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Tomika McNeal is the catalyst who brings three friends back together long after high school in this classic whodunit. Murder at Uncle Candyman’s Grocery begins in 1982 when Tomika is arrested for murder. Flash back to 1959 when the three main characters are seniors in high school. The teens – Jonathan McNeal, Vivian Brown, and Lynda Meyers– forge a lifetime friendship. Vivian is shy and afraid to speak up for herself. Lynda acts without thinking and ends up in a lot of trouble, even after her father threatens her with reform school. Jon is spoiled by his mother and never thinks about anything except what he wants out of life. In college, each is happy to be away from the watchful eyes of their parents. Two of the friends get into trouble that could end their college careers. Lynda and Jon get caught stealing from the local grocery store and are arrested, but Jon’s mother gets them out of trouble. After graduating from college, Vivian gets a job at a local radio station, Jon becomes an insurance salesman, and Lynda joins the local police, becoming the first black female in the department. Jon and Vivian end up married. Their first child, Tomika, gets arrested for murdering a man at Uncle Candyman’s Grocery. Tomika says she doesn’t know why she killed the man. What’s the real story?
Would you kill for love? True-crime master Ron Franscell tells the grisly story of Alice and Gerald Uden, a loving couple who murdered at least four people, and live happily ever after--while cops try for decades to piece together a petrifying tale of murder and secrets. The appalling details are made even more vivid by the author's familiarity with the Wyoming times and places that formed the backdrop of his national bestseller The Darkest Night. In 1974, Alice, a desperate young mother in a gritty Wyoming boomtown, kills her husband and dumps his body where it will never be found, then slips away and starts a new life. But when her new man's ex-wife and two kids start demanding more of him, Alice delivers an ultimatum: Fix the problem or lose her forever. With Alice's help, Gerald "fixes" the problem in an extraordinarily ghastly way . . . and they live happily ever after. That is, until 2013, almost forty years later, when somebody finds a dead man's skeleton in a place where Alice thought he'd never be found. This page-turner by bestselling true-crime author Ron Franscell revisits a shocking cold case that was finally solved just when the murderers thought they'd never be caught.
A founding member of the Black Eyed Peas shares the inspiring story of his rise from the streets of East L.A. to the heights of international fame.
Now Filmed as 1947, a motion picture by Deepa Mehta Few novels have caught the turmoil of the Indian subcontinent during Partition with such immediacy, such wit and tragic power.
#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
The purpose of this publication is to consolidate the training material utilized in the Managing Death Investigation Course and Death Investigation Field Schools conducted by the Behavioural Science Unit, FBI Academy,
The 4th volume of this comprehensive work features hundreds of serial killers from Sacramento to Soviet Russia—plus numerous unsolved cases. The World Encyclopedia of Serial Killers is the most complete reference guide on the subject, featuring more than 1,600 entries about the lives and crimes of serial killers from around the world. Defined by the FBI as a person who murders three or more people with a hiatus of weeks or months between murders, the serial killer has presented unique and terrifying challenges to have walked among us since the dawn of time—a fact this extensive record makes chillingly clear. The series concludes with Volume Four, T-Z. Entries include the Terminator Anatoly Yuriyovych Onoprienko; Trailside Killer David Joseph Carpenter; Vampire of Sacramento Richard Trenton Chase; and the Voroshilovgrad Maniac Zaven Almazyan; plus the unsolved cases of the Adelaide Child Murders; the Axeman of New Orleans; the Chillicothe Killer; the Dead Women of Juarez; the Korea Frog Boy Murders; and the Volga Maniac.
The mass murder of almost thirty young boys in Houston may well have been the most heinous crime of the century. How could such a series of murders go undetected for almost three years before being exposed? The Man with the Candy is a brilliant investigative journalist’s story of the crime and the answer to that question. The night David Hilligiest didn't come home was both like and unlike other nights when other Houston boys disappeared between the years 1971 and 1973. At three in the morning the police were called, but they just said that boys were running away from the best of homes nowadays and that they'd list David as a runaway. No, there would be no official search for the youngster. Aghast, the Hilligiests, in the months that followed, hired their own detective, put up posters, even sought the aid of clairvoyants. But David never did come home again because, along with at least twenty-six other Houston boys, he had been murdered and buried by the homosexual owner of a candy factory, the mass murderer of the century, Dean Corll, according to his two teenage confessed accomplices, Elmer Wayne Henley, Jr., and David Brooks. Many of the young boys had not even been reported as missing, and the fact that they were dead would probably never have come to light had not one of the murderers confessed. For in Houston, where in a typical year the total number of murders is twice that of London despite the fact that London is six times as large and far more densely populated, missing persons and violence are likely to be considered commonplace. In the months before the trial of Henley and Brooks, Jack Olsen interviewed and probed for answers about the criminals, the victims and the city itself, which remained for the most part silent, angry and defensive. The result is a classic of true crime reportage.
Provides a social history of how the CIA used the psychedelic drug LSD as a tool of espionage during the early 1950s and tested it on U.S. citizens before it spread into popular culture, in particular the counterculture as represented by Timothy Leary, Allen Ginsberg, Ken Kesey, and others who helped spawn political and social upheaval.
This is Capote’s In Cold Blood for serial killer enthusiasts: meticulously researched, superbly written, and incredibly vivid. Don’t miss it.” —Gabino Iglesias, author of Coyote Songs America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life—and the lives of her victims. “A thoughtful and inspired take on one of the greatest poisoners in history. America’s First Female Serial Killer: Jane Toppan and the Making of a Monster seethes with rage, compulsion, and a righteous condemnation of the servitude of the underclass. A chilling and sobering read.” —Robert Levy, author of The Glittering World “McBrayer offers us a complex—and terrifying—portrait of a killer who seemed almost doomed from birth.” —Kate Winkler Dawson, author of American Sherlock: Murder, Forensics, and the Birth of American CSI “Brings the horrifying true story of Jane Toppan to lurid, novelistic life, and forces the reader face-to-face with the thoughtlessness and cruelty that helped turn a gifted, damaged child into one of America’s most legendary killers.” —Shaun Hamill, author of A Cosmology of Monsters