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As an expatriate Scotswoman, Margaret Oliphant (1828-97) started her prolific and accomplished writing career removed from the centre of Victorian literary life. This comprehensive biography contains an often surprising portrait of the professional Victorian woman writer.
As an expatriate Scots woman, Mrs Margaret Oliphant (1828-97) started her prolific and accomplished writing career at three removes from the centre of Victorian literary life. Widowed early, and left with not only her own children, but two brothers, a nephew, and two nieces to support, she became keenly aware of the discrepancy between society's assumptions about woman's role and her own position as a female breadwinner in the male-dominated world of nineteenth-century publishing. Out of the contrast between her wryly ironic view of life and the conventions of Victorian fiction came the disconcerting questioning of accepted ideologies of the family, religious orthodoxy, and a woman's place in society that characterizes her writing. Mrs. Oliphant: A Fiction to Herself contains an often surprising portrait of the professional Victorian woman writer. By choosing to interweave the life and the work of Mrs Oliphant, Elisabeth Jay's lucid and comprehensive study raises for consideration the way in which a particular woman writer perceived her own life, and the wider question of whether women writers have been well-served by the mythological structures of male biography.
'Sir Tom' is a novel by Mrs. Oliphant about a man named Sir Thomas Randolph, who had lived a somewhat stormy life during the earliest half of his career. He had gone through what the French called a jeunesse orageuse; nothing very bad had ever been laid to his charge; but he had been adventurous, unsettled, a roamer about the world even after the period at which youthful extravagances cease. Nobody ever knew when or where he might appear. He set off to the farthest parts of the earth at a day's notice, sometimes on pretext of sport, sometimes on no pretext at all, and re-appeared again as unexpectedly as he had gone away. He had run out his fortune by these and other extravagances, and was at forty in one of the most uncomfortable positions in which a man can find himself, with the external appearance of large estates and an established and important position, but in reality with scarcely any income at all, just enough to satisfy the mortgagees, and leave himself a pittance not much more than the wages of a gamekeeper. If his aunt, Lady Randolph, had not been so good to him it was uncertain whether he could have existed at all, and when the heiress, whom an eccentric will had consigned to her charge, fell in his way, all her friends concluded as a matter of certainty that Sir Tom would jump at this extraordinary windfall, this gift of a too kind Providence, which sometimes will care for a prodigal in a way which he is quite unworthy of, while leaving the righteous man to struggle on unaided. But for some time it appeared as if society for once was out in its reckoning.
Mrs. Oliphant (nee Margaret Oliphant Wilson) was a Scottish writer of "domestic realism, historical novel and tales of the supernatural."
After the death of Margaret Oliphant—the prolific nineteenth-century novelist, biographer, essayist, reviewer, and prominent voice on the “woman question”—two well-intending relatives took the autobiographical manuscripts she composed over a thirty-year period, and recomposed them to suit the model of a conventional memoir. In the process, they suppressed more than a quarter of the material. Based on the original manuscripts, the Broadview edition now makes available the missing text in its original order, and the restored Autobiography of Margaret Oliphant portrays a woman of scathing irony, anger, and grief. Part of Broadview’s Nineteenth-Century British Autobiographies series, this edition also includes extensive excerpts from Oliphant’s diaries.