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A secret war council in the White House means that Eleanor must solve a murder herself or let the press become aware of the conference.
It is 1943 and upon the eve of the Trident Conference-a highly classified council attended by FDR, Winston Churchill, and Dwight Eisenhower with the purpose of planning an invasion of Western Europe-the White House is aflutter with preparations and the presence of extra Secret Service agents and soldiers. When a body is discovered in the Lincoln Bedroom while the conferees are still in session, Eleanor Roosevelt knows that in order to keep the murder (as well as the Conference) a secret from the prying eyes of the press, not to mention foreign agents, she must solve it herself. Eleanor soon learns that the victim, Paul Weyrich, was a White House employee-one of the President's top advisors-who had been having an affair with his secretary. At first glance, it looks to be a crime of passion, instigated by Mr. Weyrich's refusal to marry his secretary. However, the deeper Eleanor digs into the case, the more clouded and uncertain the investigation becomes. Gradually, Eleanor discovers that the victim was part of a plot to assassinate the President, and she embarks on a daring plan to trap the assassin, using FDR as bait. Eleanor's skills will be put to the ultimate test as she must race to solve the mystery before the assassin strikes again. As the intrepid and charming Mrs. Roosevelt engages in her latest bit of Hawkshawing, readers are treated to all the historical re-creation and rich storytelling that have become hallmarks of the series. This satisfying wartime whodunit starring America's First Lady of Mystery is a warmly rewarding look at a fascinating era, and at a woman beloved by her family and her country-Eleanor Roosevelt.
"The Murder of Willie Lincoln is a highly original weaving of fiction and historical fact -- all of the characters are real, and the events unfold as they actually did. This is history as it happened, except for one crucial detail that makes for an irresistible historical mystery"--Cover.
Eleanor Roosevelt tries to find out who stabbed a notorious mobster in the Red Room of the White House.
When murder interrupts a top-secret council between FDR, Winston Churchill, and General Eisenhower, First Lady Eleanor Roosevelt investigates the corpse found in the Lincoln Bedroom and discovers an assassination plot targeting the president.
In a town where the weapon of choice is usually a well-aimed rumor, the strangling of Secretary of State Lansard Blaine in the Lincoln Bedroom is a gruesome first. White House counsel Ron Fairbanks is ordered to investigate. There are persistent rumors that the Secretary was an accomplished womanizer with ties to a glamorous call girl. There is also troubling evidence of unofficial connections with international wheeler-dealers. In death as in life, Blaine is a power to be reckoned with. For Fairbanks, who loves the President's daughter, one point is soon clear: only a few highly placed insiders had access to the Lincoln Bedroom that fateful evening. And one of them was the President. . . .
NEW YORK TIMES bestselling author James Swanson delivers a riveting account of the chase for Abraham Lincoln's assassin. Based on rare archival material, obscure trial manuscripts, and interviews with relatives of the conspirators and the manhunters, CHASING LINCOLN'S KILLER is a fast-paced thriller about the pursuit and capture of John Wilkes Booth: a wild twelve-day chase through the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia.
"In The Washington, D.C. of Fiction: A Research Guide, James A. Kaser provides detailed synopses for nearly four hundred works published between 1822 and 1976 and bibliographic information for hundreds more published since. Plot summaries, names of major characters, and location lists are also presented. Although this book was written to assist researchers in locating works of fiction for analysis, the plot summaries have enough detail for general readers so they can develop an understanding of the way attitudes toward Washington, and what the city symbolizes, have changed over the years. Similarly, the biographical section demonstrates the wide range of journalists, politicians, society women, and freelance writers who were motivated to write about the city."--BOOK JACKET.
Describes the events surrounding the assassination of Abraham Lincoln and the hunt to track down John Wilkes Booth and his accomplices.
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.