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Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.
What can I say about George Clinton? He is the most innovative rock and soul funkster on the planet, he has influenced a few generations of musicians in several music genres and he is STILL creating fresh grooves 60 years into his music career. His music interest started with his being a student of gospel, acapella singers and groups, street corner harmonies that moved the soul and lyrics that were spiritual and from the heart. George started his musical journey with his Doo Wop group, The Parliaments in the mid-1950's. The vocal harmonies and romantic ballads are what inspired him to form his own group.
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
Funk: It's the only musical genre ever to have transformed the nation into a throbbing army of bell-bottomed, hoop-earringed, rainbow-Afro'd warriors on the dance floor. Its rhythms and lyrics turned bleak urban realties inside out with distinctive, danceable, downright irresistible music. Funk hasn't received the critical attention that rock, jazz, and the blues have-until now. Colorful, intelligent, and in-you-face, Rickey Vincent's Funk celebrates the songs, the musicians, the philosophy, and the meaning of funk. The book spans from the early work of James Brown (the Godfather of Funk) through today, covering funky soul (Stevie Wonder, the Temptations), so-called "black rock" (Jimi Hendrix, Sly and the Family Stone, the Isley Brothers), jazz-funk (Miles Davis, Herbie Hancock), monster funk (Parliament, Funkadelic, Bootsy's Rubber Band), naked funk (Rick James, Gap Band), disco-funk (Chic, K.C. and the Sunshine Band), funky pop (Kook & the Gang, Chaka Khan), P-Funk Hip Hop (Digital Underground, De La Soul), funk-sampling rap (Ice Cube, Dr. Dre), funk rock (Red Hot Chili Peppers, Primus), and more. Funk tells a vital, vibrant history-the history of a uniquely American music born out of tradition and community, filled with energy, attitude, anger, hope, and an irrepressible spirit.
Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.
Traces the funk music legend's rise from a 1950s barbershop quartet to an influential multigenre artist, discussing his pivotal artistic and business achievements with "Parliament-Funkadelic.".
Long Live The King! Before Chadwick Boseman gained worldwide notoriety and recognition for playing T'Challa, the King of the fictional African nation Wakanda, he was known around Hollywood for being the go-to man for a biopic. Boseman was best known for his portrayal of Jackie Robinson in 42, James Brown in Get on Up, and Thurgood Marshall in Marshall. Today, the Howard University graduate is a growing household name, by successfully breaking into the Marvel Cinematic Universe to be the first black actor to play a lead role in a superhero movie, while being a source of inspiration for African American children and children worldwide. Black Panther surprised Marvel Studios and everyone around the world when it became an international phenomenon. Just hours after the hotly anticipated premiere of "Black Panther," Vanity Fair reported that critics were unified in praise for what's being called Marvel's "first black superhero film." According to Forbes, producers spent $200 million to make the movie and another $150 million to publicize it. Their gamble paid off. "Black Panther" lived up to the hype and then some by grossing $400 million domestically in the first 10 days ― the second-fastest behind only "Jurassic World." By the end of February 2018 "Black Panther" had blown past $700 million worldwide to become history's highest-grossing film with a black cast and continued on to make $700,059,566 (domestic) and $646,853,595 (international), totaling $1,346,913,161 (worldwide).
Quick Smart English is a radical, rapid, revision course in English language communication for students at Advanced level (Common European Framework B2-C1). QSE has a strong functional, grammatical and lexical framework. QSE provides extensive practice of all four language learning skills, particularly speaking, aided by Language banks on the fold-out cover flaps. QSE is officially recognised as valuable preparation for the GESE and ISE examinations of Trinity College, London and includes extensive Trinity examination practice activities. QSE is based on stimulating and controversial topics to promote real discussion in class about subjects that really matter to students. It includes a unit-by-unit Glossary. QSE uses task-based learning activities including Conversations and Topic Presentations plus a wide range of pair and group exercises using Role play cards. QSE includes cross-curricular, Content and Language Integrated Learning (CLIL) themes, such as science, economics and law in English. QSE texts are drawn from a wide range of English-speaking world sources, from reportage to fiction, and include authentic Extended reading sections. QSE Workbook comes included in the Student's Book. QSE 'watch and listen' DVD consists of 20 units of audio and visual material - 6 videos and 14 audios, plus PDF files for transcripts. QSE Teacher's Guide includes photcopiable exam practice materials.
Where'd You Get That Funk From? goes beyond the wigs and the boots and through a series of in-depth interviews and sharp cultural analyses that put George Clinton in his proper context. That is, as a radical part of black America's turbulent 1960s; as being as musically representative of Detroit as Motown; as leading the first soul group to employ circus hands among their roadies; as being able to pull together music as diverse as that of Bach, the Beatles, James Brown, Frank Zappa, the Moonglows, and the Supremes to create P-Funk, which became a cornerstone of West Coast hip-hop. Clinton's principal groups, Parliament and Funkadelic, were two of the most dynamic and sccessful American bands of the 70s, but their wild shows and badass party sounds represented just one facet of their remarkable leader's talent, Seminal songs such as Atomic Dog. Flashlight, Up for the Down Stroke. Give Up the Funk. and Bop Gun became the basis of countless hip-hop hits throughout the next two decades.