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A collection of short stories from celebrated author William Trevor in which he shines a light on the day-to-day life of Ireland and its citizens. From his debut collection, “The Day We Got Drunk on Cake,” published in 1968, to “Family Sins” (1990), William Trevor has crafted the short story to perfection, giving us brilliant and subtle stories full of the reversals, surprises, and shadowy truths we discover in life itself. To read this volume is not just to encounter an extraordinary literary stylist, but to understand life as surely as though we were looking through the eyes of his protagonists and—deeper still—into their hearts. William Trevor: The Collected Stories includes the tales from his seven previous books, as well as four stories that have never appeared in book form in America. They depict the comforts and frustrations of life in rural Ireland, the complexities of family relationships, and the elusive grace of love. They portray the almost invisible strands that bind people to each other as well as the chains that imprison them in solitary yearning.
Guru Dutt Is Probably The Only Indian Film-Maker Who, Within The Parameters Of The Box Office, Made A Personal Statement With His Cinema. His Films Stand Testimony Not Only To His Own Genius But Also To The Creativity Of His Team, Comprising Stalwarts Like Cameraman V.K. Murthy, Music Director S.D. Burman, And Writer Abrar Alvi, Among Others. In Ten Years With Guru Dutt: Abrar Alvi&Rsquo;S Journey, Sathya Saran Looks At The Tumultuous Yet Incredibly Fecund Relationship Between The Mercurial Director And His Equally Talented Albeit Unsung Writer, A Partnership That Evolved Over A Decade Till Guru Dutt&Rsquo;S Tragic Death In 1964. Starting His Career As A Driver And Chaperone To Guru Dutt&Rsquo;S Producer On The Sets Of Baaz, Abrar Soon Caught The Attention Of The Director With His Sharp Ear For And Understanding Of Film Dialogue. With Aar Paar In 1954, Abrar Rewrote The Rules Of Dialogue Writing In Hindi Cinema, Till Then Marked By Theatricality And Artificiality. He Followed It Up With Mr And Mrs &Rsquo;55, Pyaasa And Kaagaz Ke Phool&Mdash;All Veritable Treatises On The Art Of Scriptwriting&Mdash;Before Donning The Director&Rsquo;S Mantle With Great Success In Sahib Bibi Aur Ghulam. Full Of Anecdotes&Mdash;About How Abrar Honed His Skills By Writing Over 300 Love Letters; How An Accident Involving A Buffalo Led To The Discovery Of Waheeda Rehman; Guru Dutt&Rsquo;S Visit To A Kotha To Get The Ambience Right For Pyaasa&Mdash;Ten Years With Guru Dutt Is A Warm And Insightful Look At Two Remarkable Artistes Who Inspired Each Other To Create Movie Magic. It Is, At The Same Time, An Intimate Account Of The Ecstasy And The Agony That Marked The Making Of Some Of The Enduring Classics Of Indian Cinema.
Guru Dutt’s filmography has some names which have long been considered as some of the best films to have ever been made in India. His masterpiece Pyaasa (1957) was featured in TIME magazine's All-Time 100 Movies list in 2005. His films are still celebrated and revered by viewers, critics and students of cinema the world over, not only for their technical brilliance but also for the eternal romanticism and their profound take on the emptiness of life and the shallowness of material success. He was Indian cinema’s Don Juan and Nietzsche rolled into one. But while much has been said and written on the film-maker and his art, little is known about his life behind the screens. This richly layered account takes a deep dive into the journey of a lonesome, troubled genius who was endlessly being pulled in contrary directions throughout his life. A child prodigy, who actually began as a dancer learning from the great Uday Shankar, an unconventional film-maker who desired commercial success without ever compromising on artistic satisfaction, a self-made entrepreneur who hated numbers yet single-handedly ran a film studio juggling the roles of a producer, director, actor, financier — all this while struggling silently with a deeply troubled personal life, at the centre of which was his tumultuous marriage with Geeta Dutt. Guru had it all — love, family, money, fame and validation from his audience. His untimely death by suicide, that too after multiple failed attempts, had shocked the entire film industry. But what led to that fateful night when he tipped his hat and said his final goodbye? Best-selling Bollywood biographer Yasser Usman explores the man and the myth Guru Dutt in this definitive biography of a nonconformist star, uncovering the extraordinary lives of the rich and the famous as well the incredible toll it takes on the emotional and mental health of a human being. With cameos from close friends and colleagues Dev Anand, Waheeda Rehman, Johnny Walker, S.D. Burman and most significantly Dutt’s sister, noted painter Lalitha Lajmi, a short but compassionate, ambitious and ultimately tragic life reveals itself in the pages of this book. This is a gripping, meticulously researched and moving portrait of an unfinished life — a tale of unrequited love, unresolved relationships and unmatched cinematic talent.
Why is LOVE spelled with a Zero in it? Find out in Chapter 13 and 5 different endings! Thirty-Six hours in Incessant Rain! Thunder! Lightening! Floods! - No electricity & telephones! Is this scary environment right for romance? An eligible bachelor who picked up a gorgeous beauty thought so. Coy, innocent, playful, and naughty - This enchantress stole his heart and took it away with her! No phone number! No address! No message! Not even a goodbye! Guess why? Betrayal? Love Triangle? Mafia? Kidnapping? Orthodox Family? Race? Religion? Diseases? Wealth? No! Our sensitive heartbroken handsome was also clueless. Help came unexpectedly. A genius hacked servers and found the damsel. Reuniting with her beau, she was crazier in love than ever before. Now, two happy endings were on the cards! But the end was more bizarre than the disappearing act! Angelic, childlike & lovable young adults meet accidentally, and then Karma separates them. When things become too sweet, they turn sour. And when one puzzle is solved, another comes up. Unique characters in this tale: Luv: Intelligent & smart. IIT graduate. India Head of an MNC. This stylish single rides a cruiser bike & lives in a posh locality of Mumbai. Despite being young, tall, handsome, and fit, this stud has no girlfriends. Is he waiting for the right girl? Or is he too shy? Anamika: BFF of Shruti. Attractive enough to win a beauty pageant or Miss World title. Shruti: Queen bee & Luv's younger sister is looking for a beautiful & cultured sister-in-law. One who can woo her brother & live happily ever after with him. Her secret desire is that Anamika & Luv should marry each other. With great expectations, she creates conditions to help the perfect couple kickstart their romantic journey. All three look forward to it. But will the sword of destiny chop their plan? Surveen: Luv's next-door diva. Loyal & devotional fans worship her. The hot & spicy neighbor wants to hook the domesticated cash cow, Luv. Gul: Oozing sensuality, this dove-eyed Bengali is here to make the simple story complex. Manohar Lal: Luv's best friend & engineering college classmate. A poor man's educated & talented son who becomes a determined python coder. This CEO of a Fortune 500 software giant makes academics look easy. From MIT to Cornell, every library has papers written by him. This natural actor dreams of acting in movies - being an American spy, a yoga guru, or a musician. But his parents want him to prepare for competitive exams. Optimistic, he learns to Tango and develops skills to charm an unidentified chic - his future wife. Suzie: French intern & a florist. Studying in the USA. The best sparkling wine that France has ever brewed. Manohar's fiancée? His traditional parents have different ideas. Bulbul: A dark horse with the potential to win any race. Old Monk & Kingfisher: College education is incomplete if you don't do assignments of these honorary professors. They teach how to do nothing. If a timid student gets their blessings, he transforms into a bold and confident leader. In their presence, opponents become buddies. Some accept them with reverence and humility - others hate him. Their teachings guide & aid disciples till eternity. Thor: The paranormal God of lightning & thunder plays a memorable cameo - striking loudly & often - scaring tender venerable girls. Is he working hand-in-hand with Cupid? Meeta: Nerdy batchmate of Luv. This nagging wife has no role, but her harassed husband wants to have a few beers in peace. So we let him in, for old times' sake. A fun-filled & humorous encounter between teens who have grown up. Devor this addictive collection of joyful & gleeful incidents, & share happiness. Sweet Romance - no offensive language, explicit sexual details
Of Colonial Bungalows and Piano Lessons can be read as a metaphor — as an icon — of the encounter between cultures. The memoir is based on Monica Chanda’s recollections between about 1913 and 1927, of life in Calcutta, districts of undivided Bengal, holidays in Kashmir and in Europe. There is more than a whiff of a Victorian upbringing in the pages. Neither honed in one culture nor fully at home in those practices superimposed by Monica’s father’s professional life as a member of the Indian Civil Service, her dilemma comes through in these writings. While her father, Jnanendra Nath Gupta, was avowedly against formal schooling for girls, he encouraged his daughter to undertake long and at times hazardous journeys by river, rail and road to perfect her skills as a pianist. Though there was an occasional longing for a freer life like that lived by her cousins, yet, Monica also enjoyed the privileges of living in spacious bungalows with a retinue of servants, going on exclusive launch trips down the Ganges, and being invited to parties at Government House and even Buckingham Palace. While there is a tautness palpable in her narration of an encounter with a clearly racist Eurasian sergeant and almost near-encounter with a tiger, Monica’s style avoids hyperbole and dramatic sequences. She presents facts and situations as she saw them — though there are a few times when emotions of love, fear and excitement ripple through the pages of this tightly–woven memoir. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
IndiaÕs top Bollywood biographer tells the uncensored story of SanjayÕs roller-coaster life Ð from the tragic deaths of both his mother and his first wife to the time he smuggled heroin into the US and from the painful rehab he had to go through to his curious phone calls to gangster Chhota Shakeel.
The creative quill of Riyaz is constantly eager to experiment. She does it, playing with time and memory. Her canvas is pretty large. Her delineation of urban life is as deep and penetrating as that of the bucolic world of Kashmir hills even as she shows a greater facility for the latter. She can weave her tales with artistry and effectiveness. Among the contemporary Urdu writers, Tarannum Riyaz has unequivocally acquired that place, making a salutary contribution to Indian short story. Across the Shores takes its readers on a voyage across the shores of life!