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While on a journey to Prague with his wife for the opening night of Don Giovanni, Mozart is caught picking an orange on the grounds of a stately home. But when the resident family finds out who they are dealing with, they are delighted to be in the presence of the celebrated composer and invite him to their daughter's wedding. This vivid and imaginative depiction captures both the humorous and the more pensive side of the genius composer.
While on a journey with his wife to Prague for the opening night of Don Giovanni, Mozart is caught picking an orange on the grounds of a stately home. But when the resident family find out who they are dealing with, they are delighted to be in the presence of the celebrated composer and invite him to their daughter's wedding.Mörike's vivid and imaginative depiction of a day in the life of Mozart captures both the humorous and the more fragile and pensive side of the Austrian genius.
Mozart is creative, brilliant and charming. But is he also a thief? Making his way to Prague for the opening of Don Giovanni, the great composer playfully tries to steal an orange from a Bohemian family's garden. But no sooner has he taken the fruit than he is caught by a furious gardener. Desperate to escape, Mozart frantically scrawls an apologetic note to the owners of the tree. Soon, he finds himself not only forgiven but welcomed by a family who have adored the beauty of his music and are stunned to find the celebrity wandering lost in their orangery. And when they reveal it is their daughter's wedding, there can only be one guest of honour: the musical genius Amadeus.
What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing opera’s restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all.
Published to complement Mozart Studies (published in 1991), Mozart Studies 2 offers a forum for the most important trends in recent Mozart scholarship, including substantial contributions in gender and genre studies, close readings of individual works (among them the `Prague' symphony and Lenozze di Figaro), textual and contextual research and new directions in analysis, both for the operas and instrumental music. At the same time, it also aims to suggest directions for future research. In addition to Cliff Eisen, the contributors include leading Mozart scholars, among them MaryHunter, John Platoff, Wolf-Dieter Seiffert, and Elaine Sisman.
Mozart's Don Giovanni is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism. The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the opera's impact on the philosophical visions of Kierkegaard, Goethe, and Williams and its influence on the literary and dramatic works of Pushkin, Hoffmann, Mörike, Byron, Wagner, Strauss, and Shaw. Through a close and careful analysis of Don Giovanni's literary and philosophical reception and its many appropriations, rewritings, and retellings, these contributors treat the opera as a vantage point from which theory and philosophy can reconsider romanticism's central themes. As lively and passionate as the opera itself, these essays continue the spirited debate over the meaning and character of Don Giovanni and its powerful legacy. Together they prove that Mozart's brilliant artistic achievement is as potent and relevant today as when it was first performed two centuries ago.
This engaging and insightful book is the first historical study in English portraying the lives and fates of Czech women. The seven life stories, ranging from the late 19th century to the present day, expose the often cruel political history of Bohemia (19th century), the Czech lands in Czechoslovakia (20th century), and the Czech Republic (20th–21st century) through the eyes of prominent women whose acts and deeds on behalf of their fellow citizens remain unforgotten in the Czech collective mind. The three chapters and four oral history interviews offer a captivating insight into how the situation of Czech women in society has changed during a most eventful period of history. This book has been preceded by a first volume on Slovak women (ISBN 9783838207087) whose lives have been of the same singular importance for Slovakia as their Czech counterparts were for their country. The two volumes are separate entities in their own right, but together provide the reader with a comprehensive picture of women's lives in the Czech lands and Slovakia, stressing the distinct political circumstances Czech and Slovak women have faced in recent history.
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.