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The Rough Guide Snapshot to Mumbai is the ultimate travel guide to India's most dynamic city. It guides you through the city with reliable information and comprehensive coverage of all the sights and attractions, from priceless Indian art in the Chhatrapati Shivaji Museum to the imposing Gateway to India and Taj hotel, plus places to escape the crowds including Chowpatty Beach and Marine Drive. Detailed maps and up-to-date listings pinpoint the best cafés, restaurants, hotels, shops, bars and nightlife, ensuring you have the best trip possible, whether passing through, staying for the weekend or longer. Also included is the Basics section from The Rough Guide to India, with all the practical information you need for travelling in and around Mumbai, including transport, food, drink, costs, health, activities and tips for travelling with children. Also published as part of The Rough Guide to India. Full coverage: Taj Mahal Palace & Tower, Colaba Causeway, Gateway to India, Kala Ghoda art galleries, Chhatrapati Shivaji Museum, Oval Maidan, Fort district, Crawford Market and the bazaars, Marine Drive, Chowpatty Beach, Malabar Hill, Mahalakshmi Temple, Haji Ali's Tomb, Elephanta (Equivalent printed page extent 102 pages).
The decolonization of countries in Asia and Africa is one of the momentous events in the twentieth century. But did the shift to independence indeed affect the lives of the people in such a dramatic way as the political events suggest? The authors in this volume look beyond the political interpretations of decolonization and address the issue of social and economic reorientations which were necessitated or caused by the end of colonial rule. The book covers three major issues; public security; the changes in the urban environment, and the reorientation of the economies. Most articles search for comparisons transcending the colonial period to the early decades of independence in Asia and Africa (1930's-1970's). The volume is part of the research programme 'Indonesia across Orders' of the Netherlands Institute for War Documentation.
Bharat. Son of Kaikeyi. Brother of Rama. Reluctant king of Kosala. Bharat’s carefree life in Kekeya is turned upside down by the death of his father Raja Dashratha and the exile of his brother and crown prince Rama. Untrained in statecraft and unsure of himself, Bharat begins his rule over Kosala by tackling an audacious rakshasa attack on Ayodhya. There’s more trouble brewing. As the magic that sustains the kingdom starts weakening and a drought looms over Kosala, Ayodhya’s citizens begin to disappear mysteriously. Ambitious aristocrats manipulate the inexperienced king to their ends, while fickle allies seize the opportunity to assert their independence. And unknown to Bharat, the Lord of Lanka has put a cunning plan into action that will break the back of Ayodhya’s resistance. Beset by challenges, will Bharat lose Ayodhya so early in his reign? Crackling with characters overlooked and forgotten by the Ramayana, The Warlord of Ayodhya is a thrilling spinoff by bestselling fantasy author Shatrujeet Nath. SHATRUJEET NATH is the creator of the runaway national bestselling series Vikramaditya Veergatha, and the upcoming alternative mythology series Warlord of Ayodhya. Described as “a new face to Indian mythology” by DNA, Shatrujeet writes for movies and web shows as well.
A chaotic, 13-million-strong melting pot of ethnic groups from all over India, Mumbai is India's economic engine and home to the world's largest film industry. 600 kilometres away, the golden beaches of Goa feel like another country. Drawing on insider expertise, this book discusses both locales.
Comparative study of Marxism and Gandhian economics.
Project Cinema City is an anthology of text and image essays, documentation transcripts, maps, graphics, annotated artworks, and films on various configurations of the cinema and the city of Bombay/Mumbai. This volume has evolved out of and is the culmination, in a sense, of Project Cinema City: Research Art and Documentary Practices - an expansive project initiated by Majlis, a center for multidisciplinary art initiatives in Mumbai, and developed over five years, from 2008 to 2012. The contributors to the book include filmmakers, visual artists, designers, architects, photographers, historians and other social scientists. Project Cinema City is primarily a set of inquiries into the labor, imagination, desire, access, spaces, locations, iconization, materiality, languages, moving peoples, viewing conventions, and hidden processes that inform the cinemas the city makes, and also the cities its cinema produces. The inquiries are based on the hypothesis that cinema in the terrain of cinema city is as much everyday practice as it is a part of a speculative desirescape. Hence this volume presents cinema as a manufacturing enterprise that alters through shifts in materials, technologies, labor inflow, distribution territories, demographic patterns and development policies, and the city as a phenomenon that continuously evolves through the interface between lived reality and the reality perceived in cinema. The main aim of this volume is to convey the richness of documentation made through the parent project - a richness that, hopefully, will also convey to the reader the scale and diversity, and the crisis and creativity of the relationship between cinema and city in Bombay. In its free mixing of images, graphics, field notes, information and commentary, the book, quite like the parent project, maintains a work-in-progress status. The book is divided into three sections. The first, Mapping Imaginations: Terrains, Locations, deals with the spatiality, materiality and habitability of the cinema city. The second section, Performing Labour: Bodies, Network, is about the act of producing and the labor that produces - skill, work, character, aspiration, dissent, transgression, duplication, ancillaries - and the myriad ways in which they populate the cinema city. With the death of manufacturing industries in Bombay, the service and entertainment sectors have become the mainstay of aspiration-induced migration to the city. The third section, titled Viewing Limits: Narratives, Technologies, deals with the multiple niches and varied strategies through which cinema is arranged and rearranged in the everyday life of the city and its citizens.
This Book Brings Into Focus The Immigration Of Africans Into The Deccan (Including Modern Maharashtra, Karnataka And Andhra Pradesh) A Phenomenon That Has Not Been Examined Before With Emphasis On Their Assimilation And Integration With The Various South Indian Communities As Also Their Contributions In The History Of The Deccan.