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Multi-Ethnic Britain 2000+ provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as 'illegal' immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, Multi-Ethnic Britain 2000+ showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha's Bend It Like Beckham and Bride and Prejudice to Michael Winterbottom's In This World and Alfonso Cuarón's Children of Men; paintings and photography by innovative black and Asian British Artists; and dubstep music.
This is the report of the Commission on the Future of Multi-Ethnic Britain, showing how society is changing, and the policies that have to be put in place. It was launched by the Home Secretary in 1997.
This important and much acclaimed book rapidly became a classic on first publication. In it, Bhikhu Parekh shows that the Western tradition of political philosophy has very limited theoretical resources to cope with cultural diversity. He then discusses how it can be revised and what new conceptual tools are needed. The core of the book addresses the important theoretical questions raised by contemporary multicultural society, especially the nature and limits of intercultural equality and fairness, national identity, citizenship, and cross-cultural political discourse. The new second edition includes a substantial additional chapter addressing key issues.
Has multiculturalism failed? Is it time to move on? What is the alternative? Ali Rattansi explores the issues, from national identity and social cohesion to cultural fragmentation and 'political correctness'. Providing a balanced assessment of the truth and falsity of the charges against multiculturalism, he explores new ideas for the future. Multiculturalism appears to be in terminal crisis. It has been blamed for undermining national identity, diluting social cohesion, creating ethnic ghettos and cultural fragmentation, providing fertile ground for Islamic radicalism, encouraging perverse 'political correctness', and restricting liberal freedoms of expression, amongst other things. The public debate over multiculturalism has polarised opinion amongst the general public, policy makers, and politicians. But how much real evidence, beyond tabloid headlines and anecdotes, exists for these claims? In this Very Short Introduction, Ali Rattansi considers the actual evidence from social science research to provide a balanced assessment of the truth and falsity of the charges against multiculturalism. Dispelling many myths in the process, he also warns about the dangers that lurk in an uncritical endorsement of multiculturalism, and concludes by arguing that it is time to move on to a form of 'interculturalism'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Available Open Access under CC-BY-NC licence. 50 years after the establishment of the Runnymede Trust and the Race Relations Act of 1968 which sought to end discrimination in public life, this accessible book provides commentary by some of the UK’s foremost scholars of race and ethnicity on data relating to a wide range of sectors of society, including employment, health, education, criminal justice, housing and representation in the arts and media. It explores what progress has been made, identifies those areas where inequalities remain stubbornly resistant to change, and asks how our thinking around race and ethnicity has changed in an era of Islamophobia, Brexit and an increasingly diverse population.
The intensity of feeling that multiculturalism invariably ignites is considered in this timely analysis of how the ‘New Britain’ of the twenty-first century is variously re-imagined as multicultural. Introducing the concept of ‘multicultural intimacies’, Anne-Marie Fortier offers a new form of critical engagement with the cultural politics of multiculturalism, one that attends to ideals of mixing, loving thy neighbour and feelings for the nation. In the first study of its kind, Fortier considers the anxieties, desires, and issues that form representations of ‘multicultural Britain’ available in the British public domain. She investigates: the significance of gender, sex, generations and kinship, as well as race and ethnicity, in debates about cultural difference the consolidation of religion as a marker of absolute difference ‘moral racism’, the criteria for good citizenship and the limits of civility. This book presents a unique analysis of multiculturalism that draws on insights from critical race studies, feminist and queer studies, postcolonialism and psychoanalysis.
Since 1945 the United Kingdom has changed from a polity that was overwhelmingly white, ethnically British, and Christian to one constituted by creeds, cultures, and communities drawn from all over the globe. The term ‘multiculturalism’ evokes these demographic changes, the policies and laws that arose as a result, and connected public debates. Political and public support for multiculturalism has been called into question in the new millennium, with British multiculturalism—and Britain itself—currently in a state of flux. This volume examines the policy, law, and political theory of multiculturalism in the British context, exploring how they inform each other. It covers topics such as national identity, immigration, integration, the welfare state, gender, freedom of religion, and human rights. It provides a deeper understanding of contemporary British multiculturalism in its various aspects, inexorably leading back to fundamental questions regarding the structure and purpose of the British polity. It also explores the connections between multiculturalism and current events, including Brexit, renewed calls for Scottish independence, and the broader rise of populism in the West. This book was originally published as a special issue of Critical Review of International Social and Political Philosophy, to which the editors have added a new concluding chapter.
Race and Antiracism in Black British and British Asian Literature offers the first comprehensive exploration of the cultural impact of the politics of race and antiracism in recent novels by black British and British Asian writers. It examines works by Zadie Smith, Caryl Phillips, Nadeem Aslam, Ferdinand Dennis, and others, arguing that an understanding of how race and ethnicity function in contemporary Britain can only be gained through attention to antiracism and the ways it conditions racial categories, identities, and models of behavior. Looking at topics such as the role of Africa, the reception of Islam, and the meaning of multiculturalism, Dave Gunning offers a detailed engagement with the nuances of antiracism and their effects on British literature and culture.
Set in a nameless British town that its Pakistani-born immigrants have renamed Dasht-e-Tanhaii, the Desert of Solitude, Maps for Lost Lovers is an exploration of cultural tension and religious bigotry played out in the personal breakdown of a single family. As the book begins, Jugnu and Chanda, whose love is both passionate and illicit, have disappeared from their home. Rumours about their disappearance abound, but five months pass before anything certain is known. Finally, on a snow-covered January morning, Chanda’s brothers are arrested for the murder of their sister and Jugnu. Maps for Lost Lovers traces the year following Jugnu and Chanda’s disappearance. Seen principally through the eyes of Jugnu’s brother Shamas, the cultured, poetic director of the local Community Relations Council and Commission for Racial Equality, and his wife Kaukab, mother of three increasingly estranged children and devout daughter of a Muslim cleric, the event marks the beginning of the unravelling of all that is sacred to them. It fills Shamas’s own house and life with grief and, in exploring the lovers’ disappearance and its aftermath, Nadeem Aslam discloses a legacy of miscomprehension and regret not only for Shamas and Kaukab but for their children and neighbours as well. An intimate portrait of a community searingly damaged by traditions, this is a densely imagined, beautiful and deeply troubling book written in heightened prose saturated with imagery. It casts a deep gaze on themes as timeless as love, nationalism and religion, while meditating on how these forces drive us apart.