Download Free Mozart Genius And The Possibilities Of Art Book in PDF and EPUB Free Download. You can read online Mozart Genius And The Possibilities Of Art and write the review.

Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination. Much recent, distinguished Mozart criticism has set out a critique of the concept of genius. Whether following the scientist seeking greater objectivity, the postmodernist proclaiming the death of the author, the historian concerned about anachronism, or the critic who warns about making despotic claims, this demystifying literature has taken the weakening of genius's accumulated cultural authority as an indispensable step in arriving at a clarified Mozart. Mozart, Genius, and the Possibilities of Art advances a contrary claim. It proposes that anti-Romantic accounts of Mozart's genius themselves get lost in both the infinitely big--in utopianism and millenarianism--and the infinitesimally small--in materialism and process. Throughout, the book buttresses this argument with probing readings from contemporary documents ranging from ephemeral periodical literature to Kant's Third Critique, along with original analyses of the music itself. Goehring's book goes on to detail a contrasting Romantic portrait of Mozart's genius, one that allowed for ambiguity, embraced experience, and did not scorn reason. In Mozart's day, the term genius spoke to the unquantifiable and unpredictable in human inventiveness. And it continues to do so today. Goehring shows how the persisting fascination with an ingenious Mozart wells up from the middle of things, from the particularity of human beings--their "genie"--and the visible yet complex world of human intention and action.
The concept of genius intrigues us. Artistic geniuses have something other people don’t have. In some cases that something seems to be a remarkable kind of inspiration that permits the artist to exceed his own abilities. It is as if the artist is suddenly possessed, as if some outside force flows through him at the moment of creation. In other cases genius seems best explained as a natural gift. The artist is the possessor of an extra talent that enables the production of masterpiece after masterpiece. This book explores the concept of artistic genius and how it came to be symbolized by three great composers of the modern era: Handel, Mozart, and Beethoven. Peter Kivy, a leading thinker in musical aesthetics, delineates the two concepts of genius that were already well formed in the ancient world. Kivy then develops the argument that these concepts have alternately held sway in Western thought since the beginning of the eighteenth century. He explores why this pendulum swing from the concept of the possessor to the concept of the possessed has occurred and how the concepts were given philosophical reformulations as views toward Handel, Mozart, and Beethoven as geniuses changed in the eighteenth, nineteenth, and twentieth centuries.
The German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced. A true child prodigy, he began composing at age 5 and rapidly developed his unmistakable style; by 18 he was composing works capable of altering the mind-states of entire civilizations. Indeed, he and his predecessor Bach accomplished the Olympian feat of adding to the human concepts of civility and civilization. So these two were not just musical geniuses, but geniuses of the humanities. Mozart's music IS civilization. It encompasses all that is humane about an idealized civilization. And it probably was Mozart's main purpose to create and propagate a concept of a great civilization through his music. He wanted to show his fellow Europeans, with their garbage-polluted citystreets, their violent mono-maniacal leaders and their stifling, non-humane bureaucracies, new ideas on how to run their civilizations properly. He wanted them to hear and feel a sense of civilized movement, of the musical expressions of man moving as he would if upholding the highest values of idealized societies. One need only listen to the revolutionary opening bars of his famous Eine Kleine Nachtmusik to see this.
Describes the life of the eighteenth-century Austrian composer, a musical prodigy who learned to write music before he could write letters and grew up to become Imperial Court Composer to Emperor Joseph.
"Life of Mozart" by Ludwig Nohl gives a unique perspective on the life and career of one of the world's most famous composers. Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works. He is celebrated in this book not just for his work, but also for his life.
The German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced. He was an extremely sophisticated and complex man. His letters reveal him as remarkably creative, fascinated by the arts, principled, religious and devoted to his father. He had an energetic personality that was almost completely devoid of any cynicism, pessimism or discouragement from creating music. This book is, in a way, an autobiography of Mozart written without conscious purpose, and for that reason peculiarly winning, illuminating and convincing. The outward things in Mozart's life are all but ignored in it, but there is a frank and full disclosure of the great musician's artistic, intellectual and moral character, made in his own words.
Life of Mozart in three volumes is a biography of famous Austrian composer Wolfgang Amadeus Mozart written for the centenary of his birth. It was written by German scholar Otto Jahn who collected the written sources on the life of the composer for the first time and evaluated them using philological methods. The book is basically an Encyclopedia of musical art and biography. It presents, not only the narrative of Mozart's life in the smallest details, with a thorough examination of each work, but it also deals with the rise and progress of each branch of music that Mozart touched. Jahn also provides a detailed account of the social and musical state of the numerous cities visited by Mozart, such as Paris, Munich, and Vienna, and biographical sketches of people in Mozart's life. Jahn's biography of Mozart is of great importance for musicology and remains fundamental to Mozart research.
"Few subjects have been more intriguing and more puzzling than that of genius, a very rare but very powerful human phenomenon: From time immemorial people have suddenly come on the scene who have incredibly superior mental capacities and the ability to see things in a totally new way, to contribute useful and original things and ideas, and to change the course of history. To be such a person, endowed with highly unusual gifts and so noticeably different from ordinary or normal people, imposes great responsibility as well as stress not only on these individuals themselves but also on those who are close to them, interested in them, or affected by them: their parents, siblings, friends, teachers, co-workers, spouses, and children. Although geniuses may have serious psychiatric problems, little has been done to study them psychologically." "An interdisciplinary conference was the foundation of this work. There was a desire to explore some of the advantages and disadvantages of being a genius, and to bring things to a more concrete level by focusing on one particular genius, viz. Wolfgang Amadeus Mozart. He was a highly successful child prodigy, and was encouraged, taught, and controlled by his musician-father. Despite his amazing capacities as a boy, he ran into serious difficulty as an adult, partly because of his complicated and rather ambivalent relationship with his father, partly because of his unlucky marriage, and partly because of changing socioeconomic circumstances in eighteenth-century Vienna." "Contributions are from psychologists, physicians, historians, musicologists, psychiatrists, and musicians and range from fairly extensive surveys (e.g.. the special characteristic of geniuses: the genius-madness controversy) to some quite specific problems (e.g. the limitations of medical practice in Vienna at Mozart's time: the psychodynamics of his family). In addition to the issues mentioned here, the volume also features a panel of outstanding performing artists who talk about their own childhood and professional experience as highly gifted and somewhat exploited people." "This collection will appeal to parents, teachers, psycho-therapists, artists, musicians, scholars, and others who are curious about what it means to be a genius and what it was like to be Mozart. The book may also stimulate some thinking about how to help people who have the qualities of genius and run into subsequent difficulties as a consequence."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"A fast-paced and fascinating account of the childhood of Wolfgang Amadeus Mozart. Join Mozart as a child prodigy, touring around Europe performing for the wealthy and beginning a brilliant career."--Page 4 of cover