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"In a series of sketches, regionalist writers such as Alice Cary, Mary E. Wilkins Freeman, Sarah Orne Jewett, Grace King, Alice Dunbar-Nelson, Sui Sin Far, and Mary Austin critique the approach to regional subjects characteristic of local color and present narrators who serve as cultural interpreters for persons often considered "out of place" by urban readers. In their approach to these writers, Fetterley and Pryse offer contemporary readers an alternative vantage point from which to consider questions of regions and regionalism in the global economy of our own time."--Jacket.
A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of ‘white listening’, drawing from black journalism, the autobiographies of Creole musicians, and the lyrics and sonic content of early jazz music emerging from New Orleans. Studying white listening orientations on the plantation, in vaudeville minstrel shows, and in cabarets, the book portrays six types of bad faith white listeners, including the white minstrel listener, the white savior listener, white hipster listener, and the white colorblind listener. Connecting critical race studies, music studies, philosophy of race and existentialism, this book is for students to learn how to critique the phenomenology of whiteness and practice decolonial listening.
Reproduction of the original: The Goodness of St. Rocque and Other Stories by Alice Dunbar
Sister Josepha is a popular tale by Alice Dunbar Nelson which tells the story of a woman caught between her will to live freely but as a Nun or, to live grudgingly as somebody's wife. e-artnow presents to you this meticulously edited and formatted collection of Alice Dunbar Nelson's famous short stories that made her an important African-American writer of her day._x000D_ Content:_x000D_ Sister Josepha_x000D_ The Goodness of Saint Rocque_x000D_ Tony's Wife_x000D_ The Fisherman of Pass Christian_x000D_ M'sieu Fortier's Violin_x000D_ By The Bayou St. John_x000D_ When the Bayou Overflows_x000D_ Mr. Baptiste_x000D_ A Carnival Jangle_x000D_ Little Miss Sophie_x000D_ The Praline Woman_x000D_ Odalie_x000D_ La Juanita_x000D_ Titee
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Sister Josepha is a popular tale by Alice Dunbar Nelson which tells the story of a woman caught between her will to live freely but as a Nun or, to live grudgingly as somebody's wife. Musaicum Books presents to you this meticulously edited collection of Alice Dunbar Nelson's famous short stories that made her an important African-American writer of her day. Content: Sister Josepha The Goodness of Saint Rocque Tony's Wife The Fisherman of Pass Christian M'sieu Fortier's Violin By The Bayou St. John When the Bayou Overflows Mr. Baptiste A Carnival Jangle Little Miss Sophie The Praline Woman Odalie La Juanita Titee
This book contains 70 short stories from 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the critic August Nemo, in a collection that will please the literature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: - F. Scott FitzgeraldThe Diamond as Big as the Ritz The Jelly-Bean May Day The Curious Case of Benjamin Button Bernice Bobs Her Hair Head and Shoulders The Cut-Glass Bowl - Edith Wharton:The Triumph of Night The Pelican The Fullness Of Life April Showers A Journey Afterward Xingu - Stephen Crane:A Dark Brown Dog An Experiment in Misery The Veteran Four Men in a Cave A Tent in Agony The Snake Upturned Face - Susan Glaspell:His Smile "Government Goat" A Jury of Her Peers The Anarchist: His Dog "One of Those Impossible Americans" At Twilight From A to Z - Kate Chopin:A Respectable Woman A Pair of Silk Stockings A Matter of Prejudice A December Day in Dixie At the 'Cadian Ball The Storm Désirée's Baby - Laura E. Richards :Maine to the Rescue The Coming of the King The Golden Windows The Shed Chamber The Green Satin Gown The Scarlet Leaves Don Alonzo - Alice Dunbar Nelson:A Carnival Jangle Little Miss Sophie La Juanita The Praline Woman Sister Josepha Mr. Baptiste M'sieu Fortier's Violin - Louisa May Alcott:A Modern Cinderella My Red Cap A Christmas Dream, and How it Came to Be True An Old-Fashioned Thanksgiving Aunt Kipp Rosy's Journey The Brothers - Hans Christian Andersen:The Little Mermaid Brave Tin Soldier The Princess and the Pea The Goloshes of Fortune The Emperor's New Clothes The Last Dream of Old Oak Little Tiny or Thumbelina - Charles Dickens:A Child's Dream of a Star Boots at the Holly-Tree Inn Nobody's Story The Child's Story The Magic Fishbone What Christmas is As We Grow Older The Haunted Man and the Ghost's Bargain
The early 1890s through the late 1920s saw an explosion in serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turn of the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers' creation of themselves as artists and raises fundamental questions about the shape of American literary history as it has been constructed in the academy.
"The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial bounderies that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today"--From publisher's description.