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Young Teddie Crawford is dead from multiple stab wounds in a restaurant kitchen awash with blood. LAPD homicide detective Kate Delafield is relentless in her pursuit and capture of his killer. But bringing that killer to trial imperils Kate’s professional standing and personal privacy—and her belief in the justice system to which she has devoted her life. The suspect claims self-defense—that Teddie Crawford made a homosexual advance and backed it up with a knife. Yet everything Kate learns about Teddie Crawford tells her that his murder was deliberate. And to develop proof of first degree murder, she must find clear answers to mystifying questions for the prosecuting attorney—a woman who has never before prosecuted a homicide case. Kate is increasingly isolated as she tries to shield her young lover from the brutal realities of this case and finds few allies among her LAPD brethren. Even her partner, Ed Taylor, is loathe to aggressively pursue a case involving a dead gay man and his gay associates. As the trial date looms, she discovers she has a personal stake: the defense attorney is a man from her past. A man with the power to expose the private life she has kept rigidly separate from her life as a police officer. Murder by Tradition reaches new heights in the powerful storytelling readers have come to expect from Katherine V. Forrest. Lambda Literary Award Winner.
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
"Off with her head!" decreed the Queen of Hearts, one of a multitude of murderous villains populating the pages of children's literature explored in this volume. Given the long-standing belief that children ought to be shielded from disturbing life events, it is surprising to see how many stories for kids involve killing. Bloody Murder is the first full-length critical study of this pervasive theme of murder in children’s literature. Through rereadings of well-known works, such as Alice’s Adventures in Wonderland, the Nancy Drew Mystery Stories, and The Outsiders, Michelle Ann Abate explores how acts of homicide connect these works with an array of previously unforeseen literary, social, political, and cultural issues. Topics range from changes in the America criminal justice system, the rise of forensic science, and shifting attitudes about crime and punishment to changing cultural conceptions about the nature of evil and the different ways that murder has been popularly presented and socially interpreted. Bloody Murder adds to the body of inquiry into America's ongoing fascination with violent crime. Abate argues that when narratives for children are considered along with other representations of homicide in the United States, they not only provide a more accurate portrait of the range, depth, and variety of crime literature, they also alter existing ideas about the meaning of violence, the emotional appeal of fear, and the cultural construction of death and dying.
“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review Introduction by David Handler It wasn’t Leonard Dykes’s writing style that offended. But something in his unpublished tome seemed to lead everyone who read it to a very unhappy ending. Now four people are dead, including the unfortunate author himself, and the police think Nero Wolfe is the only man who can close the book on this novel killer. So the genius sleuth directs his sidekick to set a trap . . . and discovers that the truth is far stranger—and far bloodier—than fiction. A grand master of the form, Rex Stout is one of America’s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained—and puzzled—millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.
THE FIRST IN A NEW BOOK THEMED COZY MYSTERY SERIES You won't be able to stop turning the pages of this small town mystery, which is: Perfect for fans of Ellery Adams and Lorna Barrett A riveting bookclub cozy mystery Full of quirky, Southern charm Not every murder is by the book... As Sugar Springs gears up for its all-class high school reunion, Mississippi bookstore owner Arlo Stanley prepares to launch her largest event: a book-signing with the town's legendary alum and bestselling author, Wally Harrison. That's when Wally is discovered dead outside of Arlo's front door and her best friend is questioned for the crime. When the elderly ladies of Arlo's Friday Night Book Club start to investigate, Arlo has no choice but to follow behind to keep them out of trouble. Yet with Wally's reputation, the suspect list only grows longer—his betrayed wife, his disgruntled assistant, even the local man who holds a grudge from a long-ago accident. Between running interference with the book club and otherwise keeping it all together, Arlo anxiously works to get Chloe out of jail. And amidst it all, her one-time boyfriend-turned-private-eye returns to town, just another distraction while she digs to uncover the truth around Wally's death and just what Sugar Springs secret could have led to his murder. If you love women's murder club books, Amy Lillard's cozy mysteries are just for you!
Mystery crime fiction written in the Golden Age of Murder "A terrifically atmospheric puzzler...the ending is a stunner...like the best Golden Age crime fiction." —Booklist STARRED review '"A man who played about on the fringes of the Black Market, who had fought for Sinn Fein, who lived by his wits—and who finally became dangerous to somebody and was knocked over the head in the blackout. It may prove to be a sordid story, but I certainly find it an interesting one."' London, 1945. The capital is shrouded in the darkness of the blackout, and mystery abounds in the parks after dusk. During a stroll through Regent's Park, Bruce Mallaig witnesses two men acting suspiciously around a footbridge. In a matter of moments, one of them has been murdered; Mallaig's view of the assailant but a brief glimpse of a ghastly face in the glow of a struck match. The murderer's noiseless approach and escape seems to defy all logic, and even the victim's identity is quickly thrown into uncertainty. Lorac's shrewd yet personable C.I.D. man MacDonald must set to work once again to unravel this near-impossible mystery.
Hamas has taken power in Palestine, and the Israeli government is rounding up threats. When Palestinian policewoman Rania Bakara finds herself thrown in prison, though she has never been part of Hamas, her friend Chloe flies in from San Francisco to get her out. Chloe begs an Israeli policeman named Benny for help—and Benny offers Rania a way out: investigate the death of a young man in a village near her own. The young man’s neighbors believe the Israeli army killed him; Benny believes his death might not have been so honorable. Initially, Rania refuses; she has no interest in helping the Israelis. But she is released anyway, and returns home to find herself without a job and suspected of being a traitor. Searching for redemption, she launches an investigation into the young man’s death that draws her into a Palestinian gay scene she never knew existed. With Chloe and her Palestinian Australian lover as guides, Rania explores a Jerusalem gay bar, meets with a lesbian support group, and plunges deep into the victim’s world, forcing her to question her beliefs about love, justice, and cultural identity.
An encounter between trophy wife Carolyn Blake and her new neighbor—tall athletic artist Val Hunter—leads to a close friendship and deepening emotions that young Carolyn has never known. Suddenly, as Carolyn questions what she has always accepted, her carefully manicured domestic life begins to unravel. Husband Paul Blake, a successful rags-to-riches businessman, recognizes the threat that Val Hunter represents, and he is not about to let his wife out of his control or accept any of her stirrings of self-determination. Originally published by Naiad Press in 1986
Tough and demanding LAPD Detective Kate Delafield is the leader of the investigation into a highrise office building murder. The case is intriguing but routine—until Kate interviews the only witness, Ellen O’Neil. When Ellen O’Neil took her new job over the objections of her lover, she wasn’t expecting to become embroiled in murder. The curiosity that Kate Delafield rouses is equally unexpected. But it is never far from Ellen’s mind that she is merely a name on an interview sheet to the tight-lipped detective. Kate’s thin trail of clues are enough to convince her that she is looking for an amateur, and amateurs are notoriously unpredictable and dangerous. She finds her path increasingly intersecting with that of Ellen O’Neil, who is proving unpredictable and dangerous in a far more personal way. AMATEUR CITY is the first novel in the compelling Kate Delafield mystery series that has gripped readers all over the world.
Who is killing the crime writers of London? Find out in this “consistently entertaining . . . crime debut from sci-fi veteran Brown” (Kirkus Reviews). London, 1955. When crime writer Donald Langham’s literary agent asks for his help in sorting out “a delicate matter,” little does Langham realize what he’s getting himself into. For a nasty case of blackmail leads inexorably to murder as London’s literary establishment is rocked by a series of increasingly bizarre deaths. With three members of the London Crime Writers’ Association coming to sudden and violent ends, what at first appeared to be a series of suicides looks suspiciously like murder—and there seems to be something horribly familiar about the various methods of dispatch. With the help of his literary agent’s assistant, the delectable Maria Dupré, Langham finds himself drawing on the skills of his fictional detective hero as he hunts a ruthless and fiendishly clever killer—a killer with old scores to settle. “[A] well-paced first mystery. . . . Readers will hope a sequel is in the works.” —Publishers Weekly