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Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Americans have traveled a far piece since Goody Randall climbed over the back of a Bay Colony pew in defense of her social position, or a frontier Congressman tried to eat the doilies at a White House dinner, or, more recently, since the adjustable Emily Post interpreted the social law on whether a lady’s maid could appear in bobbed hair. (She could not!) With unfailing scholarship, great good humor and occasional overtones of irony when snobbery raises its ugly nose, Gerald Carson here portrays the journey of American manners through shifting tastes and customs in regards to weddings, dances, hair styles, drinking, dueling, dress, smoking, the telephone, the automobile, the rise of the country club and the history of the fraternal lodge, among hundreds of topics. There is much of special interest to citizens of Chicago, San Francisco, Boston, Philadelphia, Baltimore, New York and many other cities. There is a full chapter on manners in the nation’s capital as well as one on books of etiquette. The author’s emphasis is upon the middle class, the mainstream of America’s national life, rather than Society with the capital S. This field has been plowed a good many times, while Mr. Carson’s area is almost untouched. His central theme is the reaching out of the American man and woman for self-improvement and a life of some grace. Citizens of the United States are still free to become, as the late Professor Arthur M. Schlesinger pointed out, as unequal as they can.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Dressmaking, considered a natural extension of women's proper work in the home, was a common and lucrative employment for women in the nineteenth and early twentieth centuries. It afforded creative expression, prestige in the community, and even the possibility of financial independence. Yet as entrepreneurs, dressmakers faced unique business pressures, and with the advent of department stores and widespread mass production of women's clothing, most were forced out of business. Coinciding with the exhibition Cynthia Amneus organized for the Cincinnati Art Museum, this work examines the nineteenth-century ideology of women's separate sphere, the early feminist movement, women in the workplace, and dressmakers as artisans and professionals. More than 140 stunning custom-made garments, historical photographs, and dressmakers' labels document the superb artistic and technical skill of the women who produced fashionable dress in Cincinnati from 1877 to 1922. Bracketing Amneus's incisive study are essays by Anne Bissonnette on the eccentric tea gown, Marla Miller on the pitfalls of researching women's cultural work, and Shirley Teresa Wajda on the dressmakers' wealthy clientele. In all, A Separate Sphere offers a careful look into the lives of women struggling with ideological boundaries. Chronicling choices made by and imposed on both working-class women and their affluent counterparts, it reveals how these women managed to enhance their prescribed sphere for themselves and for the community at large. Anne Bissonnette is costume curator at Kent State University Museum. Her most recent exhibition is The Hours of the Woman of Leisure. Marla Miller teaches history at the University ofMassachusetts, Amherst. Her book on craftswomen in rural New England, 1740-1820, is forthcoming from the University of Massachusetts Press. Shirley Teresa Wajda teaches history and American studies at Kent State University. Her book "Social Currency: Commercial Portrait Photography and the Fashioning of an American Middle Class, 1839-1889" is forthcoming from Temple University Press.