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Television historian Alvin H. Marill has compiled a comprehensive listing of every film made for television since the first was broadcast in 1964. Each entry cites the film's original network, airdate, length of broadcast, extensive production credits (director, writer, producer, composer, director of photography, and editor), and a complete cast (and character) listing, as well as a brief summary. Five volumes including complete actor and director indexes.
Comprehensive listing of movies made for television from 1964-1979. Entries cite each film's original network, airdate, and length of broadcast. Along with a brief summary, each entry also includes extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast (and character) listing.
Chronicles the more than one thousand television movies and mini-series that have appeared since 1964, providing cast and credit listings, plot synopses, and informative background notes.
In October 1964, NBC aired the first made-for-television film, See How They Run, starring John Forsythe, Jane Wyatt, Leslie Nielsen, and George Kennedy. Between 1964 and 2004, more than 5,400 made-for-television films and miniseries were produced. Television historian Alvin H. Marill has compiled a comprehensive listing of every one of these films. But this is no mere list. The exhaustive entries cite each film's original network, airdate, and length of broadcast. Along with a brief summary, each entry also includes extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast (and character) listing. The first four volumes are arranged by decade(s): Volume 1: 1964-1979 Volume 2: 1980-1989 Volume 3: 1990-1999 Volume 4: 2000-2004 Entries are arranged alphabetically for quick access, and each volume also contains a chronology of films produced in that period. Volume 5 includes indexes of actors, directors, and source material (books, novels, and plays), as well as a chronological listing of all films. From television pilots like Prescription: Murder (1967), the film that introduced Peter Falk's Columbo, to epic miniseries such as Angels in America (2003), every film has been acknowledged, every actor identified, and every character named. This remains a unique undertaking; there simply is no other compendium like it. Movies Made for Television, 1964-2004 will be a valuable resource for scholars and historians of television and popular culture, as well as anyone interested in the medium.
This reference work presents useful information for every known film and television episode drawn from a Louis L'Amour work. Chronologically arranged, entries include production information, cast, credits, a synopsis, a description of the L'Amour source used, and the author's commentary. A brief biography of L'Amour, numerous photographs, and an extensive bibliography complement.
Swashbucklers is the first study of one of the most popular and enduring genres in television history – the costume adventure series. It maps the history of swashbuckling television from its origins in the 1950s to the present. It places the various series in their historical and institutional contexts and also analyses how the form and style of the genre has changed over time. And it includes case studies of major swashbuckling series including The Adventures of Robin Hood, The Buccaneers, Ivanhoe, William Tell, Zorro, Arthur of the Britons, Dick Turpin, Robin of Sherwood, Sharpe, Hornblower, The Count of Monte Cristo and the recent BBC co-production of The Three Musketeers.