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Maxine Benson, police chief in a small town, sets out to solve a murder in this work of crime fiction.
It's almost summer in small town Port Ainslie. Or is it? Temperatures are so far below normal that Police Chief Maxine Benson and her team are wearing sweaters. But is it cold enough to freeze the body of the man found in a ditch on the outskirts of town one morning? Maxine starts to investigate, but she is elbowed aside by the mostly-male provincial police force so she takes charge on her own. Soon she's visiting the victim's cold-hearted widow, tracking the widow's mysterious brother, and confronting the killer alone in a tract of forest. Will Maxine's skills solve this twisting tale of a case?
Escaping the pressures of big-city policing, Maxine Benson is happy to be appointed police chief in the resort town of Port Ainslie. Max's biggest challenge is to overcome skepticism at her ability to deal with major crimes—like the murder of Billy Ray Edwards. Few people mourn Billy Ray's passing. He was a bully and was also intent on derailing the biggest development project in the town's history. But murder's murder, and Max is ready to solve it on her own and prove her worth to the townspeople. And maybe even to herself.
Small-town police chief Maxine "Max" Benson is just settling into her new life when her ex appears on the scene. Apparently, he and his new young lover just happen to be visiting her area on holiday. Max left her marriage and the Toronto police to become chief in Port Ainslie, where she runs a three-person department with few problems and enjoys a different pace of life. That's all about to change when Max's ex-husband is accused of killing his young lover right in Max's own backyard. It seems that only Max's superior detection abilities can save him from an almost certain conviction. This is the third book in the Maxine Benson mystery series.
Newly single, stalked by a killer, and in desperate need of some chic clown shoes--Bella is one skinny mocha frapp away from total meltdown. When the Fritz Family Carnival makes its annual appearance in Truman, Bella's keen reporter instincts tell her the bright lights hide more than they reveal. Her suspicions are confirmed when one of the stars is murdered. Though the police make an immediate arrest, Bella doubts this case is quite that simple. She needs her crime-solving boyfriend, Luke, more than ever. Problem is, his ex-girlfriend has moved back to town, giving Bella some murderous thoughts of her own. Then again, there's no time for a relationship crisis when Bella's doing her best to derail her father's wedding and stay one step ahead of a killer. Is God sending her a message in all of this madness? With a murderer on the loose and her boyfriend's ex on the prowl, this undercover clown has never had more to juggle--or more to risk.
"I’d rather laugh in bad taste than cry in good taste." That’s how Josie Marshall deals with the death of her detective husband, Gabe, found naked outside their home on the beach with a bullet in his brain. Everyone calls it suicide. Josie knows it isn’t . . . but fears it could be. After all, she had provided Gabe with a motive. The clues are so strong that even Josie begins to believe Gabe shot himself. But when a horrific slaying occurs literally at her feet, she knows Gabe was murdered, and her determination to prove it carries her toward dark corners of the beach strip and exposes the darker sides of its residents. Fending off her fears with humour and outrage, she encounters a drug-crazed drifter, an organized-crime boss with romance on his mind, a woman with a murderous past and a pervert who’s been frequenting her garden shed. When a chance remark leads Josie to the astonishing truth of Gabe’s death, her story takes a shocking turn that no one could have seen coming.
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An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time