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Thye Mudrarakshasa, unlike the majority of Sanskrit plays, is purely a political drama. It has for its theme, besides elevation of Chandragupta to the throne of Magadha, wining over of Rakashsa, the hostile minister of the Nanda dynasty to the side of Chandragupta and adoption of measures to strengthen the rule by Chanakya, the renowned politician of his times. In the words of H.H.Wilson; It is a historical or political drama, and represents a curious state of public morals, in which fraud and assassination are the simple means by which inconvenient obligations are open enemies removed. It is not, however, that such acts are not held in themselves as crimes, or that their perpetrators if instigated by vulgar vice or ferocity, are not condemned as culprits; it is only when the commission of the crime proposes a political end that it is represented as venial, and is compatible with an amiable. it includes the commentary of Dhundiaja, English translation, critical and explanatory notes, Introduction and various readings.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
Presents An Edited And English Translation Of Mudrarakshasa-A Historical Play Of The Nataka Type By Visakadatta In 6Th Century Ad. Shows The Rivalry Between 2 Sharp Witted Ministry Dedicated To The Service Of Their Respective Kings.
Mudraraksasa Is A Historical Play Of The Nataka Type In Seven Acts Written By Vishakadatta In 6Th Century A.D., In Which Chanakya, The Minister Of King Chandragupta Of Pataliputra, Wins Over Rakshasa, The Minister Of The Nandas To The Side Of Chandragupta. It Is An Unique Play In Many Respects. The Play Is Based On A Political Theme And It Bears Testimony To The Consummate Skill Of Visakhadatta As A Dramatist. It Does Not Present Any Of The Recognized Dramatic Sentiments (Rasa), But Introduces A New, Hitherto Unrecognized Sentiment Of Intense Rivalry Between Two Sharp-Witted Ministers Dedicated To The Service Of Their Respective Kings.
An examination of the most gruesome tales in contemporary legend
This volume argues that by focusing on British and American backgrounds, readers have underestimated the impact of Asia and "the East" on American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing. The central force in Hawthorne's intellectual development was New England Puritanism. It fascinated even when it sometimes repelled him. It exercised a pull on his imagination which a lifetime of varied experience did not loosen. The author recreates Hawthorne's heritage and examine his readings in material dealing with the East; he examines three of Hawthorne's "early tales" that were all written before 1830; and he looks at Hawthorne's "The Story Teller", the two-volume book of sketches and tales Hawthorne unsuccessfully tried to publish in 1834 and issued piecemeal thereafter in periodicals as annuals. The author also evaluates the role of the Eastern world in Hawthorne's view of Romance and studies some of Hawthorne's "remarkable" heroines -- Beatrice Rapaccini, Hester, Zenobia, and Miriam in particular. The author maintains that the Puritan element in Hawthorne's ancestry has been overstressed and that insufficient attention has been paid to the equally important travel-adventure-exploration aspect of Hawthorne's heritage and craft.