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Mrinal Sen is one of India's finest film makers and one of its most renowned in international circles. After an inauspicious feature debut, Sen found his feet with critically acclaimed films like "Baishey Shravana" in 1960, and "Akash Kusum" in 1965. His "Bhuvan Shome" in 1969 inspired a whole new generation of film makers.
With film studies taking the centre stage and becoming a significant paper within the discipline ‘Journalism and Mass communication’, there is a rising demand and need for a comprehensive book that will deal with basic concepts of film theories and production. Keeping this need in mind, the book is an edited volume which will introduce the basic concepts of film production and theories to the beginners. The highlight of this book is a detailed overview of key foreign film movements and important landmarks in the journey of Indian films with special reference to notable directors and their contributions. The book attempts to throw light on the basic technical aspects of film making as well. A section of the book has also been devoted to emerging concepts in the discipline like focus on film marketing and new technologies, convergence, and the rise of OTT. This book will serve as an introductory guide for any student of media studies interested in film. Table of Contents 1. Film Studies in Mass Communication: An Indigenous Approach to Science and Art of Filmmaking Dr. Mausumi Bhattacharyya 2. European Film Movements Malvika Sagar and Dr. Nithin Kalorth 3. Between Minimum and Maximum Japanese Style of Filmmaking through Ozu and Kurosawa Sooraj K. Nambiar 4. A Historical Perspective of Iranian Cinema: From Film Farsi to New Wave and the Contemporary Transnational Presence Kanika K Arya and Prof. Manish Verma 5. Paradoxical Past, Cultural Renaissance of New Wave and Contemporary Commercial and Artistically Viable Trends of Korean Cinema Kanika K Arya and Prof. Manish Verma 6. Ray, Ghatak and Sen: Knowing the Pioneers of India’s Parallel Cinema Pooja Radhakrishnan 7. Traces of ‘Bollywood’, Tracking the Trajectory of Hindi Cinema in India Vishesh Azad 8. Chaplin & his Films Dr. Priyanka Roy 9. Bergman and Fellini: The cult Filmmakers Dr. Mou Mukherjee Das 10. Filmmaking Essentials: Basic Camera Movements, Direction and Editing Lokesh Chakma 11. Eisenstein and Montage Ruma Saha & Dr. Sharmila Kayal 12. Basics of Sound for Film Dr. Moina Khan 13. Documentary Film: A Chronicle of Real Life Dr. Moon Jana 14. Media Convergence and OverTheTop Technology Nisha Thapar 15. Film Marketing Dr. Debastuti Dasgupta
An outspoken memoir by a much-celebrated Indian filmmaker. "I am a filmmaker by accident and an author by compulsion," claims Mrinal Sen, who became part of the great triumvirate of Bengali cinema--along with Satyajit Ray and Ritwik Ghatak--in the 1950s and '60s when he founded the rebellious Indian New Wave. Throughout his career, he kept that fire of protest burning, his acute political awareness and left-wing orientation spurring his creativity. Over decades, the themes that pervaded his cinema mirrored the spectrum of human suffering and experience, and in turn crystallized the anger of a restive mind against social injustice, economic deprivation, and communal divide. In this memoir, a celebrated ambassador of Indian cinema on the global stage, for whom cinema became a lexicon that gave voice to the times, reflects on encounters with the legends of the world of images as well as his inspirations and obsessions--not least among them, the city of Calcutta. Always Being Born is a fascinating memoir of a great artist and a buoyant social commentator who continued to confront, fight, and survive on the very challenges that propelled him to look beyond and dream.
Memoirs and interviews of the author, motion picture producer and director from West Bengal, India.
Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Satyajit Ray was India's first film-maker to gain international recognition as a master of the medium, and today he continues to be regarded as one of the world's finest directors of all time. This book looks at his work.
A lucid introduction to the greatest Indian artists of our time Enlivened by anecdotes and forty years' worth of conversations between the author and her subjects - eight artists, unknown during the 1970s and 80s but acknowledged masters today - Geeti Sen's essays bring together the best of Indian art, not so much as history or biography but as vibrantly alive memories. We travel with Sen as she explores Ganesh Pyne's Jottings as expressions of his secret, subliminal dreams; discovers that M.F. Husain's self-portraits are manifestations of his extraordinary, changing persona over seven decades; understands the rare religious icons Meera Mukherjee created in the last decade of her life; and unravels Nilima Sheikh's Firdaus scrolls, which ambitiously weave together disparate elements to comment on Kashmir. In these perceptive essays, Sen deconstructs Anupam Sud's representation of the body as beautiful and as an extension of her own identity, analyses Manjit Bawa's ingenious merging of the mythic with the present, sees in Zarina Hashmi's woodcuts the marks of migration and displacement, and accompanies S.H. Raza as he returns to his own past to reinvent the Bindu. Illustrated by the paintings of these masters, each essay is a journey both by the artist and the author to explore lesser-known dimensions of their work.
Would there have been a Third World without the Second? Perhaps, but it would have looked very different. From Internationalism to Postcolonialism recounts the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema, and offers a compelling genealogy of contemporary postcolonial studies.