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For Mr. Selfie, "every" op is a photo op as long as he is the one in front of the lens. And also behind it! He risks his job taking selfies at work. He risks his life taking selfies at the zoo. And whenever he feels romantic, he whips out his selfie stick and sexts that special someone: himself. Do you know someone with no selfie-control? Then you'll love Mr. Selfie as much as Mr. Selfie does! Meet his friends from the Little Miss and Mr. ME ME ME parody series: Little Miss Overshare, Mr. Humblebrag and Little Miss Basic!"
The Psychology of the Selfie provides a comprehensive overview and analysis of research on the significance of selfies, offering insights into the topic from a psychological perspective and examining important issues such as body image, self-objectification, mental health and psychological benefits. Selfies are a worldwide phenomenon. Although dismissed by critics as a sign of self-absorbed narcissism, they are also a social currency that maintains and reinforces friendships, a feedback loop for self-identity affirmation, a promotional tool for gaining social influence, and a method for preserving memories of life events. In this book, Barrie Gunter expertly explores the psychological underpinnings of the contemporary global phenomenon of "selfies", from the historical roots and meteoric rise due to technical advancements, to the different personality types of selfie-takers, to social relationships, to group and personal identity. Looking at both the psychological nature and impact of selfies, this book reviews different psychological outcomes for selfie-takers, both positive and negative, and the growth in psychological and physical problems that can sometimes arise. Presenting a comprehensive analysis specifically of selfie behaviour, this book is an essential reference for students and researchers in communications and media, journalism, information studies, psychology and sociology, as well as anyone with a general interest in the phenomenon.
In this book, the author builds on a simple premise and ideology that everyone wants to get to heaven but too many are failing to do the works that are required to get there. He likens the eventuality of that person reaching their goal to one being on a journey having no map or well-thought-out plans of the proper route to take. As a result, they become derailed in a quest for the eternal goodness. They become twisted and mangled in thoughts and deeds, beguiled by an adversary who wants to take them in another direction. And the job of the adversary is made easy, because he seduces and paints the false picture that the secular pleasures in life are rather what is fulfilling and brings these to fruition center stage in their lives any and all such things to do with an unscrupulous social life and the full works, to include marriage and divorce in which they get caught up and led astray. He also does not omit to administer the sweet pills of greed, pride, and selfishness. At the end of the day, what it boils down to is that one can otherwise miss the mark on their journey, particularly if they figured they could reach their destination based upon wishful thinking only and not play by the rules. The reading has been made very interesting by lots of humor built in, but there is nothing fictional about the rules we ought to adhere on this journey.
With sensitivity and wit, Friedman creates a tableau of characters, scenery, sounds, smells, and tastes as varied as those who have claimed or seek to claim a home within our borders. In this compelling collection of stories, we find immigrants everywhere: in the poignant and doomed relationships between the documented and undocumented: in a squalid encampment by the Rio Grande, where a young mother sends her daughter over the bridge to the U.S. alone; in the multicultural heart of New York, where a Jewish woman seeks a loan from a Muslim bank manager to fund her cancer treatment; and in a New England home, where bats in the attic are threatening the last vestiges of stability for a divorced and desperate middle-aged woman and her twenty-something Chinese American tenant. These stories explore the deep ambiguities in how we perceive each other. Readers will grow to love Friedman’s characters, despite their flaws, as they grapple toward a deeper caring for the world around them.
The most hilarious, charming, realistic story of middle-grade friendships you'll ever read, from Megan McCafferty, the mega bestselling, beloved author of Sloppy Firsts. Twelve-year-old Ella has everything she needs to take seventh grade by storm, from the perfect outfit to the perfect new best friend. She's still not 100% sure why cool, confident Morgan has chosen Ella to be her newest sidekick, but Ella is flattered by the attention, even if it means giving up some of the things she's always loved, like fantasy novels . . . and her former best friend, Sophie. Ella feels a little guilty about ditching Sophie, but middle school is no laughing matter, and Ella knows that it'll be safer in popular Morgan's shadow than by Sophie's side.But life as Morgan's best friend is trickier than Ella imagined. Everything has to be perfect, from their "on brand" selfies to the videos they record of them singing. And the more demanding Morgan becomes, the more Ella starts to wonder if she made the right choice. But Sophie already has a new best friend, leaving Ella feeling more alone and out of place than ever.So when Ella discovers a new activity that she's really good at -- a hopelessly dorky sport that Morgan has forbidden her from pursuing, Ella has to ask herself what matters more: popularity . . . or staying true to herself? But does she even know who she really is without loyal Sophie by her side?
This is the story of how Narendra Modi’s speech-making, spanning more than 100 speeches(with a marathon 75 plus public rallies (including the Assembly election 2013 campaign and 20 plus town-hall events) shook up the Indian political landscape in little over 15 months.
This book challenges the framing of comedic acts as apolitical and it adopts a multimodal critical discourse approach to interrogate the performance of comedy as a form of power. It proposes using Bakhtin’s carnivalesque as the analytic tool to distil for readers key differences between humour as banal and humour as critical (and political) in today’s social media. Drawing from critical theory and cultural studies, this book takes an interdisciplinary approach in formulating a contemporary view of power that reflects social realities not only in the digital economy but also in a world that is increasingly authoritarian. With the proposition of newer theoretical lenses in this book, scholars and social scientists can then find a way to shift the conversation to uncover the evolving voices of (existing and newer) power holders in the shared digital space; and to view current social realities as a continual project in unpacking and understanding the adaptive ways of the human spirit.
“A beautiful, endlessly echoing portrait of a murder and its afterlife. Ms. Nottage shaped this story with such theatrical inventiveness and discipline that it never feels sensational… A finely wrought fusion of elements.” —Ben Brantley, New York Times Continuing in her tradition of crafting thought-provoking, socially conscious dramas, Lynn Nottage’s play tells the story of Mlima, an elephant struck down by poachers for his magnificent tusks. Beginning in a game park in Kenya, the play tracks the trajectory of Mlima’s tusks through the ivory trade market while Mlima’s ghost follows close behind—marking all those complicit in his barbaric death.
Due to the growing prevalence of artificial intelligence technologies, schools, museums, and art galleries will need to change traditional ways of working and conventional thought processes to fully embrace their potential. Integrating virtual and augmented reality technologies and wearable devices into these fields can promote higher engagement in an increasingly digital world. Virtual and Augmented Reality in Education, Art, and Museums is an essential research book that explores the strategic role and use of virtual and augmented reality in shaping visitor experiences at art galleries and museums and their ability to enhance education. Highlighting a range of topics such as online learning, digital heritage, and gaming, this book is ideal for museum directors, tour developers, educational software designers, 3D artists, designers, curators, preservationists, conservationists, education coordinators, academicians, researchers, and students.
Children's literature isn't just for children anymore. This original study explores the varied forms and roles of children's literature—when it's written for adults. What do Adam Mansbach's Go the F**k to Sleep and Barbara Park's MA! There's Nothing to Do Here! have in common? These large-format picture books are decidedly intended for parents rather than children. In No Kids Allowed, Michelle Ann Abate examines a constellation of books that form a paradoxical new genre: children's literature for adults. Distinguishing these books from YA and middle-grade fiction that appeals to adult readers, Abate argues that there is something unique about this phenomenon. Principally defined by its form and audience, children's literature, Abate demonstrates, engages with more than mere nostalgia when recast for grown-up readers. Abate examines how board books, coloring books, bedtime stories, and series detective fiction written and published specifically for adults question the boundaries of genre and challenge the assumption that adulthood and childhood are mutually exclusive.