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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Considers (74) S. 3058.
A seminal moment in the study of U.S. Catholic parish life came in the 1980s with the publication of a series of reports from the ground-breaking Notre Dame Study of Catholic Parish Life. These reports are now badly outdated, as Catholic dioceses grapple with new challenges that didn't exist in the 80s. Topics that were not considered then, like greater Catholic mobility, increased cultural diversity, and structural re-organization as well as the rise of lay leadership, have attained new significance. This timely book, based on more than a decade of research, provides an in-depth portrait and analysis of the current state of parish life and leadership. Unique in the scope of the research and the timeliness of its findings, the book critically examines the current state of parish life. The authors draw on data from national polls of Catholics, national surveys of parishes, and thousands of in-pew surveys which explore parishioners' needs, experiences, and satisfaction with parish life in the twenty-first century. The book provides a unique 360-degree view of parish life from the perspective of pastors, parish staff, parishioners, as well as the larger Catholic population.
Part 2 contains sections on Automorphic representations and $L$-functions, Arithmetical algebraic geometry and $L$-functions
Performing arts centers (PACs) are an integral part of the cultural and creative industries, significantly influencing the cultural, social, and economic vitality of communities around the world. Virtually all PACs are community-based and serve the public interest, whether structured as a public, nonprofit, for-profit, or hybrid entity. However, there is a lack of knowledge about the important community role of performing arts centers, especially those that mainly host and present work produced by other arts organizations. This gap is startling, given the ubiquitous presence of PACs in urban centers, small communities, as well as colleges and universities. This co-edited reference book provides valuable information at the intersection of theory and practice in the professional field of executive leadership of performing arts centers. Drawing on the expertise of leading academics, consultants, and executives, this book focuses on institutions and practices in the United States, and is contextualized within additional fields such as cultural planning, urban revitalization, and economic development. Performing Arts Center Management aims to provide valuable theoretical, conceptual, empirical, and practice-based information to current and future leaders in creative and cultural industries management. It serves as a unique reference for researchers, university students, civic leaders, urban planners, public venue managers, and arts administrators aspiring to improve or advance their work in successfully managing performing arts centers.