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It is arguably the most common theme in ABDL fiction – becoming a baby again, perhaps forever For many Adult Babies, the idea of being able to give into our wishes and desires completely and without restriction is a wonderful concept and one that grabs our attention. For the vast majority of adult babies, the expression of our inner infant is complicated by endless compromises and limits on what we can actually do. Infancy is entrancing to almost everyone, but for some, infancy is only a diaper-change away and stories of grownups reverting to babyhood is less fiction than an innate desire that we express on the pages of a book. Baby Solutions The Regression of Baby Noah Chosen
It is arguably the most common theme in ABDL fiction – becoming a baby again, perhaps forever and perhaps completely so. For many Adult Babies, the idea of being able to give into our wishes and desires completely and without restriction is a wonderful concept and one that grabs our attention. For the vast majority of adult babies, the expression of our inner infant is complicated by endless compromises and limits on what we can actually do. Our partners limit us. Our finances limit us. Social acceptance - and the lack thereof – limits us. Friends, employment, family and other issues limit us. But fiction can overcome all of these. In fiction, we can bend the rules of probability, break the bounds of social norms and erase the limits that otherwise keep us from expressing our inner infancy the way we wish. In these three books, you will read of adults that become complete babies once more. If they are not originally completely willing to become babies again, they quickly discover the joys, the peace and comfort of nappies, baby clothes, bottle feeds and baby toys. Infancy is entrancing to almost everyone, but for those special people – adult babies – infancy is only a nappy-change away and stories of grownups reverting to babyhood is less fiction than an innate desire that we express on the pages of a book. Enjoy your stay in the world of refreshing infancy. Enjoy your nappies and rubber pants!
It is arguably the most common theme in ABDL fiction – becoming a baby again, perhaps forever and perhaps completely so. For many Adult Babies, the idea of being able to give into our wishes and desires completely and without restriction is a wonderful concept and one that grabs our attention. For the vast majority of adult babies, the expression of our inner infant is complicated by endless compromises and limits on what we can actually do. Our partners limit us. Our finances limit us. Social acceptance - and the lack thereof – limits us. Friends, employment, family and other issues limit us. But fiction can overcome all of these. In fiction, we can bend the rules of probability, break the bounds of social norms and erase the limits that otherwise keep us from expressing our inner infancy the way we wish. In these three books, you will read of adults that become complete babies once more. If they are not originally completely willing to become babies again, they quickly discover the joys, the peace and comfort of nappies, rubber pants, baby clothes, bottle feeds and baby toys. Infancy is entrancing to almost everyone, but for those special people – adult babies – infancy is only a nappy-change away and stories of grownups reverting to babyhood is less fiction than an innate desire that we express on the pages of a book. Enjoy your stay in the world of refreshing infancy.
How many times do you wish you were a baby again? Nappies, cots, baby bottles, toys and all that being a baby entails. Is that what you would like - at least at times? This book has three long stories about three men who had the opportunity to become a baby again. For them, it became more than a lifestyle, it became LIFE itself. They found - or were found by - women who would make them babies again. You will be entranced by the stories and wonder just how YOU would feel in the same situation. For a few people, these stories are not mere fiction, but mirror their own actual lives The Three Books are: My Baby, Callum. A Baby for Felicity The Snoop
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
A modern parenting classic—a guide to a new and gentle way of understanding the care and nurture of infants, by the internationally renowned childcare expert, podcaster, and author of No Bad Kids “An absolute go-to for all parents, therapists, anyone who works with, is, or knows parents of young children.”—Wendy Denham, PhD A Resources for Infant Educarers (RIE) teacher and student of pioneering child specialist Magda Gerber, Janet Lansbury helps parents look at the world through the eyes of their infants and relate to them as whole people who have natural abilities to learn without being taught. Once we are able to view our children in this light, even the most common daily parenting experiences become stimulating opportunities to learn, discover, and connect with our child. A collection of the most-read articles from Janet’s popular and long-running blog, Elevating Child Care focuses on common infant issues, including: • Nourishing our babies’ healthy eating habits • Calming your clingy, fearful child • How to build your child’s focus and attention span • Developing routines that promote restful sleep Eschewing the quick-fix tips and tricks of popular parenting culture, Lansbury’s gentle, insightful guidance lays the foundation for a closer, more fulfilling parent-child relationship, and children who grow up to be authentic, confident, successful adults.
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
It is arguably the most common theme in ABDL fiction - becoming a baby again, perhaps forever For many Adult Babies, the idea of being able to give into our wishes and desires completely and without restriction is a wonderful concept and one that grabs our attention. For the vast majority of adult babies, the expression of our inner infant is complicated by endless compromises and limits on what we can actually do. Infancy is entrancing to almost everyone, but for some, infancy is only a nappy-change away and stories of grownups reverting to babyhood is less fiction than an innate desire that we express on the pages of a book.Baby SolutionsThe Regression of Baby NoahChosenNOTE: These are the NAPPY versions of these books. The DIAPER versions are in the 'Who wants to be a baby again' series