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Can you describe temptingly low-hanging fruits as tantalising? Are all doomsayers Cassandras? Which is right, squaring the circle or circling the square? Why is the vegetative metaphor in a vegetative state today? When does the arithmetic metaphor become a good metaphor arithmetic? Is botany a metaphor for all hand-me-down knowledge? Can negative words become resonant? Why is Eureka moment fast turning into a weasel metaphor? Yeast and dough – which is the spreading metaphor and which is the accommodating metaphor? Why shouldn’t veneer be used as a respectable metaphor? Is wilderness a metaphor for the down and out? Are all harsh and severe laws draconian? Many more metaphor questions………….Many more answers…………..And many more metaphor stories. Much More Metaphoric Madness is all about metaphor sanity.
Is mothball a metaphor for a proposal abandoned or for a project shelved? When does history become a metaphor for geography? How does the metaphor hive provoke a publication to jettison by-lines for good? How does butterfly win its metaphor battle with the beetle? Can chameleon be a metaphor for a colourful person? When does textbook become a positive metaphor for an individual? What is that useful metaphor in the frog-scorpion fable? Is albatross a metaphor now for power of flight or pathetic plight? Are all hounds pesky metaphors? Why is spine a wrong metaphor for physical heroism? Why isn’t maverick a metaphor for me-toos? Metaphors are everyday business and everyone’s right of speech. So, it is high time you had questions like these answered by an expert. Sure, More Metaphoric Madness brings expert advice, word-pictures and word imagery to your doorsteps, and ensures metaphors are no longer the sole preserve of academia and elite speakers-writers.
Sexualities are perceived, constructed and represented in different ways in various languages and cultures. This volume addresses how people use various linguistic features to construct their sexual identities and relationships and how membership of specific social groups, based on sexual and lifestyle choices, may be signalled through language.
The Covid-19 pandemic is wreaking widespread disruption, social and economic. Much more than what the Great Depression and the Second World War together did. Unfolding as humankind’s greatest challenge to date, the pandemic is rapidly altering the world, its politics and economics. In the process, turning upside down established relationships, accepted rules and prevalent norms. Though we cannot foretell with certainty what is in store, we can at least try to decode the telltale signs that are popping up all around us. The Post-Pandemic Planet does precisely that. This futuristic study examines the socio-cultural changes that are in the offing. It peeps through the prism of unfolding events to understand the possibilities that lie ahead. Among others, The Post-Pandemic Planet looks at how coercion-employing territorial states are changing and how the politico-cultural nation states are morphing. It tries to go into the reasons why our social lives are gradually getting colonised and why mysophobia will increasingly dictate the complexion of travel tomorrow. Is Covidisation of a new European Union a possibility? What happens to the concept of common markets now? Will the Marshalls and the Molotovs give way to the Merkels of the world? Will food nationalism degenerate into gastroracism? What colour the world health order is likely to take? How will the dissent-intolerant governments manipulate the privacy laws tomorrow? Why is the World Wide Web in the danger of turning into a World Narrow Web? Will jingoistic data localisation lead to digital dictatorships? These are among a score of questions you will find answered in The Post-Pandemic Planet. As a pandemic-threatened planetarian, you are sure to find them absorbing.
In 1833 Alexander Pushkin began to explore the topic of madness, a subject little explored in Russian literature before his time. The works he produced on the theme are three of his greatest masterpieces: the prose novella The Queen of Spades, the narrative poem The Bronze Horseman, and the lyric "God Grant That I Not Lose My Mind." Gary Rosenshield presents a new interpretation of Pushkin’s genius through an examination of his various representations of madness. Pushkin brilliantly explored both the destructive and creative sides of madness, a strange fusion of violence and insight. In this study, Rosenshield illustrates the surprising valorization of madness in The Queen of Spades and "God Grant That I Not Lose My Mind" and analyzes The Bronze Horseman’s confrontation with the legacy of Peter the Great, a cornerstone figure of Russian history. Drawing on themes of madness in western literature, Rosenshield situates Pushkin in a greater framework with such luminaries as Shakespeare, Sophocles, Cervantes, and Dostoevsky providing an insightful and absorbing study of Russia’s greatest writer.
Are human emotions best characterized as biological, psychological, or cultural entities? Many researchers claim that emotions arise either from human biology (i.e., biological reductionism) or as products of culture (i.e., social constructionism). This book challenges this simplistic division between the body and culture by showing how human emotions are to a large extent "constructed" from individuals' embodied experiences in different cultural settings. The view proposed here demonstrates how cultural aspects of emotions, metaphorical language about the emotions, and human physiology in emotion are all part of an intergrated system and shows how this system points to the reconciliation of the seemingly contradictory views of biological reductionism and social constructionism in contemporary debates about human emotion.
"There are galaxies within the human mind, and madness wants to risk everything for the daring flight, reckless and beautiful and crazed. Everyone knows Icarus fell.But I love him for the fact that he dared to fly. Mania unfurls the invitation to fly too high, too near the sun..." Tristimania is a stark and lyrical account of the psyche in crisis. It tells the story of a devastating year–long episode of manic depression, culminating in a long solo pilgrimage across Spain. The book is rare in recording the experience of mania and shows how the condition is at once terrifying and also profoundly creative, both tricking and treating the psyche. In exploring its literary influence, Griffiths looks at Shakespeare's work, and examines the Trickster role, tracing its mercuriality through the character of Mercury. An intimate, raw journey, the book illuminates something of the universal human spirit.
Madness plays a vital role in many ancient epics: not only do characters go mad, but madness also often occupies a central thematic position in the texts. In this book, Debra Hershkowitz examines from a variety of theoretical angles the representation and poetic function of madness in Greek and Latin epic from Homer through the Flavians, including individual chapters devoted to the Iliad and Odyssey, Virgil's Aeneid, Ovid's Metamorphoses, Lucan's Bellum Civile, and Statius' Thebaid. The study also addresses the difficulty of defining madness, and discusses how each epic explores this problem in a different way, finding its own unique way of conceptualizing madness. Epic madness interacts with ancient models of madness, but also, even more importantly, with previous representations of madness in the literary tradition. Likewise, the reader's response to epic madness is influenced by both ancient and modern views of madness, as well as by an awareness of intertextuality.
"A departure at right angles to thinking in the modern Western world. An important, original work, that should get the widest possible hearing" (Iain McGilchrist, author of The Master and his Emissary) Middle Way Philosophy is not about compromise, but about the avoidance of dogma and the integration of conflicting assumptions. To rely on experience as our guide, we need to avoid the interpretation of experience through unnecessary dogmas. Drawing on a range of influences in Buddhist practice, Western philosophy and psychology, Middle Way Philosophy questions alike the assumptions of scientific naturalism, religious revelation and political absolutism, trying to separate what addresses experience in these doctrines from what is merely assumed. This Omnibus edition of Middle Way Philosophy includes all four of the volumes previously published separately: 1. The Path of Objectivity, 2. The Integration of Desire, 3. The Integration of Meaning, and 4. The Integration of Belief.