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"In Morocco, nobody dies without a reason." -- Susan Gilson Miller, Harvard University In the years leading up to World War I, the Great Powers of Europe jostled one another for control over Morocco, the last sovereign nation in North Africa. France beat out its rivals and added Morocco to its vast colonial holdings through the use of diplomatic intrigue and undisguised force. But greed and ambition alone do not explain the complex story of imperialism in its entirety. Amid fears that Morocco was descending into anarchy, Third Republic France justified its bloody conquest through an appeal to a higher ideal. France's self-proclaimed "civilizing mission" eased some consciences but led to inevitable conflict and tragedy. Murder in Marrakesh relates the story of the early days of the French conquest of Morocco from a new perspective, that of Émile Mauchamp, a young French doctor, his compatriots, and some justifiably angry Moroccans. In 1905, the French foreign ministry sent Mauchamp to Marrakesh to open a charitable clinic. He died there less than two years later at the hands of a mob. Reviled by the Moroccans as a spy, Mauchamp became a martyr for the French. His death, a tragedy for some, created opportunity for others, and set into motion a chain of events that changed Morocco forever. As it reconstructs Mauchamp's life, this book touches on many themes -- medicine, magic, vengeance, violence, mourning, and memory. It also considers the wedge French colonialism drove between Morocco's Muslims and Jews. This singular episode and compelling human story provides a timely reflection on French-Moroccan relations, colonial pride, and the clash of civilizations.
Camels, kasbahs and chaos but not necessarily in that order. Down on his luck, Harry is invited by his Aunt Jessica to accompany her on one of her history tours. When one of the group is murdered and the victim's wife is arrested, neither Harry or Aunt Jessica are convinced she is guilty. Harry's attempts to investigate land him in trouble and only with Aunt Jessica's help can he avoid arrest himself. Like your crime with a touch of humour in a travel setting? If you are a fan of M E Beaton's Agatha Raison novels or Elizabeth Peters' Vicky Bliss adventures, you love Aunt Jessica's adventures. What readers are saying about MURDER IN MOROCCO: -'A somewhat lost young man joins his globe-trotting aunt for a lecture tour in Morocco, and gets far more than he bargained for. An absorbing and entertaining whodunnit in the best tradition of British murder mysteries. Interesting characters, excellent plot and pacing, and lots of great local colour of Morocco. Kept me guessing till the very end.''Another travelling triumph for Miss Cranswick who seems to have all the right sensibilities to juggle crime and humour. This is an admirable undertaking that not everybody manages. I particularly enjoy the settings within her novels although it does give me the pang to travel. Even if there is going to be murder!' 'The thing about Judith Cranswick's books is that you get a wonderful tour of whatever place the story is set in. Judith's descriptions of various locations in Morocco makes the reader 'see' everything. No need to go on an actual tour; just read Judith's book! She shows her depth of knowledge about Morocco, from the city of Marrakech to the villages in the mountainous regions, including the traditions and the food.''Just finished reading 'Murder on Morocco' and what an enjoyable read it is. There are plenty of bodies and red herrings along the way and all set against the wonderful Moroccan backdrop, which has been added to my 'must visit' list. There is even tea and cake! There are a whole new set of characters to enjoy so let's hope there are plenty more in the series.''Poor Harry! He's been down on his luck lately, so when his aunt Jessica offers him the chance to get away from a British winter on a free holiday in return for a bit of fetching and carrying, he jumps at the chance. Sadly though, things don't exactly go according to plan, and soon he and his aunt are embroiled in Murder in Morocco.'
Time Out Marrakech gives you the ground rules for wandering this chaotic, charismatic city at will, as well as taking you direct to all the addresses you shouldn't miss, from current hip hangouts to the riad hotels of choice. Plus an insight into its unique art and architecture, the souks (markets), Jemaa El Fna, the Moroccan menu and glorious trips out of town to the desert or the mountains.
This unique anthology of crime fiction features 15 original stories of “scandals, smugglers, and other sordid tales” by award-winning Moroccan authors (CrimeReads). At first glance, Marrakech may seem like an odd setting for noir fiction. Contemporary Moroccans call it The Joyful City—a place where locals are happy to joke about gossip and quick to forget stories of crime. But in Marrakech Noir, some of Morocco’s finest authors address old wrong that have been kept hidden behind the city’s ancient gates, and spin contemporary tales of poverty, grift, and violence in this global tourist destination. Marrakech Noir features brand-new stories by Fouad Laroui, Allal Bourqia, Abdelkader Benali, Mohamed Zouhair, Mohamed Achaari, Hanane Derkaoui, Fatiha Morchid, Mahi Binebine, Mohamed Nedali, Halima Zine El Abidine, My Seddik Rabbaj, Yassin Adnan, Karima Nadir, Taha Adnan, and Lahcen Bakour.
The history of Morocco cannot effectively be told without the history of its Jewish inhabitants. Their presence in Northwest Africa pre-dates the rise of Islam and continues to the present day, combining elements of Berber (Amazigh), Arab, Sephardi and European culture. Emily Gottreich examines the history of Jews in Morocco from the pre-Islamic period to post-colonial times, drawing on newly acquired evidence from archival materials in Rabat. Providing an important reassessment of the impact of the French protectorate over Morocco, the author overturns widely accepted views on Jews' participation in Moroccan nationalism - an issue often marginalized by both Zionist and Arab nationalist narratives - and breaks new ground in her analysis of Jewish involvement in the istiqlal and its aftermath. Fitting into a growing body of scholarship that consciously strives to integrate Jewish and Middle Eastern studies, Emily Gottreich here provides an original perspective by placing pressing issues in contemporary Moroccan society into their historical, and in their Jewish, contexts.
" The Mellah of Marrakesh] captures the vibrancy of Jewish society in Marrakesh in the tumultuous last decades prior to colonial rule and in the first decades of life in the colonial era. Although focused on the Jewish community, it offers a compelling portrait of the political, social, and economic issues confronting all of Morocco and sets a new standard for urban social history." --Dale F. Eickelman Weaving together threads from Jewish history and Islamic urban studies, The Mellah of Marrakesh situates the history of what was once the largest Jewish quarter in the Arab world in its proper historical and geographical contexts. Although framed by coverage of both earlier and later periods, the book focuses on the late 19th century, a time when both the vibrancy of the mellah and the tenacity of longstanding patterns of inter-communal relations that took place within its walls were being severely tested. How local Jews and Muslims, as well as resident Europeans lived the big political, economic, and social changes of the pre- and early colonial periods is reconstructed in Emily Gottreich's vivid narrative. Published with the generous support of the Koret Foundation.
This evaluation of the work of a colonial administration uses an analysis of the policies employed in the fields of education, administration, justice and agriculture. It shows how a largely archaic and isolated country transformed itself and its relationship with the western world.
'Clever, captivating and colourful; an absorbing thriller rich in atmosphere' Philip Gwynne Jones, author of The Venetian Game and Vengeance in Venice Death stalks the medina of Marrakech . . . Marrakech, August. It is the start of Ramadan, the hottest in memory. Among the few foreigners left in the sweltering city are a riad owner, her French boyfriend and an English girl whose bag has been stolen after a hen weekend. At the local commissariat 24-year old detective Karim Belkacem is struggling to fast while holding down two jobs to pay for his sister's wedding. On the day that the English girl comes to him for help, a Moroccan girl is found dead, her body dumped in a handcart. Investigating, Karim uncovers a world of shadowy predators and ancient secrets hidden behind the high walls of the medina.
Marrakech is Southern California's newest premier country club and promises a lifetime of privileged membership for those who have reached the pinnacle of financial and social acceptance. Four golfing friends-Wolfgang Martini, Donald Diedrich, Mark Huntington, and Richard Nelson-decide to join. But they soon discover that the membership also includes con men, lechers, Mafiosi, and at least one murderer. After they become members, all four men suddenly take on roles that threaten their friendship. Martini becomes the leader of the Founding Members who are embroiled in a divisive feud with the Regular members. Nelson is a Pulitzer Prize-winning reporter who sarcastically documents Marrakech's hedonism. Diedrich takes on the dual role as the club's Don Juan and proponent for the Juanenos Indian tribe, who claim the club has usurped their land, which they need for casino development. But it's mysterious Mark Huntington who raises suspicions-he's either a government agent or a hit man. When the bodies of members start to pile up, it's anybody's guess who is responsible. Is it a member of the Mafia, someone from the Indian tribe, or one of the friends themselves?
"Aimee is thrilled when her one-time lover, Yves, an investigative journalist, returns from his assignment in Egypt and proposes marriage. She accepts and Yves places a Turkish betrothal ring on her finger. But after a single night of bliss, he meets a dreadful fate. The next day, Aimee is summoned by the Brigade Criminelle to identify a corpse found in a doorway in the Rue de Paradis. It is Yves. According to a witness, his killer was a woman in a chador." "Determined to avenge her lover's death, she ventures through Paris's Little Istanbul district. The trail leads to a sleeper jihadist and she becomes embroiled in Turkish-Kurdish political controversy."--BOOK JACKET.