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The murder of a moderator for a school competition spells trouble for Portland P.I. partners and moms Maya Kendrick and Sandra Wallage . . . Twelve-year-old Rocco Fanelli is a spelling bee champ in the making. He’s the odds-on favorite to win the local middle-school bee and go on to the regionals, the state, and ultimately the nationals. Which is why someone is trying to intimidate him to drop out with a threatening note in his locker. Rocco’s concerned parents hire Maya and Sandra to uncover the culprit and ensure their son’s safety. But the competition turns killer when a high school teacher who’s running the bee, clearly favoring certain students, is found dead in the school supply closet. Sandra had already confronted Ellie Lambert over unfairly grading her son Ryan—which now makes her a suspect. She’s not the only one who tangled with the teacher, however, and with suspects ranging from helicopter parents to the school custodian, Maya and Sandra will need to put their heads together to spell out who had the motive and opportunity to silence Ellie Lambert . . .
Originally published: New York: Ticknor & Fields, 1984.
With murder, court battles, and sensational newspaper headlines, the story of Lizzie Borden is compulsively readable and perfect for the Common Core. Lizzie Borden took an axe, gave her mother forty whacks. When she saw what she had done, she gave her father forty-one. In a compelling, linear narrative, Miller takes readers along as she investigates a brutal crime: the August 4, 1892, murders of wealthy and prominent Andrew and Abby Borden. The accused? Mild-mannered and highly respected Lizzie Borden, daughter of Andrew and stepdaughter of Abby. Most of what is known about Lizzie’s arrest and subsequent trial (and acquittal) comes from sensationalized newspaper reports; as Miller sorts fact from fiction, and as a legal battle gets under way, a gripping portrait of a woman and a town emerges. With inserts featuring period photos and newspaper clippings—and, yes, images from the murder scene—readers will devour this nonfiction book that reads like fiction. A School Library Journal Best Best Book of the Year "Sure to be a hit with true crime fans everywhere." —School Library Journal, Starred
#1 New York Times bestseller Lisa Gardner returns with an unpredictable thriller that puts fan favorites D.D. Warren and Flora Dane on a shocking new case that begins with a vicious murder and gets darker from there. A man is dead, shot three times in his home office. But his computer has been shot twelve times, and when the cops arrive, his pregnant wife is holding the gun. D.D. Warren arrives on the scene and recognizes the woman--Evie Carter--from a case many years back. Evie's father was killed in a shooting that was ruled an accident. But for D.D., two coincidental murders is too many. Flora Dane sees the murder of Conrad Carter on the TV news and immediately knows his face. She remembers a night when she was still a victim--a hostage--and her captor knew this man. Overcome with guilt that she never tracked him down, Flora is now determined to learn the truth of Conrad's murder. But D.D. and Flora are about to discover that in this case the truth is a devilishly elusive thing. As layer by layer they peel away the half-truths and outright lies, they wonder: How many secrets can one family have?
FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.
In February 2008, during first period English class at a junior high school in Oxnard, California, blue-eyed and blond fourteen-year-old Brandon McInerney shot and killed fifteen-year-old Larry King, a brown boy, who had recently begun to identify as "Leticia." Shaken by a newspaper item about this murder and further unsettled by ongoing media that sidestepped gender identity and race in the coverage of the crime, psychologist Ken Corbett traveled to LA to attend the trial. Drawing on firsthand observations, interviews, and decades of academic work on gender and sexuality, Corbett holds the point of view of every witness up to the light. As visions of victim and perpetrator were woven and unwoven in the theater of the courtroom, a haunting story unfolds about the two young lives at the center of this tragedy, along with, but the story of their community, their families, friends, schoolmates, and teachers. Deeply compassionate, and brimming with startling insights, A Murder Over a Girl is a wrenching and unforgettable drama of the human psyche that will leave readers shaken yet newly fortified by the hope that comes from knowledge.
A coming-of-age story set during the rising tide of World War II, How to Find Your Way in the Dark follows Sheldon Horowitz from his humble start in a cabin in rural Massachusetts, through the trauma of his father's murder and the murky experience of assimilation in Hartford, Connecticut, to the birth of stand-up comedy in the Catskills--all while he and his friends are beset by anti-Semitic neighbors, employers, and criminals.
*** A NEW YORK TIMES "100 Notable Books of 2020" *** A stunning, complex narrative about the fractured legacy of a decades-old double murder in rural West Virginia—and the writer determined to put the pieces back together. In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived. For thirteen years, no one was prosecuted for the “Rainbow Murders” though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. As time passed, the truth seemed to slip away, and the investigation itself inflicted its own traumas—-turning neighbor against neighbor and confirming the fears of violence outsiders have done to this region for centuries. In The Third Rainbow Girl, Emma Copley Eisenberg uses the Rainbow Murders case as a starting point for a thought-provoking tale of an Appalachian community bound by the false stories that have been told about. Weaving in experiences from her own years spent living in Pocahontas County, she follows the threads of this crime through the complex history of Appalachia, revealing how this mysterious murder has loomed over all those affected for generations, shaping their fears, fates, and desires. Beautifully written and brutally honest, The Third Rainbow Girl presents a searing and wide-ranging portrait of America—divided by gender and class, and haunted by its own violence.
In the early nineteenth century, a series of murders took place in and around London which shocked the whole of England. The appalling nature of the crimes—a brutal slaying in the gambling netherworld, the slaughter of two entire households, and the first of the modern lust-murders—was magnified not only by the lurid atmosphere of an age in which candlelight gave way to gaslight, but also by the efforts of some of the keenest minds of the period to uncover the gruesomest details of the killings.These slayings took place against the backdrop of a London in which the splendor of the fashionable world was haunted by the squalor of the slums. Sir Walter Scott, Lord Byron, Thomas De Quincey, Thomas Carlyle, and Percy Bysshe Shelley and others were fascinated by the blood and deviltry of the macabre. In their contemplations of the most notorious murders of their time, they discerned in the act of killing itself a depth of hideousness that we have lost sight of, now living in an age in which murder has been reduced to a problem of social science and skillful detective work. Interweaving these cultural vignettes alongside criminal history, acclaimed author Michael Beran paints a vivid picture of a time when homicide was thought of as the intrusion of the diabolic into ordinary life.
"Discusses the hundreds of murders that occur in Los Angeles each year, and focuses on the story of the dedicated group of detectives who pursued justice at any cost in the killing of Bryant Tennelle"--Publisher's description.