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This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonnE is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.
This biography of George Stubbs, leading eighteenth century English animal painter, is "imagined", because virtually nothing is known of his character or private life. Historian Merritt Abrash has combined his knowledge of eighteenth century Great Britain with the facts of Stubbs' artistic career and the evidence of his paintings, in order to create stories providing insights into the kind of man the artist might have been. The fifty stories consist of episodes, imaginary but not impossible, which present Stubbs at different moments of life, from the confidence, strivings and adventures of youth to the doubts, fears and deeper understandings of old age. His interactions with fellow artists--Gainsborough, Reynolds, Turner, Blake and others less famous--are often contentious, and encounters with prominent contemporaries such as Dr. Johnson, Gibbon, Wesley and Smith take surprising turns. Stories dealing with his independent-minded common-law wife, their son and personal friends reveal Stubbs experiencing both joy and grief.' His character emerges as centered on the conviction that truth is to be found in the rationally observed factuality of life, yet occurrences in some episodes prove to be beyond factual explanation, leading him instead to unexpected spiritual insights.
Looks at painting and sculpture throughout history to examine the role and presentation of the horse in ancient, Oriental, medieval, Renaissance, Baroque, and modern art.
George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 10 years and brings together 100 paintings, drawings and publications, from the National Gallery's Whistlejacket to pieces that have never been seen in public. George Stubbs: 'all done from Nature' accompanies an exhibition organised by MK Gallery in Milton Keynes, which will be shown at MK Gallery and the Mauritshuis in The Hague. The publication includes new writing on Stubbs with major essays by Jenny Uglow, Martin Myrone, Martin Postle and Nicholas Clee as well as new and existing poetry by Roger Robinson. Born in Liverpool in 1724, Stubbs was a quintessential product of the Enlightenment and embodied all of its core principles, questioning traditional authority and embracing the notion that humanity could be improved through the application of reason. Rather than trust to history and the untested example of his artistic and scientific precursors, Stubbs championed doing as a way of thinking and deployed pictorial representation as a form of knowledge and understanding. Today, Stubbs is recognised as one of the most original artists of the eighteenth century. His wide-ranging subjects included portraits, conversation pieces and pictures of exotic and domestic animals--horses included--and his obsession with scientific exactitude has drawn comparison with the work of Leonardo da Vinci. A major theme of the exhibition is anatomy. The show includes Stubbs's contributions to a pioneering treatise on midwifery and his preliminary work on A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl. It also includes the detailed studies and drawings that led to The Anatomy of the Horse--the greatest coming together of art and science in British art--alongside the actual skeleton of the legendary racehorse Eclipse who Stubbs depicted on several occasions.
Featuring original paintings by Richard Stone Reeves, Royal Blood celebrates Reeves' five decades among the finest sporting painters of the modern era with paintings of the world's greatest Thoroughbreds. Each of the 50 chapters opens with Mr. Reeves' personal recollections, which serve as a prelude to thorough historical profiles by award-winning turf writer Jim Bolus. The presentations include full pedigrees of each subject, plus sketches and photographs used by Mr. Reeves to construct his portraits.