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Film is popularly described as a mirror of culture. It plays a pivotal role in facilitating intercultural dialogue in our global village. World cinema helps us understand and appreciate each other’s cultural identity, and promotes harmony across different cultures in our pluralistic society. It introduces us to the life of “the other” in an entertaining yet engaging fashion, creating cultural bridges that foster a sense of unity in the midst of our diversity. This book argues that “cultural anthropology” and “theology” offer two distinct, yet intrinsically connected theoretical frameworks to formulate a more “holistic” reading of religion from world cinema. It proposes an integrated methodology for religious criticism of film in which we look at religion as a subsystem of culture and observe how religious experiences depicted on the screen are mediated through the personal bias of the auteur and the context in which the film is produced. It thus creates a renewed appreciation for the religious diversity in our world by providing a new way of observing and interpreting ethnographic information from world cinema.
The splendour, savagery and spectacle of the screen epics that staggered the world! Mighty Movies chronicles the age of the classic Hollywood blockbuster (1932--1970) by presenting and evaluating 200 authentic movie posters, lobby cards, and related memorabilia items from 100 film examples. A special appendix features an additional movie poster retrospective of the muscleman-driven 'sword and sandal' costume spectacles produced in Europe from 1957 to 1965. Originally displayed in movie theatres, these rare, ravishing, and valuable movie posters and lobby cards also illustrate the in-house movie poster styles and printing processes utilised by the major Hollywood studios of the day.
Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.
The third title in an interactive series of books that features both Harry Potter and Fantastic Beasts and Where to Find Them to create the ultimate behind-the-scenes guide to the wizarding world. From wands and racing brooms to a case full of beasts, the wizarding world is full of enchanted objects and magical devices. With this interactive book, go behind the scenes of Fantastic Beasts and Where to Find Them and all eight Harry Potter films to learn how the myriad artifacts of the films were lovingly designed and crafted. Detailed profiles of everything from the Golden Snitch to Lord Voldemort’s Horcruxes and Newt Scamander’s magical case include blueprints, concept illustrations, unit photography, and more. Jam-packed with bonus inserts throughout, including stickers, removable extras, lift-the-flaps, and many other fascinating items, this book takes young readers on a thrilling tour of the magical artifacts of the wizarding world.
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Features essays that combine research, critical analyses and theoretical approaches regarding the meaning and value of amateur and archival films. This book identifies home movies as methods of visually preserving history. It defines a genre of film studies and establishes the home movie as a tool for extracting historical and social insights.
Movies do more than tell a good story. Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies can act as prayers—expressing lament, praise, joy, confession, and more. When words fail, the perfect film might be just what you need to jump-start your conversations with the Almighty.
"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.