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Mozart Reimagined brings a fresh new perspective to the operas of renowned classical composer Wolfgang Amadeus Mozart. Nearly one hundred photographs by artist Tyson Vick illustrate scenes from each and every one of Mozart's theatrical works. Every image is lushly costumed and gorgeously staged, vividly bringing the stories and music of Mozart to life. Mozart Reimagined promises to be the most informative, humorous and entertaining book you will find about Mozart! Whether you love opera, hate opera or don't know a thing about opera, you will be positively yearning to listen to a Mozart opera after reading Mozart Reimagined.
"Mozart: The Musical Prodigy" delves into the extraordinary life of Wolfgang Amadeus Mozart, unravelling the story of a child prodigy who defied the conventions of his time to become one of the greatest composers in history. From his early years as a musical sensation in the courts of Europe to his prolific and influential compositions, this book offers a captivating exploration of Mozart's genius, his tumultuous personal life, and his enduring impact on classical music. Through meticulous research and vivid storytelling, readers are invited to witness the triumphs and tribulations of a musical virtuoso whose legacy continues to inspire and enchant audiences worldwide.
Johannes Chrysostomus Wolfgang Gottlieb Mozart was only three years old—not much bigger than his name—on the day his life changed forever. So begins this vivid biography about one of the most legendary prodigies in history. Award-winning author and illustrator Diane Stanley engagingly tells the story of a brilliant boy who grew up to be a complex and often troubled young man—a man who composed some of the most beautiful music of all time. With stunning and expressive illustrations, she portrays Mozart's turbulent life as a marionette show, inspired by the famous Salzburg Marionette Theatre, using an innovative artistic approach to present the life of a renowned musical genius. In concise and lyrical prose, Stanley presents an honest and sympathetic portrait of the boyhood and tragically short adulthood of a composer whose music has lived on for more than two hundred years.
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
This collection of 59 essays--comprising the first full-length book in English on the music of American composer John Adams--contains mostly reprints by critics and musicologists. Also compiled are new interviews with Adams, his colleagues, collaborators, and performers of his music; program and liner notes on his works from 1978 to 2005; and secti
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
This book offers the first detailed reception history of adaptations of Johann Sebastian Bach's Goldberg Variations from 1800-2020. By focusing on ways the piece has been arranged, transcribed, and reworked, or quoted in in film, dance, literature, visual art, and digital media, it reveals changing views about the role of the composer and score that have impacted recent performance practices and notions of the work concept. Beyond this, it features the work of composers, many from underrepresented backgrounds, who have recently deconstructed Bach by reimagining the subjects, compositional procedures, and forms, using contemporary compositional approaches.
**Purchase includes a free online course on faith*** What do you do when the faith you’ve always known no longer makes sense? That’s the haunting, confusing, unexpected question confronting twentysomething Peter Daniel Young after a friend doubts whether Christianity makes sense of life and has anything to offer. More troublesome yet: the right Christian answers Peter was trained to give since childhood are for questions no one is even asking—including his friend, and even himself. Which leaves him questioning what he’s always believed — leading to a crisis of faith the likes of which he has never before experienced. While not abandoning his childhood faith, Peter launches into a journey of exploration and discovery, reimagining faith for his world and questioning what the essence of the Christian message is in the first place. Along the way, he is confronted by rising doubts, encouraged by friends new and old, questioned by those close to him, and challenged to own his faith for himself. What he discovers is all at once terrifying and thrilling — for this story is the drama of his faith’s death and rebirth. Written in the self-discovery style of John Green’s coming of age stories, with shades of such classics as C. S. Lewis’s Mere Christianity and John Bunyan’s Pilgrim’s Progress, J. A. Bouma’s tale is the first story in a fresh, insightful spiritual coming of age series for a new generation wondering if the Christianity they’ve always known still matters in these dynamic times — and whether there might be something more to help make sense of life. Drawing from his own spiritual journey as a young adult, Bouma writes a stirring fable of resonance and truth for those wrestling with deep questions of faith, life, and everything in between. Whether you are facing your own crisis of faith and wondering whether Christianity still matters, or you know someone who is struggling themselves, discover along with Peter what the Christian message means for him, his family and friends, his life in the Church — and for you.
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.