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When a birthday party for one of their Hampstead neighbors turns deadly, Antonia Darcy and Major Hugh Payne end up investigating the murder of one of Melisande Chevret's other guests. The aging actress becomes a natural suspect, as the victim was her love rival. But after the first murder, a second takes place at the Villa Byzantine. The owner of the house is royal biographer Tancred Vane, who swears he is innocent. And surely Catherine Hope, an elderly lady helping him with his research, can have nothing to do with it. A damning piece of evidence points to the victim's daughter—but why would a teenage girl have a dainty silk handkerchief bearing her monogram? And would she drop it so conveniently beside her mother's body? As the questions mount, Antonia Darcy and Major Payne search desperately for answers.
Lord Remnant’s eccentric parties on his privately owned Caribbean island of Grenadin are the stuff of legends ... but then the 12th Earl suddenly dies in the course of an amateur production of The Murder of Gonzago, the play within a play in Hamlet. The Times obituary gives the cause of death as “heart attack.” However, an anonymous video tape showing Lord Remnant’s final moments makes it clear that the nobleman’s demise was far from natural. As it happens so often, Antonia and Hugh Payne get involved in the sinister events surrounding Lord Remnant’s death entirely by accident. They are intrigued by the boldness of the murder, which seems to have been committed within a full view of Lord Remnant’s wife Clarissa and their four guests. Who killed Lord Remnant? Was it his drug-addicted stepson Stephan? Was it Clarissa’s Aunt Hortense, whose past contains a dark and shocking secret? Was it, as Stephan claims, the demonic “Grimaud”? Or perhaps it is the elusive Mr. Quin, who is left a vast amount of money in Lord Remnant’s will, for no apparent reason. From the Hardcover edition.
Do plots involving exchanged murders still work and who exactly is the victim? Antonia Darcy never imagined that taking her young grandson to his first day at nursery school would embroil her in a most baffling case of mistaken identity and murder. Major Payne, on the other hand, believed that it was their destiny. Olga Klimt played a dangerous game with the affections of the men in love with her, though she knew perfectly well there might be a high price to pay ... Among the unlikely murder suspects is a rich young heir to a biscuit fortune, his Aconite-addicted mother, his manservant and the headmistress of a prestigious nursery school. In this, their ninth investigation, husband and wife sleuths, Antonia Darcy and Major Payne, search desperately for answers before the killer strikes again.
Detective story writer Antonia Darcy and her husband Hugh Payne are asked to travel to Devon in order to prevent a murder on Sphinx Island, but they are far from enthusiastic as they suspect an elaborate joke. And when they hear that one of the house party guests is Romaine Garrison -Gore, another crime writer, they have no doubt that they will walk into a rather tedious variant of the Murder Weekend. After all, it is their tenth wedding anniversary and Major Payne's aunt, Lady Grylls, has been trying to think of a truly original present for them . . . But then they receive a rather sinister letter signed 'The Riddler' and become curious . . . could the devil speak true?
After a murder at their neighbor's Hampstead birthday party is followed up by a killing at the Villa Byzantine, Antonia Darcy and Major Hugh Payne must sort through a number of varied suspects, including a royal biographer, an elderly researcher, the second victim's daughter, and an aging actress.
Following the success of Paris Noir, the Akashic Noir Series has expanded to include the famously diverse and sometimes controversial suburbs of this legendary city. "A treasure chest of resources for any noir author seeking a more gruesome approach or a more relentless destruction of the soul. One might hope the real Paris suburbs are not so dark and blood drenched. But by the end of the collection, that hope seems almost foolish, and the body found on the quay seems to be the lucky guy in the story." —New York Journal of Books "The short stories center on the suburbs of Paris, fertile soil for all sorts of resentment and violence. . . .For lovers of crime noir short fiction, these are 12 stories of life lived in the raw." —Library Journal "Dark tales shine a bright light on some little-seen parts of greater Paris." —Kirkus Reviews "Paris’s suburbs—a mix of slums, posh neighborhoods, fading industrial centers, and the city’s notorious housing projects that lie out of the sight of most tourists—provide the setting for [these] 13 tales." —Publishers Weekly Featuring brand-new stories by: Cloé Mehdi, Karim Madani, Insa Sané, Christian Roux, Marc Villard, Jean-Pierre Rumeau, Timothée Demeillers, Rachid Santaki, Marc Fernandez, Guillaume Balsamo, Anne Secret, Anne-Sylvie Salzman, and Patrick Pécherot. (All stories were written in French and translated into English by Katie Shireen Assef, David Ball, Nicole Ball, and Paul Curtis Daw.) From the introduction by Hervé Delouche: The term Greater Paris is in vogue today, for it has an administrative cachet and seems to denote a simple extension of the capital—as if a ravenous Paris need only extend her web. However, it was not our goal to embrace the tenets of the metro area’s comprehensive plan, aka the Grand Projet, envisioned as a future El Dorado by the planners and developers. Rather, our aim was to depict the Parisian suburbs in all their plurality and diversity. Without pretending to encompass every spot on the map, we instead opted to give voice and exposure to the localities chosen by the writers who have been part of this adventure. Thus, we decided to adopt the word “suburbs”— in the plural, obviously, for the periphery of the capital is not a homogeneous bloc, nor is it reducible to a cliché like “the suburban ring” . . . Here are thirteen stories, decidedly noir, to be savored without sugar or sweetener.
In this book, the distinguished writer Edward N. Luttwak presents the grand strategy of the eastern Roman empire we know as Byzantine, which lasted more than twice as long as the more familiar western Roman empire, eight hundred years by the shortest definition. This extraordinary endurance is all the more remarkable because the Byzantine empire was favored neither by geography nor by military preponderance. Yet it was the western empire that dissolved during the fifth century. The Byzantine empire so greatly outlasted its western counterpart because its rulers were able to adapt strategically to diminished circumstances, by devising new ways of coping with successive enemies. It relied less on military strength and more on persuasion—to recruit allies, dissuade threatening neighbors, and manipulate potential enemies into attacking one another instead. Even when the Byzantines fought—which they often did with great skill—they were less inclined to destroy their enemies than to contain them, for they were aware that today’s enemies could be tomorrow’s allies. Born in the fifth century when the formidable threat of Attila’s Huns were deflected with a minimum of force, Byzantine strategy continued to be refined over the centuries, incidentally leaving for us several fascinating guidebooks to statecraft and war. The Grand Strategy of the Byzantine Empire is a broad, interpretive account of Byzantine strategy, intelligence, and diplomacy over the course of eight centuries that will appeal to scholars, classicists, military history buffs, and professional soldiers.
Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this short history, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation.
Why didn't the ancient Greeks or Romans wear pants? How did they shave? How likely were they to drink fine wine, use birth control, or survive surgery? In a series of short and humorous essays, Naked Statues, Fat Gladiators, and War Elephants explores some of the questions about the Greeks and Romans that ancient historian Garrett Ryan has answered in the classroom and online. Unlike most books on the classical world, the focus is not on famous figures or events, but on the fascinating details of daily life. Learn the answers to: How tall were the ancient Greeks and Romans? How long did they live? What kind of pets did they have? How dangerous were their cities? Did they believe their myths? Did they believe in ghosts, monsters, and/or aliens? Did they jog or lift weights? How did they capture animals for the Colosseum? Were there secret police, spies, or assassins? What happened to the city of Rome after the Empire collapsed? Can any families trace their ancestry back to the Greeks or Romans?