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The "thinking person's" approach to Witchcraft, this manual to the theory and practice of Witchcraft is aimed at the serious student: specifically, the practicing Witch. It is written conversationally, taking to the individual as though the student were being trained through the author's coven.
A tale of magic and murder The increasingly bizarre murders have baffled the police—but each death is somehow connected with the city's elusive Gypsy community. The police are searching for a human killer, but the Romany know better. They know the name of the darkness that hunts them down, one by one: Mulengro. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This collection of provocative essays on spirtual activism by Starhawk, Ly de Angeles, Emma Restall Orr, and other Pagan writers and scholars explores such diverse topics as magickal ecology, feminism, globalization, sacred communities, and environmental spirituality. This anthology is a call to action-environmental, social, and political. Book jacket.
Essays on the writers and works of Canadian fantasy and science-fiction that have made this genre an important component of Canadian literature, one that must be considered by Canadian literary scholars. Documents the rapid development of Canadian fantasy and science-fiction from the early 1980s to the beginning of the twenty-first century.
“[This] fantasy moves from the outer to the inner world with amazing ease and should satisfy new and old fans of this prolific and gifted storyteller.” —Publishers Weekly In novel after novel, and story after story, Charles de Lint has brought an imaginary North American city to vivid life. Newford: where magic lights dark streets; where myths walk clothed in modern shapes; where a broad cast of extraordinary people work to keep the whole world turning. At the center of all the entwined lives in Newford stands a young artist named Jilly Coppercorn, with her tangled hair, her paint-splattered jeans, a smile perpetually on her lips—Jilly, whose paintings capture the hidden beings that dwell in the city’s shadows. Now, at last, de Lint tells Jilly’s own story . . . for behind the painter’s fey charm lies a dark secret and a past she’s labored to forget. And that past is coming to claim her now. “I’m the onion girl,” Jilly Coppercorn says. “Pull back the layers of my life, and you won’t find anything at the core. Just a broken child. A hollow girl.” She’s very, very good at running. But life has just forced Jilly to stop. At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied. “A master storyteller, [de Lint] blends Celtic, Native American, and other cultures into a seamless mythology that resonates with magic and truth.” —Library Journal “Like great writers of magic realism, [de Lint] writes about people in the world we know, encountering magic as a part of that world. Fairy tales come true, and their magic affects realistic characters full of particular lusts and fears.” —Booklist
In the early 1990s, Charles de Lint wrote and published three dark fantasy novels under the pen name "Samuel M. Key." Now, beginning with Angel of Darkness and From a Whisper to a Scream and concluding with I'll Be Watching You, Orb presents them for the first time under de Lint's own name. Rachael Sorenson feared she would never escape her ex-husband's abuse. Then a passing stranger came to her rescue---a stranger who had watched her from afar. He was a photographer, and Rachael was his perfect subject. He lived only to make her happy---and eliminate those who didn't. Now he wants more than her beauty. She owes him her life---and he means to collect. "[De Lint] is not only a skillful storyteller but also a chronicler of women's issues in this sensitive, if politically correct, thriller."--Publishers Weekly At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
While translation history in Canada is well documented, the history of the translation of Canadian fiction outside the nation remains obscure. Les Belles Étrangères examines the translation of Canadian English-language fiction in France. This book considers the history of this practice, the reasons for the move away from Quebec translators as well as the process and perils involved in this detour. Within a theoretical framework and drawing on primary sources, this study considers the historical, theoretical, and concrete aspects of this practice through the study of the translations of authors such as Robertson Davies, Carol Shields, Margaret Atwood, Michael Ondaatje, Ann-Marie MacDonald, and Alistair MacLeod. The book also includes a comprehensive bibliography of English-language novels, poetry, and plays published and translated in France over the past 240 years.
Originally published under the pen name "Samuel M. Key" "Years after the death of a notorious child murderer, children have begun to die again...and a crime photographer begins to suspect he has the one true clue that connects the horrific events." In the early 1990s, Charles de Lint wrote and published three dark fantasy novels under the pen name "Samuel M. Key." Now, Orb presents them for the first time under de Lint's own name. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Traditionally in the West, children were expected to “know their place,” but what does this comprise in a contemporary, globalized world? Does it mean to continue to accept subordination to those larger and more powerful? Does it mean to espouse unthinkingly a notion of national identity? Or is it about gaining an awareness of the ways in which identity is derived from a sense of place? Where individuals are situated matters as much if not more than it ever has. In children’s literature, the physical places and psychological spaces inhabited by children and young adults are also key elements in the developing identity formation of characters and, through engagement, of readers too. The contributors to this collection map a broad range of historical and present-day workings of this process: exploring indigeneity and place, tracing the intertwining of place and identity in diasporic literature, analyzing the relationship of the child to the natural world, and studying the role of fantastic spaces in children’s construction of the self. They address fresh topics and texts, ranging from the indigenization of the Gothic by Canadian mixed-blood Anishinabe writer Drew Hayden Taylor to the lesser-known children’s books of George Mackay Brown, to eco-feminist analysis of contemporary verse novels. The essays on more canonical texts, such as Peter Pan and the Harry Potter series, provide new angles from which to revision them. Readers of this collection will gain understanding of the complex interactions of place, space, and identity in children’s literature. Essays in this book will appeal to those interested in Children’s Literature, Aboriginal Studies, Environmentalism and literature, and Fantasy literature.