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_______________ WINNER OF THE INDIE BOOK AWARD FOR NON-FICTION THE TOP 2 SUNDAY TIMES BESTSELLER A BBC RADIO 4 BOOK OF THE WEEK AN OBSERVER BOOK OF THE YEAR _______________ Mudlark (/'mAdla;k/) noun A person who scavenges for usable debris in the mud of a river or harbour Lara Maiklem has scoured the banks of the Thames for over fifteen years, in pursuit of the objects that the river unearths: from Neolithic flints to Roman hair pins, medieval buckles to Tudor buttons, Georgian clay pipes to Victorian toys. These objects tell her about London and its lost ways of life. Moving from the river's tidal origins in the west of the city to the point where it meets the sea in the east, Mudlarking is a search for urban solitude and history on the River Thames, which Lara calls the longest archaeological site in England. As she has discovered, it is often the tiniest objects that tell the greatest stories. _______________ 'Enchanting' - Sunday Times 'Driven by curiosity, freighted with mystery and tempered by chance, wonders gleam from every page' - Melissa Harrison 'Brilliant. No one has looked at these odd corners since Sherlock Holmes' - Sunday Telegraph 'The very best books that deal with the past are love letters to their subject, and the very best of those are about subjects that love their authors in return. Such books are very rare, but this is one' - Ian Mortimer 'Fascinating. There is nothing that Maiklem does not know about the history of the river or the thingyness of things' - Guardian 'A treasure. One of the best books I've read in years' - Tracy Borman
A beautifully illustrated introduction to mudlarking which tells the incredible, forgotten history of London through objects found on the foreshore of the River Thames. Often seen combing the shoreline of the River Thames at low tide, groups of archaeology enthusiasts known as 'mudlarks' continue a tradition that dates back to the eighteenth century. Over the years they have found a vast array of historical artefacts providing glimpses into the city's past. Objects lost or discarded centuries ago – from ancient river offerings such as the Battersea Shield and Waterloo Helmet, to seventeenth-century trade tokens and even medals for bravery – have been discovered in the river. This book explores a fascinating assortment of finds from prehistoric to modern times, which collectively tell the rich and illustrious story of London and its inhabitants - illustrated with and array of photographs taken of the items in situ in the mud and gravel of the Thames estuary, at the same time both gritty and glimmering.
“Engrossing . . . evokes the subculture of the ‘mudlarks,’ who scour the banks for fragments of London’s past.”—The New Yorker The international bestseller that mesmerizingly charts quixotic journeys through London’s past, Mudlark thrills Anglophiles and history lovers alike. Long heralded as a city treasure herself, beloved “Mudlark” Lara Maiklem tirelessly treks along the Thames’ muddy shores, unearthing a myriad of artifacts and their stories—from Roman hairpins and perfectly preserved Tudor shoes to the clay pipes that were smoked in riverside taverns. Seamlessly interweaving reflections from her own life with meditations on the art of wandering, Maiklem ultimately delivers a treatise “as deep and as rich as the Thames and its treasures” (Stanley Tucci).
A captivating history of London as told through objects recovered from the muddy banks of the Thames and the lives of the people who owned them Mudlark’d combines insights from two hundred rare objects discovered on the foreshore of the River Thames with a wealth of breathtaking illustrations to uncover the hidden histories of ordinary people from prehistory to today. Malcolm Russell tells the stories behind each find, revealing the habits, customs, and artistry of the people who created and used it. In the eighteenth and nineteenth centuries, London was the busiest port in the world, exchanging goods and ideas with people from every continent. The shores of the Thames have long been densely packed with taverns, brothels, and markets, and the river’s muddy banks are a repository of intriguing and precious objects that evoke long-forgotten ways of life. With Russell as your guide, a bottleneck of a jug is shown to be a talisman to counter the ill effects of witchcraft. Glass beads expose the brutal realities of the transatlantic slave trade. Clay tobacco pipes uncover the lives of Victorian magicians. A scrap of Tudor cloth illuminates the experiences of Dutch and French religious refugees. These are just some of the stories told in Mudlark’d, which also contains a primer, giving advice on how to mudlark on tidal rivers around the world and outlining the tools and equipment you will need.
The story of two boys living in Portsmouth at the time of the First World War. Jimmy and Reg have no fathers, and help eke out their mothers' paltry wages by mudlarking - scavenging for coins in the black mud of Portsmouth harbour. When they find a skull in the mud, they unleash a chain of events which ends in the boys uncovering a terrible secret of murder. Seven women have been killed - is it Jack the Ripper again? For some reason the authorities are covering up the murders and the boys are arrested and then drafted into the army to stop them talking. Jimmy has been suspecting the king - he's always visiting the troops when the women are murdered, but the truth turns out to be just as shocking.
Assembled from a series of newspaper articles first published in the newspaper *Morning Chronicle* throughout the 1840s, this exhaustively researched, richly detailed survey of the teeming street denizens of London is a work both of groundbreaking sociology and salacious voyeurism. In an 1850 review of the survey, just prior to its initial book publication, William Makepeace Thackeray called it "tale of terror and wonder" offering "a picture of human life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it." Delving into the world of the London "street-folk"-the buyers and sellers of goods, performers, artisans, laborers and others-this extraordinary work inspired the socially conscious fiction of Charles Dickens in the 19th century as well as the urban fantasy of Neil Gaiman in the late 20th. Volume I explores the lives of: the "wandering tribes" costermongers sellers of fish, fruits and vegetables sellers of books and stationery sellers of manufactured goods women and children on the streets and more. English journalist HENRY MAYHEW (1812-1887) was a founder and editor of the satirical magazine *Punch.*
Mudlark, build in 1953, is a modified version of the iconic Meadow Lark, a shallow-draft leeboard sharpie ketch designed by L Francis Herreshoff. But she is about to sink. Ian Scott decides to save her, and to do the work himself. This is the story of why and how he devoted many years to the restoration of Mudlark, and of what he learned in the process about wooden boats, the timbers they are made of, the designers and craftsmen who make and repair them, the tools they use and, not least, about himself. It is also the story of his imaginary conversation with Mudlark's ghosts: the designer, the naval architect who modified the sail plan, the commissioning owner and the builder. All are long dead, but their work lives on in Mudlark.
The first book in a brand-new, richly-immersive, magical fantasy trilogy from debut author Annaliese Avery, perfect for fans of Philip Pullman, Cornelia Funke, and Diana Wynn Jones. London, the Empire of Albion. The Great Dragons of old are long-gone. Now the world is governed by the science of Celestial Physicists, and everyone's life is foretold by the track on their wrist. When thirteen-year-old Paisley discovers from her track that she is destined to die, the race is on to protect her dragon-touched brother and find her missing mother. But an ancient power stalks the sewers of London, and the Dark Dragon is rising, intent on restoring the Great Dragons and destroying Paisley's family and her world forever. In a world where science rules and dragons fear to tread, Paisley must trust her instincts and forge new friends, as she attempts to outrun fate itself.
Can you imagine a different Scotland, a Scotland where women are commemorated in statues and streets and buildings - even in the hills and valleys? This is a guidebook to that alternative nation, where the cave on Staffa is named after Malvina rather than Fingal, and Arthur's Seat isn't Arthur's, it belongs to St Triduana. Where you arrive into Dundee at Slessor Station and the Victorian monument on Stirling's Abbey Hill interprets national identity not as a male warrior but through the women who ran hospitals during the First World War. The West Highland Way ends at Fort Mary. The Old Lady of Hoy is a prominent Orkney landmark. And the plinths in central Glasgow proudly display statues of suffragettes. In this 'imagined atlas' fictional streets, buildings, statues and monuments are dedicated to real women, telling their often untold or unknown stories.For most of recorded history, women have been sidelined, if not silenced, by men who named the built environment after themselves. Now is the time to look unflinchingly at Scotland's heritage and bring those women who have been ignored to light. Sara Sheridan explores beyond the traditional male-dominated histories to reveal a new picture of Scotland's history and heritage.