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Whether you are an Off Beat Cinema fan or you are simply off beat, 365 Movies: A Good Movie for Every Day of the Year will become your bible for those moments when you just want someone else to pick out a movie for your viewing entertainment. Greg Sterlace gives you a droll glimpse at movies you may have never considered or classics that deserve a second look. Sure, you may have seen Midnight Cowboy when you snuck into the theater when you were 15, but did you really catch all the nuances of depravity at that tender age? Give it another look now that you are sullied by life.
For over six years, Brian Collins watched and reviewed a different horror movie every single day. Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. And they're not the ones you've seen already - most of the book's selections are obscure, indie, or foreign titles that a casual horror fan hasn't seen yet. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.
What are you grateful for? That is precisely the question that Hailey Bartholomew asked herself every day for a year. Struggling with depression, she reached out for help and received life-changing advice: Find something every day that you are grateful for. Embracing her assignment, Hailey used her talents as a photographer to put a twist on the exercise, taking pictures of her “gratefuls” and becoming more aware that her depression was lifting in the process. 365 Gratefuls is a collection of photographs recounting Hailey’s transformation from depression to an unhindered appreciation of the world around her, combined with stories and images from many others who have encountered the effects of gratitude. This uplifting book will inspire you to look at the world with new eyes, emphasizing gratitude over anxiety in everyday moments.
The sexy and deeply romantic internationally bestselling novel that inspired the blockbuster movie.
While watching a movie, how many viewers notice some of the finer details of the film, such as the time of day during a scene—or even the date itself? For instance, does anyone remember what day detention is served by the high schoolers in The Breakfast Club or can guess when aliens first make their presence known in Independence Day? And perhaps only history buffs or fanatics of Leonardo DiCaprio can cite the exact date the Titanic sunk. In A Year of Movies: 365 Films to Watch on the Date They Happened Ivan Walters provides a selection for every day on the calendar in which at least some of the events in the film take place. For some films, the entire drama occurs on a very specific day. For other films, such as The Right Stuff, the date in question is represented in a key scene or two or even for just a few pivotal seconds. Certain films, to be sure, are obvious candidates for inclusion in this book. What other movie would make sense to watch on February 2nd than Groundhog Day? Is there a more appropriate film to consider for June 6th than The Longest Day? Representing a variety of genres—from comedies and dramas to westerns and film noir—these films offer fans a unique viewing opportunity. While helping viewers decide what to watch on a given day, this book will also introduce readers to films they may not have otherwise considered. Aimed at film buffs and casuals viewers alike, A Year of Movies is also an ideal resource for librarians who want to offer creative programming for their patrons.
Cathy Carr’s 365 Days to Alaska is a charming debut middle-grade novel about a girl from off-the-grid Alaska adjusting to suburban life. Eleven-year-old Rigel Harman loves her life in off-the-grid Alaska. She hunts rabbits, takes correspondence classes through the mail, and plays dominoes with her family in their two-room cabin. She doesn’t mind not having electricity or running water—instead, she’s got tall trees, fresh streams, and endless sky. But then her parents divorce, and Rigel and her sisters have to move with their mom to the Connecticut suburbs to live with a grandmother they’ve never met. Rigel hates it in Connecticut. It’s noisy, and crowded, and there’s no real nature. Her only hope is a secret pact that she made with her father: If she can stick it out in Connecticut for one year, he’ll bring her back home. At first, surviving the year feels impossible. Middle school is nothing like the wilderness, and she doesn’t connect with anyone . . . until she befriends a crow living behind her school. And if this wild creature has made a life for itself in the suburbs, then, just maybe, Rigel can too. 365 Days to Alaska is a wise and funny debut novel about finding beauty, hope, and connection in the world no matter where you are—even Connecticut. “Rigel’s big heart made my own heart ache. A funny and poignant fish-out-of-water tale with all the right feels and an important reflection on how we can all find our way home.” —John David Anderson, author of Ms. Bixby’s Last Day “Rigel’s suspenseful journey toward finding a home for her brave and wild heart is one that will help us all discover the beauty and uniqueness of where we are.” —Francisco X. Stork, author of Marcelo in the Real World “Readers will want to travel alongside Rigel as she struggles to survive the halls of middle school as well as she did the Alaskan bush. 365 Days to Alaska is a wonderful debut novel about compassion, belonging, and finding your way home when you feel lost in the wilderness.” —Lynne Kelly, author of Song for a Whale “Cathy Carr’s debut is a poignant novel about family and truth, particularly the uncomfortable truths between fathers and daughters, told in a voice full of insight, love, and humor. She’s an author to watch, full of wisdom and exquisite heart.” —Carrie Jones, NYT bestselling author of the Need and Time Stoppers series “Rigel Harman isn’t just any outsider—she’s an Alaskan Bush outsider. Carr’s empathic and outstanding debut novel will move readers of all ages, creating internal acceptance not only for Rigel but also for ourselves.” —Bethany Hegedus, author of Grandfather Gandhi
"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--
Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation. In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
"Over the past twenty-five years, Scott MacDonald's kaleidoscopic explorations of independent cinema have become the most important chronicle of avant-garde and experimental film in the United States. In this collection of thematically related personal essays and conversations with filmmakers, he takes us on a fascinating journey into many under-explored territories of cinema. MacDonald illuminates topics including race and avant-garde film, the political implications of the nature film, the inventive single shot films of the late 1960s and early 1970s, why men use pornography and what they are looking at when they do, poetry and the poetic in avant-garde film, the widespread failure of film studies academicians to honor those who keep film exhibition alive, and other topics. Several of the interviews--those with Korean filmmaker Gina Kim, French nature filmmakers Claude Nuridsany and Marie Pérennou (Microcosmos), Canadian media artist Clive Holden, formalist/conceptualist David Gatten, and New York's Film Forum director Karen Cooper--are the first substantial conversations with these filmmakers available in English."--Publisher's description.
The first in National Geographic's 365-photo-a-day line of inspirational books, Daily Joy unites inspiring words of joy with lovely National Geographic images of the world--a perfect gift to keep on your bedside table to read just before bed or first thing in the morning. As poet John Keats wrote, "A thing of beauty is a joy forever," and readers will turn to Daily Joy year after year to find wonder, awe, and happiness in the world around them.