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Crime Scene Golgotha approaches Jesus's crucifiction from the perspecitive of a crime scene investigator: What do we know is fact? What can be historically documented? What can we deduce may have happened? Taking the popular CSI television dramas as inspiration, Crime Scene Golgotha is a direct reaction to Mel Gibson's much talked about movie The Passion of the Christ. Ian Wilson systematically outlines what is known for sure about Jesus's trial and crucifixion, as well as where art and the movies have gone astray. His investigatory methods include eyewitness testimony (that of Matthew, Mark, Luke and John), archeology, medical and forensic findings, and history, which systematically describe the most famous murder in history.
The pieces are in place. The curtain rises for the final act. God is about to die. An unprecedented conspiracy of injustice, cruelty, and religious and political interests sentenced a man guilty of no crimes to the most barbaric method of execution ever devised. The victim was no mere man. Jesus was God in the flesh. The Creator of life died. How did such a thing come to be? Who were the onlookers, the players, the fakes, frauds, and heroes? What was it like in the Upper Room that night, in the shadows of Gethsemane, or in the Praetorium awaiting Pilate's verdict? What is the meaning of the last words Jesus uttered as He gasped for breath on the cross? What if all the facts you now so well could come alive in your ind and heart as a living story, rather than as a 2000-year-old ancient account? By piecing together the narrative from the perspective of the participants, John MacArthur invites you to relive the most awesome injustice in the history of man, the unparalleled triumph of the sovereignty of God, and the passion of Christ.
This book presents a unique effort to create a new understanding of the Christian sign of the cross. At its core, it traces the conscious and unconscious influence of this visual symbol through time. What began as the crucifixion of a Jewish troublemaker in Roman-occupied Judea in the first century eventually gave rise to a broad spectrum of readings of the instrument used to accomplish such a punishment, a cross. The author argues that Jesus was a provocative, grandiose masochist whose suffering and death initially signified redemption for believers. This idea gradually morphed into a Christian sense of freedom to persecute and wage war against non-believers, however, as can be seen in the Crusades ("wars of the cross"). Many believers even construed the murder of their savior as a crime perpetrated by "the Jews," and this paranoid notion culminated in the mass murder of European Jews under the sign of the Nazi hooked cross (Hakenkreuz). Rancour-Laferriere's book is expertly written and argued; it will be readable to a large audience because it touches on many areas of controversy, interest, and scholarship. The work is critical, but not unfair; it employs psychoanalysis, art history (the study of the symbol of the cross in works of art), religion and religious texts, and world history generally. The interweaving of these various themes is what gives this work its ability to draw in readers-and will ultimately be what keeps the reader interested through the conclusion.
On April 24, 1915, Grigoris Balakian was arrested along with some 250 other leaders of Constantinople’s Armenian community. It was the beginning of the Ottoman Empire’s systematic attempt to eliminate the Armenian people from Turkey—a campaign that continued through World War I and the fall of the empire. Over the next four years, Balakian would bear witness to a seemingly endless caravan of blood, surviving to recount his miraculous escape and expose the atrocities that led to over a million deaths. Armenian Golgotha is Balakian’s devastating eyewitness account—a haunting reminder of the first modern genocide and a controversial historical document that is destined to become a classic of survivor literature.
Among the most controversial of Nazi publications was a book for children, published in 1938 under the title Der Giftpilz-or, The Poisonous Mushroom. Here, the Jewish threat to German society was portrayed in the most simplistic and elemental terms. The author, Ernst Hiemer, put together 17 short vignettes or morality stories intended to warn children of the dangers posed by Jews. Jews were depicted as conniving, thieving, treacherous liars who would do anything for personal gain. 'Avoid Jews at all costs, ' was Hiemer's underlying message. Though aimed at children aged roughly 8 to 14, Hiemer's lessons were intended for all readers-older siblings, parents, and grandparents. Following Hitler's lead, and not without justification, Jews were presented as a profound threat to German society; they had to be shunned and ultimately removed from the nation, if the German people were to flourish. Long out of circulation, and banned in Germany and elsewhere, this new edition reproduces a work of historical importance-including full color artwork by German cartoonist Philipp Rupprecht ("Fips"). The book was repeatedly cited at the Nuremberg Trials as evidence of 'Nazi cruelty', and was used by prosecutors to justify a death sentence for its publisher, Julius Streicher. If only for the sake of history, the reading public should have access to one of the more intriguing and notorious publications of the Third Reich.
In this profound and moving work, the scientist Wilhelm Reich explores the meaning of Christ's life and reveals the hidden, universal scourge that caused his agonizing death--The Emotional Plague of Mankind. Reich contends that man is faced with full responsibility for the murder of Christ all through the ages--for the murder of fellow human beings, no matter what the circumstances. Here is the blunt truth about people's true ways of being, acting and emotional reacting. Here, also, the lesson of the murder of Christ is applied to the contemporary social scene. The tragedy of Reich's own death points up the fact that the problems presented in THE MURDER OF CHRIST are acute problems of present-day society.
This is R. J. Rummel's fourth book in a series devoted to genocide and government mass murder, or what he calls democide. He presents the primary results, in tables and figures, as well as a historical sketch of the major cases of democide, those in which one million or more people were killed by a regime. In Death by Government, Rummel does not aim to describe democide itself, but to determine its nature and scope in order to test the theory that democracies are inherently nonviolent. Rummel discusses genocide in China, Nazi Germany, Japan, Cambodia, Turkey, Yugoslavia, Poland, the Soviet Union, and Pakistan. He also writes about areas of suspected genocide: North Korea, Mexico, and feudal Russia. His results clearly and decisively show that democracies commit less democide than other regimes. The underlying principle is that the less freedom people have, the greater the violence; the more freedom, the less the violence. Thus, as Rummel says, "The problem is power. The solution is democracy. The course of action is to foster freedom." Death by Government is a compelling look at the horrors that occur in modern societies. It depicts how democide has been very much a part of human history. Among other examples, the book includes the massacre of Europeans during the Thirty Years' War, the relatively unknown genocide of the French Revolution, and the slaughtering of American Indians by colonists in the New World. This riveting account is an essential tool for historians, political scientists, and scholars interested in the study of genocide.
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
"Intriguing and thought-provoking, Murder at Golgotha amounts to a latter-day Cold Case episode on a centuries-old event that has changed the lives of millions throughout the world." ---Booklist "The most definitive recent study of the historical relic." ---The Dallas Morning News on The Shroud of Turin "Wilson's outstanding study must surely be the most complete yet undertaken of the subject." ---Washington Post on The Shroud of Turin "If you want a beautifully illustrated account of the sort of evidence that can be got from papyri, textual criticism, archaeology, and grammar concerning the founder of Christianity, you will find it in Wilson." ---The Spectator on Jesus: The Evidence Murder at Golgotha approaches Jesus' crucifixion from the perspective of a crime scene investigator: What do we know is fact? What can be historically documented? What can we deduce may have happened? Taking the popular CSI television dramas as inspiration, Murder at Golgotha is a direct reaction to Mel Gibson's much talked about movie The Passion of the Christ. Ian Wilson carefully assesses what can be known about Jesus' trial and crucifixion, as well as where art and the movies have gone astray in depicting them. He systemically deploys eyewitness testimony (that embodied in Matthew, Mark, Luke, and John), archaeology, history, and medical and forensic findings to unravel the truth surrounding the most famous murder in history. Ian Wilson is a historian and writer whose many books include The Shroud of Turin, Jesus: The Evidence, Shakespeare: The Evidence, and The Blood and the Shroud. He lives with his wife, Judith Wilson, in Queensland, Australia.