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A portrait miniature of a cherubic boy with a wig was discovered in Salzburg in 2018. It is mounted on a bonbonnière made of papier-mâché and tortoiseshell. The provenance of the box of sweets is Paris. Could this be a portrait of W. A. Mozart from Versailles? The detective trail leads to Salzburg, Munich, Paris, and Vienna. Laboratory testing authenticates the painting and the box. Stefaan Missinne discovers the "smoking gun" in the silver frame. The guilloche pattern is the linking orphic attribute. Facial biometrics of the boy confirm it is a ten-year-old. Mozart was ten while in Paris in 1766. The Belgian author endorses the bonbonnière as a unique Louis XV box of sweets, suggesting that it is a tribute to W. A. Mozart as an Austrian child prodigy. "An exceptional finding in a Salzburg antique shop leads, like an international research thriller, from the Mozarteum in Salzburg to the archives of the Gesellschaft der Musikfreunde in Vienna, from the Louvre and the Royal French Court in Paris to the Imperial collections of the Habsburgs. A small, expensive and specially heralded box – the Mozart portrait box – portrays a unique, royally uniformed boyish Mozart as a composer, musician and prodigy. A wonderful artifact that allows us to sense Wolfgang Amadeus Mozart as a young Austrian musical genius. Stefaan Missinne has made a significant discovery with international appeal and world interest." Sir James Constable, Harvard University Fellow "Just as in Greek mythology Orpheus was able to sweep his fellow human beings away with his beguiling song, so the author, Prof. Dr. Stefaan Missinne, succeeds in this compact, scientific treatise where he documents and presents striking evidence of a portrait of the youthful Mozart from Paris, dating from 1766. In so doing, he allows the striking traces and circumstances of a small, collectible, but otherwise inconspicuous artefact to speak to us and form a significant whole that addresses us today in a most meaningful way." Archduke Dr. Michael Salvator Habsburg Lothringen
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Both a beguiling portrait of the artist and an idiosyncratic self-portrait of the author, Mysterious Mozart is Philippe Sollers's alternately oblique and searingly direct interpretation of Wolfgang Amadeus Mozart's oeuvre and lasting mystique, audaciously reformulated for the postmodern age. With a mix of slang, abstractions, quotations, first- and third-person narratives, and blunt opinion, French writer and critic Philippe Sollers taps into Mozart's playful correspondence and the lesser-known pieces of his enormous repertoire to analyze the popularity and public perceptions of his music. Detailing Mozart's drive to continue producing masterpieces even when saddled with debt and riddled with illness and anxiety, Sollers powerfully and meticulously analyzes Mozart's seven last great operas using a psychoanalytical approach to the characters' relationships. As Sollers explores themes of constancy, prodigy, freedom, and religion, he offers up bits of his own history, revealing his affinity for the creative geniuses of the eighteenth century and a yearning to bring that era's utopian freedom to life in contemporary times. What emerges is an inimitable portrait of a man and a musician whose greatest gift is a quirky companionability, a warm and mysterious appeal that distinguishes Mozart from other great composers and is brilliantly echoed by Sollers's artful tangle of narrative.
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.