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At her kitchen table, somewhere in the South, Powell's narrator embarks on a spirited and often hilarious imagining of certain historical figures and current national preoccupations. Ostensibly writing her grocery list, Mrs. Hollingsworth most happily loses her sense of herself.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
What makes Dave Barry funny? Stephen King scary? Tami Hoag heartbreaking? All readily admit that where they live greatly influences what they write. Indeed, for both writers and readers, geography may well be destiny when it comes to fiction. Novelists often borrow from their surroundings, consciously or subconsciously, to create their imaginative worlds, just as we readers are drawn to those works that transport us to more exciting and inspiring locales, be it Hemingway’s Havana, Faulkner’s Yoknapatawpha County or McMurtry’s Lonesome Dove.
Volume 7 includes such notables as the composers Handel and Haydn and the alluring actress Elizabeth Hartley.
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
A Study Guide for Padgett Powell's "Trick or Treat," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Examining humor in depictions of the Civil War from the war years to the present, this review covers a wide range of literature, film and television in historical context. Wartime humor served as a form of propaganda to render the enemy and their cause laughable, but also to help people cope with the human costs of the conflict. After the war many authors and, later, movie and television producers employed humor to shape its legacy, perpetuating myths and stereotypes that became ingrained in American memory. Giving attention to the stories behind the stories, the author focuses on what people laughed at, who they laughed with and what it reveals about their view of events.
Winner of the Anisfield-Wolf Book Award “Reginald Gibbons’s first novel takes place in east Texas in 1910 during the time of white rule—not by law but by lynch mob. Amid the suffocating racism and fear, half-Choctaw, half-white Reuben Sweetbitter and Martha Clarke, a white woman, fall in love. . . . Reuben and Martha’s love is strong, but, dishearteningly, racism is stronger. Timely in the subject of interracial love, this authentic, richly -detailed novel plumbs sacrifice, fear, and the loss of one’s identity, bringing the -anguish of the two young lovers to life. Highly recommended.”—Library Journal “Far more than a spellbinding love story . . . a novel wide and deep in its understanding. . . . An unforgettable story, a remarkable piece of work.”—Dallas Morning News “I love this novel: it sings, it soars. Simultaneously deft and deep, it brings a lost world back to brilliant light.”—Andrea Barrett “Surprising in every way. . . . The novel’s ending is as strong as its beginning—terrifying and beautiful, a true tour de force.”—Chicago Tribune
"It is 22 cats that drive the dazzlingly handsome Eric Thorsen to distraction and into the apartment -- if not immediately the arms -- of Wanda Skopinski, the rather mousy woman he meets at church when she thrusts a lesbian romance novel upon him. The stench from downstairs drives him from both his rent-controlled apartment and his complacency as a not-quite-successful piano teacher. In his sixth novel, James Wilcox moves beyond the modern South he has etched so vividly and amusingly in the past to take on Manhattan. But somehow he manages to bring the city down to size.... The book is filled with as eccentric an array of characters and as much gentle kinkiness as any small-town chronicle.... A winning and consistently entertaining story." -- Vogue
Conveying a unique sense of history and place, Southern novelist Elizabeth Spencer ("The Salt Line; Light in the Piazza") tells of her youth in Carrollton, Mississippi, a time preserved in amber, then moves to Italy, Canada, and finally back "home" to North Carolina. Along the way, she recalls friendships with Eudora Welty and Robert Penn Warren, plus encounters with many others, including William Faulkner and Saul Bellow.