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Since 1991 the city of Joliet, Illinois, has commissioned painters for a series of public murals. Free to use their own styles and follow their particular visions, the artists gave Joliet a diverse and dramatic body of public art that is also a statement of civic pride and a revival of a venerable midwestern tradition. Arrayed with color plates of the murals and accompanied by biographical sketches of the artists, this impressive volume documents the rich ethnic, racial, and cultural heritage that informs the art. An old industrial city thirty-five miles south of Chicago, Joliet has a mixed ethnic population. The murals of Joliet reflect this diversity, featuring the experiences of African Americans, Mexican Americans, Italian Americans, German and Irish immigrants, and the city's Slovenian community. Bold, colorful pieces acknowledge industrial and natural resources, including the Illinois and Michigan Canal, the Des Plaines River, the region's limestone quarries, and the Sauk trail. They pay tribute to the area's farmers as well as to individuals such as labor leader Samuel Gompers and the dancer, choreographer, and anthropologist Katherine Dunham. Above all, Murals: The Great Walls of Joliet documents the profound transformation in the local mentality wrought by the development of public art in the city. Underwritten by a community group, Friends of Community Public Art, the Joliet murals project stands as a model for modern municipal patronage, evidence of a population's decision to invest in public art to enrich its environment and express the ideals of the whole community.
Public art commissions--how to find them, how to get them. * First-hand advice from experienced public artists * Written by an artist for artists * Includes expert information on public art law Learn how to find, apply for, compete for, and win a public art commission. First-hand interviews with experienced public artists and arts administrators provide in-the-trenches advice and insight, and a chapter on public art law, written by Barbara Hoffman, the country's leading public art law attorney, answers questions about this complex area. Packed with details on working with contracts, conflict, controversy, communities, committees, and more, The Artist’s Guide to Public Art shows artists the way to cut through the red tape and win commissions that are rewarding both financially and artistically.
In The Art of Placemaking, Ronald Lee Fleming adopts a practical approach to tackling public art and community planning in the US as they are experienced today. Through detailed, in-depth case studies he discusses the development of placemaking initiatives since 1990, accompanying beautiful and approachable examples with constructive criticism of those he sees as less successful. The case studies deal with varied project, ranging from a clock with bronze bells that marks the gateway to downtown Cincinnati to the beautification of a water treatment plant in Cambridge, Masschusetts; and from a terrazzo floor incorporating sea-creatures at Miami International Airport Florida, to a firefighters' memorial in Boston.
Each section of the book begins with a new essay by the original editor of the pieces therein that reconsiders the era and larger issues at play in the art world when they were first published. The result is a fascinating portrait of the individuals who ran the New Art Examiner and an inside look at the artistic trends and aesthetic agendas that guided it. Derek Guthrie and Jane Addams Allen, for instance, had their own renegade style. James Yood never shied away from a good fight. And Ann Wiens was heralded for embracing technologies and design. The story of the New Art Examiner is the story of a constantly evolving publication, shaped by talented editors and the times in which it was printed.