leader of a group fighting the powerful Archdiocese of New Orleans over the closing of two churches. As the trail leads from corrupt church officials to powerful real estate developers to the world of cage fighting, Chanse soon realizes there are a lot of powerful people who want to make sure she stays gone—and don't have a problem with getting rid of a pesky gay private eye.
In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available--including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films--this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices--a bibliography of sources and a list of Lambda Literary Awards--and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.
The Sheehans are referred to as "Louisiana's Kennedys," a powerful political dynasty with connections in Baton Rouge and Washington. When Warren Sheehan is shot to death in his Garden District mansion, Chanse races to sort out the truth from the many lies surrounding the great family as another hurricane puts New Orleans squarely in its cross hairs.
The importance of New Orleans in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on New Orleans-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The New Orleans of Fiction: A Research Guide, James A. Kaser provides detailed synopses for more than 500 works of fiction significantly set in New Orleans and published between 1836 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction—as well as literary fiction—are included.
Spring has returned to New Orleans, bringing with it the swarming termites! First-time homeowner Scotty Bradley is feeling like he may have made the biggest mistake of his life buying in the French Quarter. Between dealing with the Vieux Carré Commission rules, termite damage, and contractors, it’s a relief when his best friend David brings the accidental sleuth a case: one of his students is being harassed by a much older man who turns out to be a big wheel politician in one of the parishes outside of New Orleans, up to his neck in corruption. When the politician turns up dead and Scotty’s client is the most obvious suspect, Scotty and his friends set out to prove his client’s innocence. Lots of people wanted the man dead, but someone doesn’t want all the corruption in St. Jeanne d’Arc Parish exposed. And if that's not bad enough, someone from Scotty's past returns, making him question what he thinks he knows about himself and his own history...