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Near Miss In May, 1988, in Everett, Washington, four-year-old Feather Rahier disappeared while playing outside after dinner. Her frantic cries drew Feather's mother to the dark garage that was home to Richard Matthew Clark. Clark had stolen the child, bound and gagged her, and begun to undress her. Only at the last instant was the little girl saved by her mother's desperate intervention. The next victim wouldn't be so fortunate. Without A Trace On the night of March 31, 1995, Roxanne Doll, 7, was abducted from the bedroom she shared with her younger sister. It was not until the following day that her mother discovered Roxanne's disappearance. A week later, Roxanne's raped and stabbed body was found. Evidence led investigators to a man the family had trusted as a friend: Richard Clark. No Remorse Clark was a petty criminal, jailbird, alcohol and drug abuser who couldn't control his pedophilic and homicidal urges. In April, 1997, after his conviction for aggravated murder, he mocked and derided the dead girl's parents in a shocking courtroom display. Here is the brutal, heartbreaking true story of the crimes and punishment of a monster who preyed on the most vulnerable victims of all--and of the determined prosecutor who swore to bring him to justice. Includes 16 Pages Of Shocking Photos
Beautiful Menace (or Viral Violence) Half Japanese and half Jamaican, Aoki is young, beautiful, and known throughout her Brooklyn neighborhood as a menace to local authorities. On the eve of a brutal murder that hits close to home, Aoki needs her friends more than ever. Her ride-or-die besties, Tisa and Ri-Ri, are down to help by any means necessary, even if it puts their own freedom at risk. While coming up in the drug game, AZ gets into a situation he can't handle on his own. When he reaches out to Aoki - an unlikely ally - the girls agree to handle his problem for a small fee. When surveillance video of the conquest goes viral, the Brooklyn hood chicks are transformed into Killer Dolls. This overnight fame brings heat to the Killer Dolls, with jealousy, envy, and a dark secret threatening to destroy everything.
Dolls can't move by themselves. . . . Or can they? This special anniversary edition of the hair-raising mystery that's kept readers up at night for thirty-five years features a foreword by Goosebumps creator R.L. Stine. Amy is terrified. She hears scratching and scurrying noises coming from the dollhouse in the attic, and the dolls she was playing with are not where she left them. Dolls can't move by themselves, she tells herself. But every night when Amy goes up to check on the dollhouse, it's filled with an eerie light and the dolls have moved again! Are the dolls trying to tell her something? Could this all be connected to the murders of her great-grandparents? Sinister secrets unravel as Amy gets closer to revealing the mystery of the dolls in this haunting novel that combines complicated family relationships with a bone-chilling mystery. Even readers who love scary stories will want to keep the lights on after finishing! The all-new foreword and jacket art make this spooky classic, an Edgar award nominee, perfect for sharing with a new generation.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.
Her dolls are on display, but her crimes are hidden—until the façade begins to crack . . . A couple and their young son burn to death in a house fire. A girl dies from a nut allergy. A woman falls under a train during rush hour. An accountant falls down the steps to his basement. Their deaths appear to be accidents, but Gloria knows they were murdered. Because she murdered them. And every time Gloria kills, she buys a doll. But how many dolls will she need to keep her satisfied? Gloria craves love and happiness and friendship, and will do anything to get what she craves. But now her behavior is spinning out of control, in this dark, compelling thriller.
A girl experiments with the occult to keep her family together in this psychological thriller from the New York Times–bestselling author of Dark Corners. In a quiet house in the London suburb of Manningtree, fifteen-year-old Pup and his emotionally damaged older sister, Dolly, have become closer than ever since the death of the their mother. Pup’s bookish obsession with witchcraft gives their disordered life a sense of purpose. Dolly isn’t sure what to expect from the talisman Pup makes her, until their father brings home a vulgar new wife. Then, Dolly, resentful and suddenly empowered, makes a deadly wish—the first of many. In a depressed neighborhood on the other side of town, a paranoid hermit has been questioned in a series of brutal murders. Lately, he’s taken to living in a tunnel behind a fort of mattresses, where he keeps his knives. Soon, his life and the lives of Pup and Dolly will converge. As one of them struggles toward something close to sanity, the other two will descend even further into darkness. “Only Rendell can show us how chillingly easy it is for ordinary people to slide into criminal behavior,” and in The Killing Doll, the tumble is relentless (Oprah.com). “Rendell, who perfected the art of the truly suspenseful psychological thriller” is a three-time recipient of the Edgar Award, and the author of numerous bestsellers (The Boston Globe).
"Wood's usual Lady Luckless is poor little rich girl Eve Klein, whose millions can't buy her relief from her other inheritance: the clairvoyant powers that have recently frightened off her husband, Sam. Hoping to confront him, Eve drives from her Connecticut estate to Sam's new house in Raven Lake, New York, where she's instantly felled by a vision of a woman mutilated and dying - the handiwork of local sociopath Adam Fuller, M.D., whose eyes ("empty ... dead ... glassy. Like a doll's eyes"') give away his utter inability to feel for others, the product of a buried childhood trauma: Fuller kills in the barren hope of feeling pity for his victims. Eve's call to the cops snares homicide legend Dave Latovsky, who takes her to see psychiatrist Terrence Bunner, who happens to have Fuller as a patient. When, at a party, Bunner lets on to Fuller that Eve - whom he won't identify - saw the killer in her vision, the mad M.D. tracks a gory path to the psychic, torturing and shooting Bunner, then a local newsman and his wife, to get Eve's name and address. Meanwhile, at Bunner's funeral, Latovsky notes Fuller's Ken-doll eyes and fingers him for the killer but can't nab him before Fuller snatches Eve, hauling her to his childhood home. There, Eve flashes on the child abuse that turned Fuller into a maniac ... A lurid, loose-jointed tale whose frantic action and emotionalism nearly obscure the familiarity (Koontz, King, etc.) of Wood's themes."--Kirkus
Poetry. Based on The Nutshell Studies Of Unexplained Death, crime scene dioramas photographed by Corinne Botz, Carol Guess adds sound to the stillness of Frances Glessner Lee's bloodstained rooms.
It was just an old dollhouse. Hidden away in the attic-collecting dust. Amy didn't know that the dollhouse held a secret. A deadly secret that hadn't been talked about in years. And now, the dolls have decided that Amy should be the one to know the truth. The truth about the night of the murder... Book jacket.