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“An exciting romp through the maze of Washington politics.”—The Dallas Morning News During a gala benefit for the Democratic Party's hottest presidential hopeful at the glittering Kennedy Center, a young woman dies, a victim of quick and brutal violence. The murder weapon belongs to the candidate. The chief suspect is the candidate's son. The dynamic campaign of Senator Kenneth Ewald has collided with a tragedy that can send his son to jail—and wreck his own career. George Washington University law professor Mac Smith comes out of the classroom to tackle a case that's bad for Senator Ewald but may prove even worse for the nation. And Smith himself marches straight into the firing line of an unscrupulous TV evangelist who gets his orders from God and a dethroned Central American dictator who takes interference from no one. . . . “Margaret Truman has become a first-rate mystery writer.”—Los Angeles Times Book Review
Margaret Truman, who knows where all the bodies are buried inside the Beltway, has written her most thrilling novel of suspense yet. Murder at the Opera features the popular crime-fighting couple Mac Smith and his wife, Annabel Reed-Smith, as they navigate the glitz, glamour, and grime that is Washington, D.C. It ain’t over till the fat lady sings . . . but the show hasn’t even started yet when a diva is found dead. The soprano in question, a petite young Asian Canadian named Charise Lee, was scarcely a star at the Washington National Opera. But when the aspiring singer is stabbed in the heart backstage during rehearsals, she suddenly takes center stage. Georgetown law professor Mac Smith thought he’d just be carrying a rapier in Tosca as a favor for his beloved Annabel, but now they’re both being pressured by the panicked theater board to unmask a killer. Providing accompaniment will be former homicide detective, current P.I., and eternal opera fan Raymond Pawkins. Soon the Smiths find themselves dangerously improvising among an expanding cast of suspects with all sorts of scores to settle. What they uncover is an increasingly complex case reaching far beyond Washington to a dark world of informers and terror alerts in Iraq, and climaxing on a fateful night at the opera attended by none other than the President himself.
"A minor classic in its laconic, spare, compelling evocation by a participant of the shifting moods and maneuvers of the most dangerous moment in human history." —Arthur M. Schlesinger, Jr. During the thirteen days in October 1962 when the United States confronted the Soviet Union over its installation of missiles in Cuba, few people shared the behind-the-scenes story as it is told here by the late Senator Robert F. Kennedy. In this unique account, he describes each of the participants during the sometimes hour-to-hour negotiations, with particular attention to the actions and views of his brother, President John F. Kennedy. In a new foreword, the distinguished historian and Kennedy adviser Arthur Schlesinger, Jr., discusses the book's enduring importance and the significance of new information about the crisis that has come to light, especially from the Soviet Union.
The New York Times bestseller – now in paperback, with a new afterword “A must-read for those who care about justice and integrity in our public institutions.” —Alan M. Dershowitz, Esq. The Definitive Story of One of the Most Infamous Murders of the Twentieth Century and the Heartbreaking Miscarriage of Justice That Followed On Halloween, 1975, fifteen-year-old Martha Moxley’s body was found brutally murdered outside her home in swanky Greenwich, Connecticut. Twenty-seven years after her death, the State of Connecticut spent some $25 million to convict her friend and neighbor, Michael Skakel, of the murder. The trial ignited a media firestorm that transfixed the nation. Now Skakel’s cousin Robert F. Kennedy, Jr., solves the baffling whodunit and clears Michael Skakel’s name. In this revised edition, which includes developments following the Connecticut Supreme Court decision, Kennedy chronicles how Skakel was railroaded amidst a media frenzy and a colorful cast of characters—from a crooked cop and a narcissistic defense attorney to a parade of perjuring witnesses.
Margaret Truman, who knows where all the bodies are buried inside the Beltway, has written her most thrilling novel of suspense yet. Murder at the Opera features the popular crime-fighting couple Mac Smith and his wife, Annabel Reed-Smith, as they navigate the glitz, glamour, and grime that is Washington, D.C. It ain’t over till the fat lady sings . . . but the show hasn’t even started yet when a diva is found dead. The soprano in question, a petite young Asian Canadian named Charise Lee, was scarcely a star at the Washington National Opera. But when the aspiring singer is stabbed in the heart backstage during rehearsals, she suddenly takes center stage. Georgetown law professor Mac Smith thought he’d just be carrying a rapier in Tosca as a favor for his beloved Annabel, but now they’re both being pressured by the panicked theater board to unmask a killer. Providing accompaniment will be former homicide detective, current P.I., and eternal opera fan Raymond Pawkins. Soon the Smiths find themselves dangerously improvising among an expanding cast of suspects with all sorts of scores to settle. What they uncover is an increasingly complex case reaching far beyond Washington to a dark world of informers and terror alerts in Iraq, and climaxing on a fateful night at the opera attended by none other than the President himself.
Packaged with an audio CD, this title lets readers relive the JFK assassination with accounts from top reporters in text, photos, broadcasts and rare archival audio.
Who really murdered Mary Pinchot Meyer in the fall of 1964? Why was there a mad rush by CIA counterintelligence chief James Angleton to immediately locate and confiscate her diary? What in that diary was so explosive and revealing? Had Mary Meyer finally put together the intricate pieces of a bewildering, conspiratorial mosaic of information that revealed a plan to assassinate her lover, President Kennedy, with the trail ultimately ending at the doorstep of the Central Intelligence Agency? And was it mere coincidence that Mary Meyer was killed less than three weeks after the release of the Warren Commission Report? Based on years of painstaking research and interviews, much of it revealed here for the first time, author Peter Janney traces some of the most important events and influences in the life of Mary Pinchot Meyer—including her first meeting with Jack Kennedy at the Choate School during the winter of 1936, her explorations with psychedelic drugs, and finally how she supported her secret lover, the president of the United States, as he turned away from the Cold War toward the pursuit of world peace. As we approach the fiftieth anniversary of President Kennedy’s assassination—and Mary Meyer’s—Mary’s Mosaic adds to our understanding of why both took place. This paperback edition has been updated and revised with a significant postscript that focuses on Meyer’s alleged assassin, who the author finally located and confronted in person in August 2012, as well as the ongoing saga of Janney’s attempt to reopen the case based on new evidence.
NEW YORK TIMES BESTSELLER • This “superbly written true-crime story” (The New York Times Book Review) masterfully brings together the tales of a serial killer in 1970s Alabama and of Harper Lee, the beloved author of To Kill a Mockingbird, who tried to write his story. Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members, but with the help of a savvy lawyer, he escaped justice for years until a relative assassinated him at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the reverend himself. Sitting in the audience during the vigilante’s trial was Harper Lee, who spent a year in town reporting on the Maxwell case and many more trying to finish the book she called The Reverend. Cep brings this remarkable story to life, from the horrifying murders to the courtroom drama to the racial politics of the Deep South, while offering a deeply moving portrait of one of our most revered writers.
A vivid, character-driven narration of the time before, during, and after Kennedy's death, centered on the Kennedys and the Castros, two opposed sets of brothers who collectively authored one of modern history's most gripping chapters.