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How did two teenagers brutally murder an innocent child...and why? And how did their brilliant lawyer save them from the death penalty in 1920s Chicago? Written by a prolific master of narrative nonfiction, this is a compulsively readable true-crime story based on an event dubbed the "crime of the century." In 1924, eighteen-year-old college students Nathan Leopold and Richard Loeb made a decision: they would commit the perfect crime by kidnapping and murdering a child they both knew. But they made one crucial error: as they were disposing of the body of young Bobby Franks, whom they had bludgeoned to death, Nathan's eyeglasses fell from his jacket pocket. Multi-award-winning author Candace Fleming depicts every twist and turn of this harrowing case--how two wealthy, brilliant young men planned and committed what became known as the crime of the century, how they were caught, why they confessed, and how the renowned criminal defense attorney Clarence Darrow enabled them to avoid the death penalty. Following on the success of such books as The Rise and Fall of Charles Lindbergh and The Family Romanov, this acclaimed nonfiction writer brings to heart-stopping life one of the most notorious crimes in our country's history.
This book argues that Greek tragedy as a genre is characterized by plots centering on kin killing. It contains a detailed analysis of five plays, and comprehensive documentation of this plot pattern in all of the extant tragedies, and in the lost plays of the fifth and fourth centuries B.C.E.
Kidnapped after stopping to help a woman fix her flat tire, Kate Austen manages to flee her captors and then becomes embroiled in a murder investigation after one of her captors turns up dead. Reprint.
"Take an aging, exceedingly vain actor; his very rich wife; a double dealing, double loving agent plunk them down in an elegant New York duplex and add dialogue crackling with wit and laughs and you have the basic elements for an evening of pure, sophisticated entertainment. Angela, the wife and Ted, the agent, are lovers and plan to murder Palmer, the actor, during a contrived robbery on New Year's Eve. But actor and agent are also lovers and have an identical plan to do in the wife. A murder occurs, but not one of the planned ones"--Publisher's website.
Modern scholars have followed Aristotle in noting the importance of philia (kinship or friendship) in Greek tragedy, especially the large number of plots in which kin harm or murder one another. More than half of the thirty-two extant tragedies focus on an act in which harm occurs or is about to occur among philoi who are blood kin. In contrast, Homeric epic tends to avoid the portrayal of harm to kin. It appears, then, that kin killing does not merely occur in what Aristotle calls the "best" Greek tragedies; rather, it is a characteristic of the genre as a whole. In Murder Among Friends, Elizabeth Belfiore supports this thesis with an in-depth examination of the crucial role of philia in Greek tragedy. Drawing on a wealth of evidence, she compares tragedy and epic, discusses the role of philia relationships within Greek literature and society, and analyzes in detail the pattern of violation of philia in five plays: Aeschylus' Suppliants, Sophocles' Philoctetes and Ajax, and Euripides' Iphigenia in Tauris and Andromache. Appendixes further document instances of violation of philia in all the extant tragedies as well as in the lost plays of the fifth and fourth centuries B.C.E.
A murderer is picking off the young Hollywood starlets gathered at the swanky Hearst Castle, and Lulu Kelly might be next—unless she can find the killer first in this glitzy, glamorous, and cinematic sequel to acclaimed film producer/director Adam Shankman and coauthor Laura Sullivan’s Girl About Town. After being framed for attempted murder, Lulu Kelly has earned a rest. Unfortunately, there is no rest in Hollywood for a rising starlet. Lulu and her boyfriend Freddie are invited to posh Hearst Castle, where Lulu will be competing against other young actresses for the role of a lifetime. But what’s a house party without a little murder? When a rival actress is found dead under the dining room table, Lulu makes it her mission to solve the mystery. But illusion is this town’s number one export, and it’s hard to tell the ambitious from the truly evil. As the clues pile up, Lulu and Freddie race to find the killer, even as Lulu becomes the next target.
When Skye Denison's brother forms a band called Pink Elephant, the town goes wild-maybe too wild. First, a groupie turns stalker, seducing the band members one by one. Then, one of the Pink Elephants winds up murdered. Who's to blame? Everyone seems to think it's the drummer-and now Skye has to clear her brother's name.
Kriminalroman.
Hoping that her struggles as a recently divorced mom will soon be over, Kate Austen is hired by a new friend to produce some artwork, but the job is cut short suddenly in the light of the friend's suspicious suicide. Reprint.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?