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'Mrs. Warren's Daughter' by R.M. G explores Vivie's pursuit of a legal career, her imprisonment for a daring act, and her resilience during the war in occupied Brussels. Vivie emerges as an embodiment of suffragette strength and wartime dedication, balancing her principles with a pragmatic approach. Witness the unforgettable characters, the suffragette riots, and the German occupation, all interwoven in Vivie's transformative journey.
This widely acclaimed book has been described by History Today as a 'landmark in the study of the women's movement'. It is the only comprehensive reference work to bring together in one volume the wealth of information available on the women's movement. Drawing on national and local archival sources, the book contains over 400 biographical entries and more than 800 entries on societies in England, Scotland and Wales. Easily accessible and rigorously cross-referenced, this invaluable resource covers not only the political developments of the campaign but provides insight into its cultural context, listing novels, plays and films.
Catherine Marshall was a vital figure in the women's suffrage movement in Britain before the First World War. Using her remarkable political skills on behalf of the major non-militant organization, the National Union of Women's Suffrage Societies (NUWSS), she built close connections with major suffragist politicians, leading some, in all three parties, to consider adopting a measure of women's enfranchisement as a party plank. By 1913 Marshall was uniquely placed as a lobbyist, with inside information and sympathetic listeners in every party. Through her the dynamically re-organized NUWSS brought the women's suffrage issue to the fore of public awareness. It pushed the Labour Party to adopt a strong stand on women's suffrage and raised working-class consciousness, re-awakening a long-dormant demand for full adult enfranchisement. Had the general election due in 1915 taken place, NUWSS financial and organizational support for the Labour Party might well have been substantial enough to influence the final results. These impressive achievements were forgotten by the time Catherine Marshall died in 1961. Even recent research on the period has failed to show the full significance of the issue of women's suffrage, much less Marshall's part in the movement. Jo Vellacott's revealing account of Marshall's political work also includes vivid descriptions of a liberal Victorian childhood, a strangely purposeless young adulthood, and the heady experiences of women who, through the awakening of political consciousness, forged a lifestyle to fit their new aspirations.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.