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One farm. Two worlds. Three generations. Fuelled by dreams of a rural idyll, Lorna Sixsmith and her husband swap the 9 to 5 for a return to her family's ancestral farm at Garrendenny. They love the fields and lanes of their corner of Ireland where their black and white herd flourishes, the land where the patterns of their lives echo those of generations of Sixsmiths before them. But a rural existence isn't a heaven on earth. Bad weather, runaway bulls, temperamental farm machinery and cows that refuse to be milked can test anyone's patience. But not for too long – the fields, the animals and the laughter always win out. Warm, witty and wise, Lorna Sixsmith effortlessly mixes family memories, social history and her own hard-won insights into life on the land. Praise for Till the Cows Come Home 'A mesmerising tale of Irish farming ... From top cow Delilah to the stranger at the silage table, the jobs, joys and challenges are skilfully tied together ... Lorna Sixsmith is a natural storyteller in the vein of Alice Taylor.' – ANN FITZGERALD, author of A Year on Our Farm and journalist with Farming Independent 'A strong female farming voice and a vivid sense of a rural childhood ... Drink in rural life for the first time or get lost in pleasant memories. A must-read memoir.' – SHARON THOMPSON, author of The Abandoned
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
The purpose of this publication is to consolidate the training material utilized in the Managing Death Investigation Course and Death Investigation Field Schools conducted by the Behavioural Science Unit, FBI Academy,
In this revised and expanded edition, leading forensic scientist John Trestrail offers a pioneering survey of all that is known about the use of poison as a weapon in murder. Topics range from the use of poisons in history and literature to convicting the poisoner in court, and include a review of the different types of poisons, techniques for crime scene investigation, and the critical essentials of the forensic autopsy. The author updates what is currently known about poisoners in general and their victims. The Appendix has been updated to include the more commonly used poisons, as well as the use of antifreeze as a poison.
Eight classics by great Edwardian scholar and storyteller. "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre.
An atlas of mortality in Britain based on data from 1981 to 2004, this new study explores causes of death across the UK, including a description of the cause of death, a map and cartogram showing the spatial distribution of that cause, a commentary on the pattern observed and the reason for it.