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When the married Isabella Robinson was introduced to the dashing Edward Lane at a party in 1850, she was utterly enchanted. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, and she was to find it hard to shake...In one of the most notorious divorce cases of the nineteenth century, Isabella Robinson's scandalous secrets were exposed to the world. Kate Summerscale brings vividly to life a frustrated Victorian wife's longing for passion and learning, companionship and love, in a society clinging to rigid ideas about marriage and female sexuality.
Enhanced Edition of the bestselling Mrs Robinson's Disgrace, including author videos and podcasts On a mild winter's evening in 1850, Isabella Robinson set out for a party. Her carriage bumped across the wide cobbled streets of Edinburgh's Georgian New Town and drew up at 8 Royal Circus, a grand sandstone house lit by gas lamps. This was the home of the rich widow Lady Drysdale, a vivacious hostess whose soirees were the centre of an energetic intellectual scene. Lady Drysdale's guests were gathered in the high, airy drawing rooms on the first floor, the ladies in dresses of glinting silk and satin, bodices pulled tight over boned corsets; the gentlemen in tailcoats, waistcoats, neckties and pleated shirt fronts, dark narrow trousers and shining shoes. When Mrs Robinson joined the throng she was introduced to Lady Drysdale's daughter and son-in-law, Mary and Edward Lane. She was at once enchanted by the handsome Mr Lane, a medical student ten years her junior. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, which she was to find hard to shake... A compelling story of romance and fidelity, insanity, fantasy, and the boundaries of privacy in a society clinging to rigid ideas about marriage and female sexuality, Mrs Robinson's Disgrace brings vividly to life a complex, frustrated Victorian wife, longing for passion and learning, companionship and love.
_______________ 'A biography that sparkles with enthusiastic research and empathetic writing' - Sunday Times 'A small jewel of a biography' - The New Yorker 'A fascinating, hilarious and deliciously subversive book' - Literary Review _______________ THE SUNDAY TIMES BESTSELLER Born in 1900 to a promiscuous American oil heiress and a British army captain, Marion Barbara Carstairs realised very early on that she was not like most little girls. Liberated by war work in WWI, Marion reinvented herself as Joe, and quickly went on to establish herself as a leading light of the fashionable lesbian demi-monde. She dressed in men's clothes, smoked cigars and cheroots, tattooed her arms, and became Britain's most celebrated female speed-boat racer - the 'fastest woman on water'. Yet Joe tired of the limelight in 1934, and retired to the Bahamian Island of Whale Cay. There she fashioned her own self-sufficient kingdom, where she hosted riotous parties which boasted Hollywood actresses and British royalty among their guests. Although her lovers included screen sirens such as Marlene Dietrich, the real love of Joe's life was a small boy-doll named Lord Tod Wadley, to whom she remained devoted throughout her remarkable life. She died, aged 93, in 1993.
"Tom is not prepared for what is about to happen when he hears the grandfather clock strike thirteen. Outside the back door is a garden, which everyone tells him does not exist."--Page 4 de la couverture.
Shortlisted for the CWA Gold Dagger for Non-Fiction 2017Early in the morning of Monday 8 July 1895, thirteen-year-old Robert Coombes and his twelve-year-old brother Nattie set out from their small, yellow-brick terraced house in East London to watch a cricket match at Lord's. Their father had gone to sea the previous Friday, the boys told their neighbours, and their mother was visiting her family in Liverpool. Over the next ten days Robert and Nattie spent extravagantly, pawning their parents' valuables to fund trips to the theatre and the seaside. But as the sun beat down on the Coombes house, a strange smell began to emanate from the building.When the police were finally called to investigate, the discovery they made sent the press into a frenzy of horror and alarm, and Robert and Nattie were swept up in a criminal trial that echoed the outrageous plots of the 'penny dreadful' novels that Robert loved to read. In The Wicked Boy, Kate Summerscale has uncovered a fascinating true story of murder and morality - it is not just a meticulous examination of a shocking Victorian case, but also a compelling account of its aftermath, and of man's capacity to overcome the past.
Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
The Wheel Spins is the novel about young and bright Iris Carr, who is on her way back to England after spending a holiday somewhere in the Balkans. After she is left alone by her friends, Iris catches the train for Trieste and finds company in Miss Froy, chatty elderly English woman. When she wakes up from a short nap, she discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is on the verge of her nerves. She is helped by a young English traveler, and the two proceed to search the train for clues to the old woman's disappearance. Ethel Lina White (1876-1944) was a British crime writer, best known for her novel The Wheel Spins, on which the Alfred Hitchcock film, The Lady Vanishes, was based.
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
In her follow-up to the bestselling The Suspicions of Mr Whicher, Kate Summerscale brings vividly to life this story of how of how Mrs Robinson seemed to have brought about her own disgrace. In 1858, a month after the first Divorce Court in England opened its doors to the public, Henry Oliver Robinson petitioned for the dissolution of his marriage on the grounds that his wife, Isabella, had committed adultery. As evidence, Henry produced a five-year diary in Isabella's handwriting. The secret words of the journal were read out to the court and printed in countless newspapers. Its content, in spirit close to Gustave Flaubert's new and scandalous novel Madame Bovary, was shocking: the diary detailed a Victorian wife's longing for passion and learning, companionship and love, in a society clinging to rigid ideas about marriage and female sexuality.