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Before the 1969 Stonewall Riots, LGBTQ life was dominated by the negative image of "the closet"--the metaphorical space where that which was deemed "queer" was hidden from a hostile public view. Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades, from the corseted Victorian era to the unbuttoned 1960s.
The New York Times bestselling author of Every Dark Corner returns to Baltimore, where a father-daughter reunion puts innocent victims in the sights of a stone-cold killer… Baltimore PI Clay Maynard routinely locates missing children for clients, but his own daughter—stolen by his ex-wife—has eluded him for years. Until she turns up right under his nose… Since she was a child, Taylor Dawson believed the lie her mother told her: that her father was a monster. But now she has a chance to get to know the real Clay while doing real work as an equine therapist, which includes helping two girls whose mother was brutally murdered. She might even find something deeper with her boss’s handsome son, Ford Elkhart, whose eyes are so haunted. But just as Taylor feels her life opening up to new family, work, and friends, a danger lurks in the darkness—one that will show Taylor the face of true evil…
Ever since the death of his father, poor Fellworth Dolphin has slaved away as a waiter to support his miserly, cold-hearted mother. When his mother suddenly dies, Fellworth is shocked to discover that she has left him a sizable inheritance. Confused, Fell teams up with Maggie, a plain girl with a similar background, to investigate the source of the riches. But what they find is a closet full of skeletons... Is it really possible Fell's father was involved in a long-ago train robbery? Who's the mysterious woman in the portrait hidden in his mother's wardrobe? As Maggie and Fell poke around the village for answers, they find themselves on a surprise-filled path to danger and adventure, and--just possibly--love. But Fell's sudden good fortune could come to an abrupt end if he doesn't stay one step ahead of a cunning killer... from beloved novelist M.C. Beaton comes this thrilling stand-alone mystery, The Skeleton in the Closet.
From the bestselling author of the Mrs. Pollifax books comes a new mystery habit to acquire. From the moment Sister John and Sister Hyacinthe reach the old house left to their abbey by a mysterious benefactor, their cloistered world begins to crumble. First, there is the wounded man hiding in the house, then the suitcase stuffed with money sitting at the bottom of the well, not to mention fearful apparitions in the night. Lord only knows what's going on. That is, until the good sisters, armed only with their faith and boundless energy, set things right--even if it means a shocking revelation or two about ghosts, gangsters...and murder.
It began with a brutal attack in a posh Minneapolis neighborhood. And from the first killing to the next, Todd Mills was at the center of the story. The son of Polish immigrants, Todd had changed his name and risen to the top of his field as a TV news reporter, winning two Emmy Awards along the way. Then his world came crashing down. Suddenly, the double life he'd hidden for so long was brutally uncovered: he was the secret lover of the first man to die. When Michael was murdered, Todd lost everything--including a life lived as a lie. Now he's out of the closet and under suspicion, desperately investigating the killings himself, moving through a world of gay bars, steamy nightclubs, and double identities--where the one secret that matters most belongs to a killer who will strike again . . . and again.
“Horror opened me up to new possibilities for survival … I saw power in freakery and transgression and wondered if it could be mine.” The relationship between horror films and the LGBTQ+ community? It’s complicated. Haunted houses, forbidden desires and the monstrous can have striking resonance for those who’ve been marginalised. But the genre’s murky history of an alarmingly heterosexual male gaze, queer-coded villains and sometimes blatant homophobia, is impossible to overlook. There is tension here, and there are as many queer readings of horror films as there are queer people. Edited by Joe Vallese, and with contributions by writers including Kirsty Logan and Carmen Maria Machado, the essays in It Came from the Closet bring the particulars of the writers’ own experiences, whether in relation to gender, sexuality, or both, to their unique interpretations of horror films from Jaws to Jennifer’s Body. Exploring a multitude of queer experiences from first kisses and coming out to transition and parenthood, this is a varied and accessible collection that leans into the fun of horror while taking its cultural impact and reciprocal relationship to the LGBTQ+ community seriously.
A mother calls 911 because her child, despite a fetal monitor, stopped breathing. She didn't know it, but the fetal monitor her doctor prescribed had a memory chip. Would the monitor's memory chip preserve evidence of a tragic accident or a murder?A young couple's marriage is crumbling, but they decide to take one last family trip. She will never return home. A pool of blood suggests she died from injuries caused by an accidental fall from a boat dock. So how did she wind up face down in the lake?For more than two decades, Dr. Stephen D. Cohle has been solving vexing forensic mysteries as the medical examiner for Kent County, Michigan. As a whole, the cases he considers represent a cross-section of crime in mid-America, often committed by a macabre cast of characters: Jekyll and Hyde alcoholics who turned homicidal; killers who resorted to the most bizarre methods in concealing their crimes; and the rarest species in the zoo of criminology, a two-woman team of serial killers.Based on his work with Dr. Cohle, true-crime writer Tobin T. Buhk recounts twenty-one riveting, real-life stories, each with a unique forensic twist. Offering a glimpse into the strange sights, sounds, and smells of the county morgue, these tales of intrigue, deception, and murder will fascinate true-crime buffs, fans of CSI, and readers of mystery and detective stories.Tobin T. Buhk (Grand Rapids, MI) is a freelance writer and the coauthor (with Stephen D. Cohle, MD) of Cause of Death. In preparation for writing this book, he observed and assisted Dr. Cohle and his forensic team in more than thirty-five autopsies.Stephen D. Cohle, MD (Grand Rapids, MI), a nationally recognized figure in the community of forensic medicine, is the chief medical examiner for Kent County, Michigan, and a forensic pathologist for Laboratory Pathologists, PC. He is the author (with Tobin T. Buhk) of Cause of Death and (with R. Byard) of Sudden Death in Infancy, Childhood, and Adolescence.
Aliyyah I. Abdur-Rahman argues that from the mid-nineteenth century through the twentieth, black writers used depictions of transgressive sexuality to express African Americans' longings for individual and collective freedom.
A thief finds himself in the wrong place and suspected of the wrong crime in the “unfailingly entertaining” series from bestselling author (The New York Times). It’s hard to ignore someone with his hands in your mouth. Bernie Rhodenbarr’s all ears when Dr. Sheldrake, his dentist, starts complaining about his detestable, soon-to-be-ex wife, and happens to mention the valuable diamonds she keeps lying around the apartment. Since Bernie’s been known to supplement his income as a bookstore owner with the not-so-occasional bout of high-rise burglary, a couple of nights later he’s in the Sheldrake apartment with larceny on his mind—and has to duck into a closet when the lady of the house makes an unexpected entrance. Unfortunately he’s still there when an unseen assailant does Mrs. Sheldrake in . . . and then vanishes with the jewels. Bernie’s got to come out of the closet some time. But when he does, he’ll be facing a rap for a murder he didn’t commit—and for a burglary he certainly attempted—unless he can hunt down the killer who left him hanging. “Light-hearted crime at its very best.” —Robert Ludlum “Hilarious.” —St. Louis Post-Dispatch “A forgery ring turns up—along with the breezy Manhattan repartee and charmingly crude New Yorkers we’ve come to expect from the likably smart-alecky Mr. Block.” —Kirkus Reviews