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When his twin brother dies in a car accident, Helmer is obliged to return to the small family farm. He resigns himself to taking over his brother's role and spending the rest of his days 'with his head under a cow'. After his old, worn-out father has been transferred upstairs, Helmer sets about furnishing the rest of the house according to his own minimal preferences. 'A double bed and a duvet', advises Ada, who lives next door, with a sly look. Then Riet appears, the woman once engaged to marry his twin. Could Riet and her son live with him for a while, on the farm?'The Twin' is an ode to the platteland, the flat and bleak Dutch countryside with its ditches and its cows and its endless grey skies. Ostensibly a novel about the countryside, as seen through the eyes of a farmer, 'the Twin' is, in the end, about the possibility or impossibility of taking life into one's own hands. It chronicles a way of life which has resisted modernity, is culturally apart, and yet riven with a kind of romantic longing. --This text refers to an out of print or unavailable edition of this title.
An “unsettling and engaging” novel about contemporary South Africa, from the Man Booker Prize–winning author of The Promise (The Telegraph). Adam Napier leaves Johannesburg looking for a fresh start. Jobless and directionless, but with a head full of literary ambitions, he moves into his brother’s dilapidated house on the edge of a backwater town. One day he encounters Canning, a man who claims Adam saved his life in their school days. Adam does not remember him at all. But he plays along and, for a time, enjoys all that Canning has: a vast fortune and game preserve inherited from his father, and a beautiful, mysterious younger wife to whom Adam is compulsively, dangerously drawn. “An antipastoral, post-apartheid noir” (Publishers Weekly) by “a worthy heir to Gordimer and Coetzee”, The Imposter evokes a glittering world of the moneyed old guard, newly empowered black Africans, and the betrayal and obsessions hiding in the shadows of the new South African dream (The Guardian, UK).
Offers an insight into the circumstances under which the policies were developed, implemented and reviewed, as well as a study of the outcomes. This book addresses questions such as: How could an organisation with no previous experience of governing accomplish a peaceful transition to democracy? How did they do it and where are they going?
Vols. 1- cover debates of the House of the 1st- Parliament of the Republic of South Africa.
The Innocence of Roast Chicken focuses on an Afrikaans/English family in the Eastern Cape and their idyllic life on their grandparents’ farm, seen through the eyes of the little girl, Kate, and the subtle web of relationships that is shattered by a horrifying incident in the mid-1960s. Scenes from Kate’s early life are juxtaposed with Johannesburg in 1989 when Kate, now married to Joe, a human rights lawyer, stands aside from the general euphoria that is gripping the nation. Her despair, both with her marriage and with the national situation, resolutely returns to a brutal incident one Christmas day when Kate was thrust into an awareness of what lay beneath her blissful childhood. Beautifully constructed, The Innocence of Roast Chicken is painful, evocative, beautifully drawn and utterly absorbing.
The search for a means to an end to apartheid erupts into conflict between a black township youth and his "old-fashioned" black teacher.
Over almost 30 years, Roger Ballen has produced some of the most compelling and thought-provoking images in contemporary photography. His work is unflinching, confronting and always deeply moving. With its roots in the photo-documentary tradition, Ballen's approach has expanded to become an unforgettable vision of the human condition.
The Faulkner of South Africa: Transcendent glimpses into the human condition, of dreams and heartbreak, told with homespun wisdom.