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Haunted art is in the eye of the beholder . . . Artist Celeste Cabot welcomes the chance to show her paintings at a craft fair in her hometown of Gatlinburg, Tennessee, where she and her Chihuahua, Van Gogh, can park her vintage Shasta trailer and sell her creations, too. Unfortunately, her sales take a hit when a customer returns a painting, claiming it’s haunted. When a fellow vendor discovers images hidden in Celeste’s artwork—and a ghost pays her a late-night visit—she’s shocked to realize she has psychic abilities. After the grumpy manager of the craft fair is found with a knife in his neck, Celeste’s brushes with the paranormal may help fill in the picture—and make sure the wrong person doesn’t get framed . . . Praise for Rose Pressey and the Haunted Vintage Mysteries “Rose Pressey’s books are fun!” —Janet Evanovich “Chock full of ghosts, cats possessed by spirits, a handsome police officer boyfriend, and tips on the afterlife and vintage shopping.” —Kirkus Reviews “An appealing protagonist who is as sweet as a Southern accent.” —Library Journal “A sheer delight.” —Kate Carlisle
A hot-ticket charity fashion show is the perfect chance for Cookie Chanel, proud owner of It's Vintage Y'All, to show off her stylistic savvy for a good cause. But when a famous fashionista is fatally flattened, and the ghost of a former private investigator asks for Cookie's help, she has to scurry to sew up a solution. With clever clues from Wind Song, her psychic cat, and sassy suggestions from Charlotte, her ghost-in-residence, Cookie must unravel the sinister stitches of a deadly design.
Don’t miss Magpie Murders on PBS's MASTERPIECE Mystery! "A double puzzle for puzzle fans, who don’t often get the classicism they want from contemporary thrillers." —Janet Maslin, The New York Times New York Times Bestseller | Winner of the Macavity Award for Best Novel | NPR Best Book of the Year | Washington Post Best Book of the Year | Esquire Best Book of the Year From the New York Times bestselling author of Moriarty and Trigger Mortis, this fiendishly brilliant, riveting thriller weaves a classic whodunit worthy of Agatha Christie into a chilling, ingeniously original modern-day mystery. When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job. Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder. Masterful, clever, and relentlessly suspenseful, Magpie Murders is a deviously dark take on vintage English crime fiction in which the reader becomes the detective.
The ghost of an Elvis impersonator has got psychic painter Celeste Cabot all shook up... Celeste has pulled up in her pink Shasta trailer, aka mobile art studio, to the Sevier County Fair in the mountains of eastern Tennessee to sell her paintings. A highlight of the fair promises to be the celebrity impersonation contest. But the low point is when Celeste and her floppy-eared white Chihuahua Van (short for Van Gogh) find an Elvis impersonator in his trailer doing a great impression of a corpse, clutching a doughnut in his hand. Seeking a vision to solve the crime, Celeste paints her own Elvis portrait—and suddenly the ghost of the Elvis impersonator appears. They say fools rush in, but with the help of this spirit, Celeste sets out to find the real killer among all the fake celebrities. It’s now or never, because there won’t be time to tell the killer: “Don’t be cruel.”
Haunted art is in the eye of the beholder . . . Artist Celeste Cabot welcomes the chance to show her paintings at a craft fair in her hometown of Gatlinburg, Tennessee, where she and her Chihuahua, Van Gogh, can park her vintage Shasta trailer and sell her creations, too. Unfortunately, her sales take a hit when a customer returns a painting, claiming it’s haunted. When a fellow vendor discovers images hidden in Celeste’s artwork—and a ghost pays her a late-night visit—she’s shocked to realize she has psychic abilities. After the grumpy manager of the craft fair is found with a knife in his neck, Celeste’s brushes with the paranormal may help fill in the picture—and make sure the wrong person doesn’t get framed . . . Praise for Rose Pressey and the Haunted Vintage Mysteries “Rose Pressey’s books are fun!”—Janet Evanovich “Chock full of ghosts, cats possessed by spirits, a handsome police officer boyfriend, and tips on the afterlife and vintage shopping.” —Kirkus Reviews “An appealing protagonist who is as sweet as a Southern accent.” —Library Journal “A sheer delight.” —Kate Carlisle
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
The murder of Roger Ackroyd.--And then there were none.--Witness for the prosecution.--Death on the Nile.
Herb just wanted to photograph the cheerleaders in the school showers, but then he realizes he may also have photographed a murder.
Agatha Christie is the world's most popular fiction writer; her works have been outsold only by the Bible and Shakespeare. Best remembered for her classic crime novels such as Murder on the Orient Express and And Then There Were None, her works have been cherished by generations of readers. Christie, however, was also a master of the short story and this volume collects some of her finest short pieces. With such masterpieces as 'Witness for the Prosecution' (the basis for the classic film) and 'Three Blind Mice' (the basis for her Mousetrap, the longest-running play in history), as well as some of her lesser known works, including all of her supernatural suspense tales, this collection of twenty-eight ingenious tales displays Agatha Christie's full range as an author.
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.