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Andy Warhol (1928-1987) famously once declared: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it." In 1984, the avatar of superficiality took on a potentially surprising new subject: the work of Norwegian Symbolist Edvard Munch (1863-1944). Warhol made an extensive series of prints based on four of Munch's major subjects--the iconic "The Scream," "Madonna," "Self-Portrait" and "The Brooch"--working with dazzling new color tones including silver and gold. Published on the occasion of an exhibition at the Louisiana Museum of Modern Art, and featuring a beautiful silkscreened cover, Warhol after Munch unites Warhol's unusual series with its source material. With some never-before-reproduced works, along with in-depth scholarly essays, this catalogue is a must for fans of Munch and Warhol alike, and anyone interested in the cross-germination of visual ideas.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
This fascinating exploration of the life and art of Edvard Munch draws from the artist's copious journal entries, notes, letters, literary exercises, and photographs to present a groundbreaking approach to understanding one of the most compelling Expressionist painters. Like many artists, Munch did not limit himself to visual expression. For much of his career, he wrote almost as much as he painted, and many of his major art works began as literary sketches. However, as this gorgeous and unusual volume makes clear, Munch did not write to explain his art, but as an extension of it. Poul Erik Tojner's careful and insightful analysis of Munch's writings, many of which have been preserved in the Munch Museum in Oslo, reveals the deep connection between writing and painting in Munch's life. Ingeniously organized by themes, the book presents beautiful reproductions of paintings, prints, and journal excerpts as they deepen our understanding of this compelling artist and provide interesting clues to the themes he returned to again and again.
Warhol's Queens offers a surprising mosaic consisting of his portraits of royal queens and images of drag queens. For Andy Warhol (1928-1987), both genuine as well as fake queens slipped into the role of idealized movie-star femininity, devoting their lives to handing down a glittering and sparkling way of life and presenting it to the public for (not all too) close inspection. The volume juxtaposes Warhol's Polaroids of Princess Caroline of Monaco, Farah Diba Pahlavi, and Crown Princess Sonja, now Queen Sonja of Norway, with drag queens, all of whom Warhol characterized as "living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be." Warhol's Queens presents intense faces with exceptionally colored lips, eyes, and hair that serve as sexual fetishes and are too tempting to be resisted. Along with in-depth scholarly essays, this book is a must both for Warhol fans as well as anyone interested in photography and portraiture.
Ce catalogue d'exposition exxplore la relation entre les artistes Jasper Johns et Edvard Munch.
Published to accompany an exhibition at the Hunterian Museum and Art Gallery, University of Glasgow from 12 June to 5 September 2009 and the National Gallery of Ireland, Dublin from 18 September to 6 December 2009.
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
"Just as Leonardo da Vinci studied the recesses of the human body and dissected cadavers, I try to dissect souls" said Edvard Munch (1863-1944), Norway's greatest artist and tortured genius. In this ground-breaking new study Munch's own soul is laid bare through the first English translation and analysis of diaries, literary sketches, and letters, presented together with his most important artistic works. Preserved in the archives of the Munch Museum in Oslo, to which they were presented by the artist himself, Munch's writings give a unique insight into one of the most fascinating artistic minds of the twentieth century. Munch was as influenced by the literary and philosophical context of turn-of-the-century Europe as he was by his artistic milieu, and by his own admission, several of his major works began as literary sketches. Beautifully illustrated with drawings, paintings, and Munch's own photography, this book presents an intimate portrait of the artist's life -- the early death of his mother, his childhood illnesses, his tragic love affair -- through his own philosophical and literary pieces. Interweaving Munch's artistic and literary experiences, these texts provide a commentary on his works and personal philosophy, on the works of his contemporaries (Van Gogh among others), and on the sensibilities of his friends and family. Expertly contextualised by Poul Erik Tojner Munch: In His Own Words brings the world of the artist vividly to life.
The question “What is America?” has taken on new urgency. Weak Nationalisms explores the emotional dynamics behind that question by examining how a range of authors have attempted to answer it through nonfiction since the Second World War, revealing the complex and dynamic ways in which affects shape the literary construction of everyday experience in the United States. Douglas Dowland studies these attempts to define the nation in an eclectic selection of texts from writers such as Simone de Beauvoir, John Steinbeck, Charles Kuralt, Jane Smiley, and Sarah Vowell. Each of these texts makes use of synecdoche, and Weak Nationalisms shows how this rhetorical technique is variously driven by affects including curiosity, discontent, hopefulness, and incredulity. In exploring the function of synecdoche in the creative construction of the United States, Dowland draws attention to the evocative politics and literary richness of nationalism and connects critical literary practices to broader discussions involving affect theory and cultural representation.