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V. 1-3 include "Bibliographies of modern authors by Henry Danielson."
The Tucson Artifacts document the annals of a forgotten Roman-styled military governorship in Chichimec Toltec Northwest Mexico. Perfectly preserved, complete and unaltered, they are straightforwardly composed in Latin, the official language of records during the Middle Ages. They do not have to be reconstructed, pieced together, deciphered or dated. This illuminating collection of readings translated from Latin, Greek, Arabic, Chinese, Nahuatl, Hebrew and other languages by medievalist Donald N. Yates provides the cultural contexts for understanding these unique witnesses to world history. The finds come from the 1920s and consist of lost-wax, cast-lead ceremonial objects inscribed with medieval Latin historical texts and memorials of leaders with names such as Jacob, Israel, Benjamin, Joseph, Saul, Isaac and Theodore. Some also contain Hebrew phrases like “eight divisions” and “a great nation,” while others display commemorated leaders’ portraits, ships, trademarks in Tang-era seal script, temples, a Mesoamerican glyph, sacrificial fire, an anchor, Romanesque-style angels in glory and other drawings. Their iconography includes the Ten Commandments and cult objects like spice spoons, carpenter’s square, Frankish axes, snakes and trumpets. There are also military anthems and mottos. A series of thick one-sided double crosses, joined like sealed albums present what are clearly records signed by OL (Oliver), with dates ranging from 560 to 900 A.D. The overarching provenance is declared by the makers of the artifacts themselves to be Roman (Romani, monogram R), a term tantamount at this time to European. This claim to nationality is further divided into Levites (L) and Israelites (I). One of the stand-out emblems depicted is a triple tiara, a symbol of Jewish priesthood associated with the Mesoamerican figure of Quetzalcoatl.
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
'Wilde did not converse - he told tales.' Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as 'The Happy Prince' and 'The Selfish Giant', and the extravagant comedy and social observation of 'Lord Arthur Savile's Crime' and 'The Canterville Ghost'. They also encompass the daring narrative experiments of 'The Portrait of Mr. W. H.', Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets, and the 'Poems in Prose', based on the Gospel stories. This edition demonstrates the centrality of Wilde's shorter fiction in his literary career, and his continuing development and experimentation with the short story format. Combining myth, romance, and irony, Wilde's stories enthral and challenge the reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.